The Horse in History. Basil Tozer

The Horse in History - Basil Tozer


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city by 300 chariots drawn by pairs of white horses. Indeed some of the most gorgeous monuments ever erected to the memory of famous race horses were those raised in this city during the period of its splendour.

      1. THE EMPEROR TRAJAN. SHOWING ROMAN STYLE OF RIDING

       2. THE EMPEROR THEODOSIUS. SHOWING SADDLE

       3. A PARTHIAN HORSEMAN. SHOWING PARTHIAN STYLE OF RIDING BAREBACK

       4. SARMATHIAN HORSE AND WARRIOR. MEANT TO REPRESENT HORSE AND RIDER IN ARMOUR MADE OF PLATES OF BONE OR OF HORSE-HOOF

      We have it on good authority that, some centuries before Christ, the Persian men of rank deemed it derogatory to be seen on foot, and that they habitually rode on horseback. Yet in common with the people of many other races they were addicted to immolating horses on festival days, while the practices in which they indulged upon these occasions are said to have been barbarous in the extreme.

      In almost every age white horses in particular would seem to have been used for sacrificial purposes. The Persians sacrificed bulls as well as horses, a bull and a horse being sometimes bound together and then immolated. Arrian mentions that one horse at least was sacrificed to Cyrus every month, the ceremony being usually performed at Pasargadea, close to the famous tomb. Here again white horses were used for the sacrifices, for among the Persians in particular the white horse was for many centuries deemed sacred and pronounced “beloved of the gods.”

      One of the descriptions that probably gives a true account of a triumphal march in the third century B.C. is that of Herodotus, where he describes the procession of Xerxes. The following order, he tells us, was observed.

      There came first 1000 carefully selected horsemen, then 1000 carefully selected spearsmen, then ten sacred Nisæan horses “splendidly caparisoned.” These horses were called Nisæan, we are incidentally told, because they were especially reared on the plains of Nisæa, in Media, at that period famous for its great horses.

      Next came the sacred car of Zeus, drawn by eight white horses “followed by charioteers on foot holding their bridles, for no mortal was allowed to mount the seat.” Xerxes himself brought up the train, usually in a chariot drawn by Nisæan horses, with his charioteer beside him.

      The people of almost every nation of whom we have authentic records would appear to have been addicted in the centuries before Christ to the atrocious practice of sacrificing live horses to their gods. Particulars of the weird rites observed in connection with these sacrifices are for the most part too revolting to be described here, but one practice observed by the Scythians cannot well be passed unnoticed.

      This people inhabited chiefly the treeless steppes of Asia, and is known to have sacrificed animals of many kinds, but horses most of all, and usually white or dun horses.

      Thus we are told that when a Scythian king died, his favourite horse, his favourite concubine, and several important members of his establishment, preferably his cook and his cupbearer, were buried with him. When a year had passed, a further ceremony took place.

      This consisted in the execution, generally by strangulation, of some fifty of the strongest, handsomest and generally most desirable young men—probably young men who had belonged to his suite—and in the strangulation also of an equal number of the best horses that had belonged to him.

      Then, without delay, the bodies of men and horses were disembowelled, next they were stuffed with chaff or straw, and finally when the horses, supplied each with a bit and bridle, had been set up in a circle round the tomb of the deceased monarch, the bodies of the slaughtered men were set astride them.

      And there the ghastly squadron remained until it fell away to dust.

      That the literary records in which these gruesome details are to be found are accurate, has to some extent been proved by discoveries made from time to time—as for instance at the opening of the great tumuli in Russia about half-a-century ago.

      

      Indeed during the thirteenth century A.D. ceremonies equally revolting are known to have been performed regularly among the Tartars, while at the funeral of Frederic Casimir, Commander of Lorraine, in 1781, a horse was killed, and then buried with its master, and at even so recent a date as the funeral of Li Hung Chang a horse and chariot made of paper were, according to the newspaper reports, burned at the grave-side—probably a last survival of some weird rite of a sacrificial nature observed formerly in China and Japan.

      Another race known to have immolated live horses, especially white horses, was the Veneti. This people lived at the head of the Adriatic, and their name survives to this day in “Venice.”

      The sacrifice of white horses was common too amongst the Scandinavian and the Teutonic races, and formed part of their religion. The Sicilian Greeks, again, are said to have set a high value upon white horses, and to have sacrificed them under the impression that by doing so they afforded additional gratification to their gods.

      It would appear, indeed, that in all ages white animals were looked upon as sacred in a sense, for in parts of India the white elephant is deemed sacred to this day, and in parts of Persia the white ass. Then, in the fifth century B.C., the nomad Scythians, whose territories lay chiefly to the north of the River Don, owned immense herds of horses. These they used principally for food, while the milk of the mares they drank and made domestic use of in other ways, a practice long in vogue among the Turko-Tartaric tribes of Central Asia, and said to be still in vogue with them in remote regions.

      Bearing upon early Persia is rather a well-known story that on the death of the famous Smerdis the seven princes who were his possible successors agreed to confer the throne upon the owner of the horse that should be the first to neigh when they all met on the following day. The groom of Prince Darius having been told of this, had recourse to a clever ruse, for on that same evening he led his master's horse to the exact spot where the horses were all to meet on the day following, and there showed the horse a mare. Upon arriving at this spot next day the horse, as we are told, “neighed furiously,” so that Darius won his kingdom!

      We know that Hiero, King of Syracuse, who flourished towards the end of the third and during the beginning of the second century, B.C., won the great Olympic crown with his good horse Phrenicus. In simple language Tacitus describes how the people of Thurii—the city built on the ruins of Sybaris about the year 443 B.C.—first taught horse racing to the Romans.

      Although towards the end of the second century B.C., bareback riding was still quite common, a covering of some sort for the horse's back was becoming much more popular among the Greeks despite the adherence to bareback riding by the jockeys at the principal festivals. Atiphanes, the “gentle humourist,” whose plays were performed in public for the first time towards the close of the second century B.C., alludes to “coverlets for a horse,” this being probably one of the first references we have to saddles among the early Greeks.

      And now we come to Xenophon, one of the most finished of horsemen among the ancient Greeks, and apparently a true lover of horses. With the exception of an individual named Simo, or Simon, who wrote before Xenophon's time, there had not existed a man with deep and practical knowledge of horses or horsemanship, and the care of horses, who was able to write lucidly upon these subjects until Xenophon wrote with so much success his own exhaustive work.

      Xenophon speaks of Simo—who, according to Suidas, was by birth an Athenian—on more than one occasion. Xenophon, however, did not hold Simo in high esteem, as we may gather from the former's tone of condescension when he states that though Simo wrote with some knowledge of horses, yet that he entertained an exalted opinion of himself that was unpardonable.

      A PORTION OF THE PARTHENON FRIEZE, EXECUTED BY PHIDIAS ABOUT THE YEAR 440 B.C.

      The truth of that statement is borne out by the evidence we have that when, on a famous occasion, Simo presented the brazen horse to the temple of the Eleusinian Ceres, at Athens, he had the effrontery to engrave upon the pedestal his own works!


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