The Mysteries of London. George W. M. Reynolds

The Mysteries of London - George W. M. Reynolds


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manners, disposition, and accomplishments Isabel was equally calculated to charm all her acquaintances. Having finished her education in England, she had united all the solid morality of English manners, with the sprightliness and vivacity of her native clime; and as she was without levity and frivolity, she was also entirely free from any insipid and ridiculous affectations. She was artlessness itself; her manners commanded universal respect; and her bearing alone repressed the impertinence of the libertine's gaze. With a disposition naturally lively, she was still attached to serious pursuits; and her mind was well stored with all useful information, and embellished with every feminine accomplishment.

      The two gentlemen who were present in the drawing room when Armstrong and Richard arrived, were two young beaux—members of the aristocracy; and this was their only recommendation. It was not however, on this account that they had obtained a footing in the count's abode; but because they were nearly related to a deceased English general who had taken part with the Italians against the French, during the career of Napoleon, and had been of essential service to the family to which the count belonged. With regard to their exterior, suffice it to say, that they were dressed in the extreme of fashion one was very effeminate in appearance, having neither whiskers nor the slightest appearance of a beard; and the other was rather good-looking, sported an incipient moustachio, and wore an undress military uniform.

      The effeminate young gentleman was introduced to Armstrong and Markham by the name of Sir Cherry Bounce, and the moustachioed one as the Honourable Smilax Dapper, a captain (at the age of twenty) in His Majesty's—th Regiment of Hussars.

      During the hour which intervened between the arrival of the new guests and the announcement of dinner, a conversation ensued which will serve to throw some light upon the characters of those inmates of the hospitable abode, whom we have as yet only partially introduced to our readers.

      "You reside in a very pleasant and healthy part of London, Mr. Markham," said the count; "I am well acquainted with the situation of your mansion and grounds, from the description which my friend Armstrong has given me. The house stands close by a hill, on the summit of which there are two trees."

      "Ah, indeed!" ejaculated Sir Cherry Bounce. "The other day I wode by there for the firtht time in my life; and I remember the houth ith veway beautifully thithuate in the neighbourwood of the bill dethwibed by the count, and with two ath tweeth on the top."

      "That is my house," said Richard. "But it is an antiquated, gloomy-looking pile; but——"

      "Oh! I beg your pardon, thir; it is the thweeteth little plaith I ever thaw. I never thaw it but that time, and wath thwuck with the weway wemarkable appearanth of the hill and the tweeth."

      "Those trees were planted many years ago by my brother and myself," said Markham, a deep shade of melancholy suddenly overclouding his countenance; "and they yet remain there as the trysting-mark for a strange appointment."

      "Indeed!" said the count; and as Richard saw that Isabella was also interested in his observations, he determined to gratify the sentiment of curiosity which he had excited.

      "It is nearly seven years since that event took place. My elder brother disputed with my father, and determined to leave home and choose some career for himself, which he hoped might lead to fortune. He and I parted upon that hill, beneath those trees, with the understanding that in twelve years we were to meet again upon that same spot, and then compare our respective fortunes and worldly positions. On the 10th of July, 1843, that appointment is to be kept."

      "And during the seven years which have already elapsed, have you received no tidings of your brother?" inquired Isabella.

      "None direct," answered Markham. "All that I know is that on Christmas-day, 1836, he was alive; for he went to the hill, while I was absent from home, and carved his name upon the tree that he himself planted."

      "Strike me stupid, if that isn't the most romantic thing I ever heard of!" exclaimed Captain Dapper, caressing his moustachio.

      "You ought to wite a copy of vertheth upon the wemarkable inthident, in Mith Ithabella'th Album," observed Sir Cherry Bounce.

      "So I would, strike me! if I was half such a good poet as you, Cherry," returned the captain.

      "You wote thum veway pwetty poetry the other day upon the Gweat Thea Therpenth, Thmilackth," said the effeminate baronet: "and I don't know why you thouldn't do the thame by the two ath tweeth."

      "Yes; but—strike me ugly! Miss Isabella would not let me insert them in her Album," observed the captain; "and that was very unkind."

      "Bella says that you undertook to finish a butterfly and spoilt it," exclaimed the count laughing.

      "And now it theemth for all the world like an enormouth fwog," said Sir Cherry.

      "Now, really, Bounce, that is too bad!" drawled the captain, playing with his moustachio. "I appeal to the signora herself, whether the butterfly was so very—very bad?"

      "Considering it to be your first attempt," said the young lady, "it was not so very much amiss; and I must say that I preferred the butterfly to the lines upon the Sea Serpent."

      "Well, may I perish," cried the hussar, "if I think the lines were so bad. But we will refer them to Mr. Markham;—not that I dispute Miss Isabella's judgment: I'd rather have my moustachios singed than do that! But——"

      "The vertheth! the vertheth!" cried Sir Cherry.

      "I am afraid that my talent does not justify such a reference to it," said Markham; "and I should rather imagine that Miss Isabella's decision will admit of no appeal."

      "My dear thir, we will have your opinion. The vertheth were compothed in a hurway; and they may not be quite tho ekthellent and faultleth ath they might be."

      "I only devoted half an hour to them, strike me if I did!"

      "Let'th thee—how do they begin?" continued the effeminate young baronet of nineteen. "Oh! I wemember—the opening ith thimple but ekpwethive:

      "Thwough the thea the therpenth wollth,

       Moving ever 'thwixth the polth,

       Fwightning herwinth, pwath, and tholth,

       In hith pwogweth wapid;—

       Thwallowing up the mighty thipth,

       By the thuction of hith lipth,

       Onward thill the monthtwer twipth,

       Like——"

      "Well, strike me!" interrupted the captain, "if ever I heard poetry spouted like that before. Please listen to me, Mr. Markham. This is the way the poem opens:—

      "Through the sea the serpent rolls

       Moving ever 'twixt the poles,

       Fright'ning herrings, sprats, and soles,

       In his progress rapid;—

       Swallowing up the mighty ships,

       By the motion of his lips,

       Onward still the monster trips,

       Like——"

      "No, that ithn't the way," cried Sir Cherry.

      "Well, strike me, if I'll say another word more then," returned the captain of hussars, apparently very much inclined to cry.

      "I am sure Miss Isabella was wrong not to have inserted these verses in her album," said Armstrong, with a smile of good-natured satire. "But I know that my young friend, Mr. Markham, has a more refined taste with regard to poetry than he chose just now to admit."

      "Indeed!" said the beautiful Isabella; "I should be delighted to hear Mr. Markham's sentiments upon the subject of poetry; for I confess that I myself entertain very singular notions in that respect. It is difficult to afford a minute definition of what poetry is; for, like the unearthly visitants which the fears of superstition have occasionally summoned to the world, poetry fascinates the senses, but eludes the grasp of the beholder, and stands before him visible, powerful, and


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