One in a Thousand; or, The Days of Henri Quatre. G. P. R. James

One in a Thousand; or, The Days of Henri Quatre - G. P. R. James


Скачать книгу
sorry for thee."

      "Your pity I can bear," replied the dwarf, "because I believe it is of a nobler kind; but the pity of this base degraded world is poison to every wound in my heart. No more of myself, however," he added, resuming at once his usual look; "I have spoken too long about myself already. I cannot change my state, were I to reason on it till the sun grew old and weary of shining; but you can do much to change yours; and, in honesty, it were better to try a new plan, for this is a bad one."

      "Care not thou for that," replied the other; "its wisdom or its folly rests upon me. Thou canst not say that there is either sin or crime therein; and till then, be silent."

      "You spoke of your father's house," still persevered the dwarf. "Why not return thither, where now, since your uncle's death, peace, and repose, and a princely fortune await you?"

      "Return thither!" replied the youth, with a sigh. "Return thither! and for what? to find the voices I used to love silent; the forms that used to cheer it gone; to see in every chamber a memorial of the dead, and in each well-known object a new source for tears. Oh, no! I loved that place once with love far beyond that which we give in general to inanimate things; but it was because the living, and the good, and the kind, were mingled up with every scene and every object; but now they are gone: the fairy spell is broken; the rich gold turned dross; and no place of all the earth is so painful in my sight as that--my father's house."

      "Nevertheless," urged the dwarf somewhat anxiously; but the other went on: "But that is not all, Bartholo," he said, "that is not all; though that were fully enough. No, when I last saw my father's halls my bosom was as light as air, and all the thoughts that filled it were as the summer dreams of some sunny, happy child. Since then how many a bitter lesson have I learned; how changed is the aspect of life, and fate, and the world!--No, no! The sunshine that shone in my father's halls is gone for ever--the sunshine of a happy heart; and I will carry back with me a new star to light them, or never see them more."

      "Nevertheless," repeated the dwarf, "nevertheless--"

      "No more in that tone!" interrupted the youth, "let me hear no more! My resolutions are fixed beyond change. My fate is upon the die in my hand, and I will cast it boldly, let the chance be what it will. Say no more! for no more will I hear! Quick! hasten those laggards with the horses, and let us begone: each word of opposition but makes me the more eager to run my course to the end."

      The dwarfs lip curled into a more bitter smile than ever, but he made no reply; and proceeded to obey the orders he had received to hasten the preparations for departure. Those preparations were soon concluded; for while the conversation detailed above had been proceeding, the servants, with the aid of the horses, had dragged the carriage out of the brake. With some difficulty, and some danger of overturning it, it was at length brought to the high road. Leonard de Monte entered; and, wrapping himself in a large cloak, cast himself back with an air of gloomy thought. The rest mounted their horses, and, as fast as the nature of the rude vehicle, and the state of the roads would permit, the little cavalcade wound away towards Dreux, leaving the forest once more to silence and solitude.

      CHAPTER VII.

      In one of the old houses between the Louvre and the Place Royals, is still preserved in its original state a fine antique saloon of the times of Henry II. No gorgeous hall, no spacious vestibule, impresses you at once with the grandeur of the mansion; but, winding up a narrow and incommodious stair, you find yourself upon a small landing-place, whence two steps--each the segment of a circle, and both turning considerably, as if they had once formed part of a spiral staircase--conduct you, through a deep but narrow passage in the wall, to a door of black oak. On opening this, you find yourself at the threshold of a room some two-and-thirty feet square, panelled with dark and richly carved wood, and possessing a ceiling of the same. At the farther end of the saloon, opposite to the door, is a deep recess, or, rather, a sort of bay, at the entrance of which the floor rises with a high step, forming a sort of little platform capable of receiving a table and two or three chairs. From the distance of about three feet and a half above the ground up to the ceiling, the greater part of this recess or bay is of glass, with only just so much Gothic stone and wood work as serves to support the large casements, which afford the sole light of the room. The form which this projection takes on the outside of the house presents three sides of a regular octagon, and, in ornament and lightness, is not unlike one of the windows of the new part of St. John's, Cambridge, though certainly not near so beautiful as any part of that exquisite specimen of Gothic architecture.

      Though, as I have said, from this window is derived the sole light which the room possesses; nevertheless, that light is enough, especially as the sunshine seems to regard that casement with particular favour, and never fails to linger about it when the bright beams visit earth.

      At the time to which we must now go back, the floors were not so dingy, the oak was not so black, as they are at present; but the full summer sunshine was pouring through the large oriel, chequering the wood work of the raised flooring with the golden light of the rays and the dark shadows of the leaden frames in which the glass was set. A stand for embroidery appeared on the little platform; and before it sat a lady plying the busy needle and the shining silks; while a maid, seated near, read to her from a book--the Gothic characters of which were fast merging into the round letters of the present day--and another female attendant, a little farther off, followed the industrious example of her mistress, and busied herself at her frame. The principal person of the group was habited in deep mourning, which, in the fashion of that day, was, perhaps, the most unbecoming dress that the vanity of man ever permitted. The sombre hue of the garment was relieved by nothing that could give lightness or grace; and the heavy black veil, hanging from the head, seemed designed purposely to cast a gloomy, unsoftened shadow over the face. But that lady was one of those whom we see sometimes, and dream of often, so lovely by the gift of nature, that art can do nothing either to add to the beauty or diminish it; and she looked as transcendently lovely in the dark wimple and the sable stole, as if she had been clad in jewels and in lace. She was as fair as the morning star, with eyes of the deep, deep blue of the evening sky, full and soft, and overhung with a long fringe of jetty eyelashes, which sometimes made the eyes themselves seem black. Her cheek bore the rosy hue of health, though the colour was by no means deep, and was so softly diffused over her face, that it was scarce possible to say where the warm tint of the cheek ended, and the brilliant fairness of the forehead and temples began. The features, too, were as lovely as if the brightest fancy and the most skilful hand had combined to personify beauty; but they had nothing of the cold, still harshness of the statue, and one looked long in admiration ere one could pause to trace the graceful lines that went to form so fair a whole. The form was in no way unworthy of the face; and even the stiff, heavy folds of the mourning robe were forced into graceful falls by the symmetry of the limbs they covered. All, however, was calm and easy, and every part of the figure was concealed, as far as possible, except the tip of one small foot, and the soft rounded delicate hands, which, with a thousand graceful movements, urged the needle through the embroidery.

      Such was Eugenie de Menancourt, whom her father's death in Paris had left one of the richest heiresses of France, and had cast into the hands of the faction called the League, which then ruled in the capital, while the King waged war against it in the field. The possession of Eugenie de Menancourt, indeed, was no slight advantage to that party, for those who have much to bestow will always be followed; and the reward of her hand, and all the wealth that accompanied it, was one well calculated to lure many an aspiring noble to the faction who had the power of awarding it. This the Duke of Mayenne felt fully, and made, indeed, no slight use of his advantage: not that he held out the hope of obtaining her to any one directly, except to the Count d'Aubin, to whom she had been promised by her father, and whom Mayenne was most anxious to gain over from the royal cause; but, nevertheless, he took good care that, when any of his agents busied themselves to bring over an opposite, or confirm a wavering, partisan, the list of the good things which the League could bestow should not be left unmentioned, and amongst the first was the hand of Eugenie de Menancourt, the heiress of near one half of Maine. There was many another poor girl in the same condition; but as, in those days, inclination was the last thing consulted by parents in the marriage of their daughters, there was but


Скачать книгу