The Horse and His Rider. Rollo Springfield
to paper, which she recognised the moment she saw it, and even in the dark, if two leaves were rubbed together. The effect produced by the sight or sound of it was so prompt and violent, that she several times unhorsed her rider. She had not the slightest fear of objects that would terrify most horses. She regarded not the music of the band, the whistling of the balls, the roaring of the cannon, the fires of the bivouacs, or the glittering of arms. The confusion and noise of an engagement made no impression on her; the sight of no other white object offended her. No other sound moved her, but the view or the rustling of paper roused her to madness.
A mare was perfectly manageable, and betrayed no antipathy to human beings, to animals of other kinds, or to horses, except they were of a light grey colour; but the moment she saw a light grey horse she rushed towards it and attacked it with the greatest fury. It was the same at all times and everywhere. She was all that could be wished on the parade, on the route, in the ranks, in action, and in the stable; but if she once caught a glimpse of a grey or white horse she rested not until she had thrown her rider or broken her halter, and then she rushed on the object of her dislike with the utmost fury. She generally contrived to seize the animal by the head or throat, and held him so fast that she would suffocate him, if he were not promptly released from her bite.
Another mare exhibited no dread except of white inanimate objects, as white mantles or coats, and particularly white plumes. She would fly from them if she could; but if unable to accomplish this, she would rush fiercely upon them, strike at them with her forefeet, and tear them with her teeth.
One of these horses, the second, was by long and kind attention divested of its insane terror, and became, perfectly quiet and useful; but the other three bid defiance to all means of cure, and to coercion amongst the rest. The cases of all four were as decided instances of monomania, or insanity confined to one object, as ever were exhibited in the human being.
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