Heriot's Choice: A Tale. Rosa Nouchette Carey

Heriot's Choice: A Tale - Rosa Nouchette Carey


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the debris of the renowned Tower of Babel, and a family tendency to draw out the lower books without removing the upper ones had resulted in numerous overthrows, so that even Mr. Lambert objected to add to the dusty confusion.

      Books and papers were everywhere; they littered even the couch—that couch where Betha had lain for so many months, only tired, before they discovered what ailed her—the couch where her husband had laid the little light figure morning after morning, till she had grown too ill to be moved even that short distance.

      Looking round, Mildred could understand the growing helplessness of the man who had lost his right band and helpmeet; the answer and ready sympathy that never failed him were wanting now; the comely, bright presence had gone from his sight; the tones that had always vibrated so sweetly in his ear were silent for ever. With his lonely broodings there must ever mix a bitter regret, and the dull, perpetual anguish of a yearning never to be satisfied. Earth is full of these desolations, which come alike on the evil and the good—mysteries of suffering never to be understood here, but which, to such natures as Arnold Lambert's, are but as the Refiner's furnace, purging the dross of earthly passion and centring them on things above.

      Instinctively Mildred comprehended this, as her eye fell on the open pages of the Bible—the Bible that had been her husband's wedding gift to Betha, and in which she had striven to read with failing eyes the very day before her death.

      Mildred touched it reverently and turned away.

      She lingered for a moment in the dining-room, where a buxom North countrywoman was laying the table for breakfast. Everything here was unchanged.

      It was still the same homely, green, wainscotted room, with high, narrow windows looking on to the terrace. There was the same low, old-fashioned sideboard and silk-lined chiffonnier; the same leathern couch and cumbrous easy-chair; the same picture of 'Virtue and Vice,' smiling and glaring over the high wooden mantelpiece. Yes, the dear old room, as Mildred had fondly termed it in her happy three months' visit, was exactly the same; but Betha's drawing-room was metamorphosed into fairyland.

      All Arnold's descriptions had not prepared her for the pleasant surprise. Behind the double folding-doors lay a perfect picture-room, its wide bay looking over the sunny hills, and a glass door opening on the beck gravel of the courtyard.

      Outside, the long levels of green, with Cuyp-like touches of brown and red cattle, grouped together on the shady bank, tender hints of water gleaming through the trees, and the soft billowy ridges beyond; within, the faint purple and golden tints of the antique jars and vases, and shelves of rare porcelain, the rich hues of the china harmonising with the high-backed ebony chairs and cabinet, and the high, elaborately-finished mantelpiece, curiously inlaid with glass, and fitted up with tiny articles of vertu; the soft, blue hangings and Sèvres table and other dainty finishes giving a rich tone of colour to the whole. Mr. Lambert was somewhat of a dilettante, and his accurate taste had effected many improvements in the vicarage, as well as having largely aided in the work nearest his heart—the restoration of his church.

      The real frontage of the vicarage looked towards the garden terrace and Hillsbottom, the broad meadow that stretched out towards Hartley Fells, with Hartley Fold Farm and Hartley Castle in the distance; from its upper window the Nine Standards and Mallerstang, and to the south Wild-boar Fells, were plainly visible. But the usual mode of entrance was at the back. The gravelled sweep of courtyard, with its narrow grass bordering and flower-bed, communicated with the outhouses and stable-yard by means of a green door in the wall. The part of the vicarage appropriated to the servants' use was very old, dating, it is said, from the days of Henry VIII, and some of the old windows were still remaining. Mildred remembered the great stone kitchen and rambling cellarage and the cosy housekeeper's room, where Betha had distilled her fragrant waters and tied up her preserves. As she passed down the long passage leading to the garden-door she could see old Nan, bare-armed and bustling, clattering across the stones in her country clogs, the sunny backyard distinctly visible. Some hens were clucking round a yellow pan; the goat bleated from the distance; the white tombstones gleamed in the morning sun; a scythe cut crisply through the wet grass; a fleet step on the gravel behind the little summer-house lingered and then turned.

      'You are early, Aunt Milly—at least, for a Londoner, though we are early people here, as you will find. I hope you have slept well.'

      'Not very well; my thoughts were too busy. Is it too early to go over to the church yet, Richard?'

      'The bells will not ring for another half-hour, if that is what you mean; but the key hangs in my father's study. I can take you over if you wish.'

      'No, do not let me hinder you,' glancing at the Greek lexicon he held in his hand.

      'Oh, my time is not so valuable as that,' he returned, good-humouredly. 'Of course you must see the restoration; it is my father's great work, and he is justly proud of it. If you go over, Aunt Milly, I will be with you in a minute.'

      Mildred obeyed, and waited in the grand old porch till Richard made his appearance, panting, and slightly disturbed.

      'It was mislaid, as usual. When you get used to us a little more, Aunt Milly, you will find that no one puts anything in its proper place. It used not to be so' he continued, in a suppressed voice; 'but we have got into sad ways lately; and Olive is a wretched manager.'

      'She is so young, Richard. What can you expect from a girl of fifteen?'

      'I have seen little women and little mothers at that age,' he returned, with brusque quaintness. 'Some girls, placed as she is, would be quite different; but Livy cares for nothing but books.'

      'She is clever then?'

      'I suppose so,' indifferently. 'My father says so, and so did——(he paused, as though the word were difficult to utter)—'but—but she was always trying to make her more womanly. Don't you think clever women are intolerable, Aunt Milly?'

      'Not if they have wise heads and good hearts; but they need peculiar training. Oh, how solemn and beautiful!' as Richard at last unlocked the door; and they entered the vast empty church, with the morning sun shining on its long aisles and glorious arcades.

      Richard's querulous voice was hushed in tender reverence now, as he called Mildred to admire the highly-decorated roof and massive pillars, and pointed out to her the different parts that had been restored.

      'The nave is Early English, and was built in 1220; the north aisle is of the original width, and was restored in Perpendicular style; the window at the eastern end is Early English too. The south aisle was widened about 1500, and has been restored in the Perpendicular; and the transepts are Early English, in which style the chancel also has been rebuilt. Nothing of the original remains except the Sedilia, probably late Early English, or perhaps the period sometimes called Wavy, or Decorated.'

      'You know it all by heart, Richard. How grand those arches are; the church itself is almost cathedral-like in its vast size.'

      'We are very fond of it,' he returned, gravely. 'Do you recollect this chapel? It is called the Musgrave Chapel. One of these tombs belonged to Sir Thomas Musgrave, who is said to have killed the last wild boar seen in these parts, about the time of Edward III.'

      'Ah! I remember hearing that. You are a capital guide, Richard.'

      'Since my father has been ill, I have always taken strangers over the church, and so one must be acquainted with the details. This is the Wharton Chapel, Aunt Milly; and here is the tomb of Lord Thomas Wharton and his two wives; it was built as a mortuary chapel, in the reign of Elizabeth, so my father says. Ah! there is the bell, and I must go into the vestry and see if my father be ready.'

      'You have not got a surpliced choir yet, Richard?'

      He shook his head.

      'We have to deal with northern prejudices; you have no idea how narrow and bigoted some minds can be. I could tell you of a parish, not thirty miles from here, where a sprig of holly in the church at Christmas would breed a riot.'

      'Impossible, Richard!'

      'You should hear some


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