Romantic Canada. Victoria Hayward
the “trough”.
Inanimate individualities of every beach are the spreading fish “stages” generally of green or auburn-tinted spruce-boughs. These stage the women of the ‘Longshore. It is a most interesting item of the Court of King Cod that the entire family is here, even to the baby.
Catching the Cod seems to be the least part of the work when one beholds the amount of labour expended on the Shore-End. Early and late, during the season, the women stand to their task of drying the fish. When the weather is fine two weeks often slip away before a batch of cod is properly hardened and “dry”. Fish, destined for the long voyage to the West Indies and where Tropic heat is likely to cause a sweat in the “hold”, the Canadian and Newfoundland fishwives “cure” until it is hard as the proverbial brickbat. The amount of fish-lore contained in the heads of these women with ballooning skirts, is amazing. As judges of weather, they often put the “Weather-man” to shame. Sometimes the coming cloud is entirely unseen by the mere stroller when these women begin pell-mell to take in the fish. And when a fine evening says it is safe to leave the fish out all night, these careful souls may be seen turning over each fish, “oil-skins” up, in case
TARRING THE BOAT.
A NONOGENARIAN GRANDFATHER PLACIDLY
CATCHING UP THE MESHES OF AN OLD NET.
of a shower. These women turn easily to housekeeping duties, and often the out-of-door tasks accomplished, continue the web of romance with knitting, spinning and hooking rugs.
The sailmaker is a romantic figure in the doorway of some old “gear” house, as he sits surrounded by billows of canvas, dark and mildewed, patching, roping and otherwise overhauling the old mainsail. His, too, is a figure in imminent danger of passing. The dashing motor boat, blowing the spume from her bow, says, “The day of sails is over.”
One summer, visiting with the Lighthouse-keeper’s family in their characterful little binnacle-home on the edge of the rocks at Peggy’s Cove, our last day for adventuring having arrived, and even as we waited for the coming of the mail-carrier’s cart by which we had engaged “outward passage”, we strolled down to the waterfront to say a last farewell to our “old-timers”. It was at that last moment, in what turned out to be the eleventh hour of his life, that we chanced upon a ninety-year-old grandfather in high boots and straw hat placidly catching up with his nonogenarian fingers the broken meshes of an old net. Mailcart or not, we must have this picture! Click! As it happened, mending this bit of net was his last task. For before the picture which we promised to send back to him could come into his hand, the Great Reaper had brought him to his last illness and he was soon awa’!
CHAPTER IV.
SEA-COAST HOMES OF THE MARITIME PROVINCES.
The open-door. …
The interiors of these sea-coast cottages in which we have frequently found ourselves guests, not one but many summers, are in every way as individual and winning as their exteriors are attractive. All the furniture is hand made, with odd “bits” here and there salvaged from wrecks, or which have otherwise “washed in with the tide”. It is fitting that as the house is home-made—it shelters homemade things. On the floors are round, plaited rag rugs—pretty spots of colour but not so brilliant or so highly prized as the rough, hooked rug showing large patterns designed from nearby objects or some treasured association—the family cat, the dog, the flowers from the wee garden. In some of the French shore homes both the plaited and hooked rug give way to the Catalon. Having duly examined and admired those on the floor, Madame takes the visitor up into the garret to see the ponderous loom that holds another in the making. Scattered about are her wools, spun and dyed and perhaps previously sheared by herself. Catalons furnish material enough for hours of conversation and if the visitor is fortunate enough to be a guest under Madame’s roof the chest of floor rugs and homespun couverts may be opened to view. Some of these couverts may be old, the work of Madame’s or M’sieu’s mother. Oh, many are the stories woven into the couverts of the Magdalen Islands and the Gulf of St. Lawrence shores from Quebec to Cheticamp—stories in detail more than one summer long.
In the Gaelic homes conversation is made easy if the visitor is interested in old-time China-figures. The Gaelic woman warms to you at once if you notice her “Highland Laddie” in kilties or the wee “lambie”, or the faithful sheep-dog that stands upon the shelf. These all have a story too. Some of these China-pieces are very rich and handsome both in the quality of China and in colour, to say nothing of design—“Mary and her little Lamb”, “The Sailor Boy”, “The Lovers”, “A Victorian Lady”, in hooped skirt, poked bonnet and blue shawl, etc. A few of these figures are heirlooms. Others were bought by their present owner from some travelling salesman chancing into the glen half a century ago, when she was young. Sometimes the figure came from a wreck and was salvaged by the skipper in his little fishboat—fragile figures that survived the fury of the storm which smashed the great ship, which carried them, to kindling.
This tale of wrecks brings into the story of the little sea-coast homes the men whose handiwork the houses are. The vikings of the Maritime Provinces are home-builders! In their turn wrecks and brave men introduce another type
WITHIN SIGHT OF HOME.
SAMBRO, NOVA SCOTIA.
DOOR-WAY OF THE LIGHTHOUSE-KEEPER’S