The Greatest Novellas & Short Stories of Anton Chekhov. Anton Chekhov

The Greatest Novellas & Short Stories of Anton Chekhov - Anton Chekhov


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belongs to the General’s brother, who arrived the other day. Our master does not care for hounds. But his honour is fond of them… .”

      “You don’t say his Excellency’s brother is here? Vladimir Ivanitch?” inquires Otchumyelov, and his whole face beams with an ecstatic smile. “‘Well, I never! And I didn’t know! Has he come on a visit?

      “Yes.”

      “Well, I never…. He couldn’t stay away from his brother…. And there I didn’t know! So this is his honour’s dog? Delighted to hear it…. Take it. It’s not a bad pup…. A lively creature…. Snapped at this fellow’s finger! Ha-ha-ha…. Come, why are you shivering? Rrr… Rrrr…. The rogue’s angry… a nice little pup.”

      Prohor calls the dog, and walks away from the timber-yard with her. The crowd laughs at Hryukin.

      “I’ll make you smart yet!” Otchumyelov threatens him, and wrapping himself in his greatcoat, goes on his way across the square.

      IN THE GRAVEYARD

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      Translation By Constance Garnett

      “THE wind has got up, friends, and it is beginning to get dark. Hadn’t we better take ourselves off before it gets worse?”

      The wind was frolicking among the yellow leaves of the old birch trees, and a shower of thick drops fell upon us from the leaves. One of our party slipped on the clayey soil, and clutched at a big grey cross to save himself from falling.

      “Yegor Gryaznorukov, titular councillor and cavalier . .” he read. “I knew that gentleman. He was fond of his wife, he wore the Stanislav ribbon, and read nothing…. His digestion worked well… . life was all right, wasn’t it? One would have thought he had no reason to die, but alas! fate had its eye on him…. The poor fellow fell a victim to his habits of observation. On one occasion, when he was listening at a keyhole, he got such a bang on the head from the door that he sustained concussion of the brain (he had a brain), and died. And here, under this tombstone, lies a man who from his cradle detested verses and epigrams…. As though to mock him his whole tombstone is adorned with verses…. There is someone coming!”

      A man in a shabby overcoat, with a shaven, bluish-crimson countenance, overtook us. He had a bottle under his arm and a parcel of sausage was sticking out of his pocket.

      “Where is the grave of Mushkin, the actor?” he asked us in a husky voice.

      We conducted him towards the grave of Mushkin, the actor, who had died two years before.

      “You are a government clerk, I suppose?” we asked him.

      “No, an actor. Nowadays it is difficult to distinguish actors from clerks of the Consistory. No doubt you have noticed that…. That’s typical, but it’s not very flattering for the government clerk.”

      It was with difficulty that we found the actor’s grave. It had sunken, was overgrown with weeds, and had lost all appearance of a grave. A cheap, little cross that had begun to rot, and was covered with green moss blackened by the frost, had an air of aged dejection and looked, as it were, ailing.

      “… forgotten friend Mushkin …” we read.

      Time had erased the never, and corrected the falsehood of man.

      “A subscription for a monument to him was got up among actors and journalists, but they drank up the money, the dear fellows …” sighed the actor, bowing down to the ground and touching the wet earth with his knees and his cap.

      “How do you mean, drank it?”

      That’s very simple. They collected the money, published a paragraph about it in the newspaper, and spent it on drink…. I don’t say it to blame them…. I hope it did them good, dear things! Good health to them, and eternal memory to him.”

      “Drinking means bad health, and eternal memory nothing but sadness. God give us remembrance for a time, but eternal memory — what next!”

      “You are right there. Mushkin was a well-known man, you see; there were a dozen wreaths on the coffin, and he is already forgotten. Those to whom he was dear have forgotten him, but those to whom he did harm remember him. I, for instance, shall never, never forget him, for I got nothing but harm from him. I have no love for the deceased.”

      “What harm did he do you?”

      “Great harm,” sighed the actor, and an expression of bitter resentment overspread his face. “To me he was a villain and a scoundrel — the Kingdom of Heaven be his! It was through looking at him and listening to him that I became an actor. By his art he lured me from the parental home, he enticed me with the excitements of an actor’s life, promised me all sorts of things — and brought tears and sorrow…. An actor’s lot is a bitter one! I have lost youth, sobriety, and the divine semblance…. I haven’t a halfpenny to bless myself with, my shoes are down at heel, my breeches are frayed and patched, and my face looks as if it had been gnawed by dogs…. My head’s full of freethinking and nonsense…. He robbed me of my faith — my evil genius! It would have been something if I had had talent, but as it is, I am ruined for nothing…. It’s cold, honoured friends…. Won’t you have some? There is enough for all…. B-r-r-r…. Let us drink to the rest of his soul! Though I don’t like him and though he’s dead, he was the only one I had in the world, the only one. It’s the last time I shall visit him…. The doctors say I shall soon die of drink, so here I have come to say goodbye. One must forgive one’s enemies.”

      We left the actor to converse with the dead Mushkin and went on. It began drizzling a fine cold rain.

      At the turning into the principal avenue strewn with gravel, we met a funeral procession. Four bearers, wearing white calico sashes and muddy high boots with leaves sticking on them, carried the brown coffin. It was getting dark and they hastened, stumbling and shaking their burden….

      “We’ve only been walking here for a couple of hours and that is the third brought in already…. Shall we go home, friends?”

       OYSTERS [trans. by Robert Crozier Long]

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      It needs no straining of memory to recall the rainy twilight autumn evening when I stood with my father in a crowded Moscow street and felt overtaken by a strange illness. I suffered no pain, but my legs gave way, my head hung helplessly on one side, and words stuck in my throat. I felt that I should soon fall on the pаvement and swoon away.

      Had I been taken to hospital at the moment, the doctor would have written above my bed the word: “Fames” — a complaint not usually dealt with in medical text-books.

      Beside me on the pavement stood my father in a threadbare summer overcoat and a check cap from which projected a piece of white cotton-wool. On his feet were big, clumsy goloshes. The vain man, fearing that people might see that the big goloshes covered neither boots nor stockings, had cased his legs in old gaiters.

      This poor, unintelligent man, whom I loved all the more, the more tattered and dirty became his once smart summer overcoat, had come to the capital five months before to seek work as a clerk. Five months he had tramped the city, seeking employment; only to-day for the first time he had screwed up his courage to beg for alms in the street.

      In front of us rose a big, three-storied house with a blue signboard “Restaurant.” My head hung helplessly back, and on one side. Involuiitarily I looked upward at the bright, restaurant windows. Behind them glimmered human figures. To the right were an orchestrion, two oleographs, and hanging lamps. While trying to pierce the


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