Marcella. Mrs. Humphry Ward

Marcella - Mrs. Humphry Ward


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      "I have lost the habit of going out," she said quietly, "and am too old to begin again."

      "What! you mean to say," he asked her angrily, raising his voice, "that you have never meant to do your duties here—the duties of your position?"

      "I did not foresee many, outside this house and land. Why should we change our ways? We have done very well of late. I have no mind to risk what I have got."

      He glanced round at her in a quick nervous way, and then looked back again at the fire. The sight of her delicate blanched face had in some respects a more and more poignant power with him as the years went on. His anger sank into moroseness.

      "Then why do you let Marcella go? What good will it do her to go about without her parents? People will only despise her for a girl of no spirit—as they ought."

      "It depends upon how it is done. I can arrange it, I think," said Mrs. Boyce. "A woman has always convenient limitations to plead in the way of health. She need never give offence if she has decent wits. It will be understood that I do not go out, and then someone—Miss Raeburn or Lady Winterbourne—will take up Marcella and mother her."

      She spoke with her usual light gentleness, but he was not appeased.

      "If you were to talk of my health, it would be more to the purpose," he said, with grim inconsequence. And raising his heavy lids he looked at her full.

      She got up and went over to him.

      "Do you feel worse again? Why will you not change your things directly you come in? Would you like Dr. Clarke sent for?"

      She was standing close beside him; her beautiful hand, for which in their young days it had pleased his pride to give her rings, almost touched him. A passionate hunger leapt within him. She would stoop and kiss him if he asked her; he knew that. But he would not ask her; he did not want it; he wanted something that never on this earth would she give him again.

      Then moral discomfort lost itself in physical.

      "Clarke does me no good—not an atom," he said, rising. "There—don't you come. I Can look after myself."

      He went, and Mrs. Boyce remained alone in the great fire-lit room. She put her hands on the mantelpiece, and dropped her head upon them, and so stood silent for long. There was no sound audible in the room, or from the house outside. And in the silence a proud and broken heart once more nerved itself to an endurance that brought it peace with neither man nor God.

      * * * * *

      "I shall go, for all our sakes," thought Marcella, as she stood late that night brushing her hair before her dimly-lighted and rickety dressing-table. "We have, it seems, no right to be proud."

      A rush of pain and bitterness filled her heart—pain, new-born and insistent, for her mother, her father, and herself. Ever since Aldous Raeburn's hesitating revelations, she had been liable to this sudden invasion of a hot and shamed misery. And to-night, after her talk with her mother, it could not but overtake her afresh.

      But her strong personality, her passionate sense of a moral independence not to be undone by the acts of another, even a father, made her soon impatient of her own distress, and she flung it from her with decision.

      "No, we have no right to be proud," she repeated to herself. "It must be all true what Mr. Raeburn said—probably a great deal more. Poor, poor mamma! But, all the same, there is nothing to be got out of empty quarrelling and standing alone. And it was so long ago."

      Her hand fell, and she stood absently looking at her own black and white reflection in the old flawed glass.

      She was thinking, of course, of Mr. Raeburn. He had been very prompt in her service. There could be no question but that he was specially interested in her.

      And he was not a man to be lightly played upon—nay, rather a singularly reserved and scrupulous person. So, at least, it had been always held concerning him. Marcella was triumphantly conscious that he had not from the beginning given her much trouble. But the common report of him made his recent manner towards her, this last action of his, the more significant. Even the Hardens—so Marcella gathered from her friend and admirer Mary—unworldly dreamy folk, wrapt up in good works, and in the hastening of Christ's kingdom, were on the alert and beginning to take note.

      It was not as though he were in the dark as to her antecedents. He knew all—at any rate, more than she did—and yet it might end in his asking her to marry him. What then?

      Scarcely a quiver in the young form before the glass! Love, at such a thought, must have sunk upon its knees and hid its face for tender humbleness and requital. Marcella only looked quietly at the beauty which might easily prove to be so important an arrow in her quiver.

      What was stirring in her was really a passionate ambition—ambition to be the queen and arbitress of human lives—to be believed in by her friends, to make a mark for herself among women, and to make it in the most romantic and yet natural way, without what had always seemed to her the sordid and unpleasant drudgeries of the platform, of a tiresome co-operation with, or subordination to others who could not understand your ideas.

      Of course, if it happened, people would say that she had tried to capture Aldous Raeburn for his money and position's sake. Let them say it. People with base minds must think basely; there was no help for it. Those whom she would make her friends would know very well for what purpose she wanted money, power, and the support of such a man, and such a marriage. Her modern realism played with the thought quite freely; her maidenliness, proud and pure as it was, being nowise ashamed. Oh! for something to carry her deep into life; into the heart of its widest and most splendid opportunities!

      She threw up her hands, clasping them above her head amid her clouds of curly hair—a girlish excited gesture.

      "I could revive the straw-plaiting; give them better teaching and better models. The cottages should be rebuilt. Papa would willingly hand the village over to me if I found the money! We would have a parish committee to deal with the charities—oh! the Hardens would come in. The old people should have their pensions as of right. No hopeless old age, no cringing dependence! We would try co-operation on the land, and pull it through. And not in Mellor only. One might be the ruler, the regenerator of half a county!"

      Memory brought to mind in vivid sequence the figures and incidents of the afternoon, of her village round with Mary Harden.

      "As the eyes of servants towards the hand of their mistress"—the old words occurred to her as she thought of herself stepping in and out of the cottages. Then she was ashamed of herself and rejected the image with vehemence. Dependence was the curse of the poor. Her whole aim, of course, should be to teach them to stand on their own feet, to know themselves as men. But naturally they would be grateful, they would let themselves be led. Intelligence and enthusiasm give power, and ought to give it—power for good. No doubt, under Socialism, there will be less scope for either, because there will be less need. But Socialism, as a system, will not come in our generation. What we have to think for is the transition period. The Cravens had never seen that, but Marcella saw it. She began to feel herself a person of larger experience than they.

      As she undressed, it seemed to her as though she still felt the clinging hands of the Hurd children round her knees, and through them, symbolised by them, the suppliant touch of hundreds of other helpless creatures.

      She was just dropping to sleep when her own words to Aldous Raeburn flashed across her—

      "Everybody is so ready to take charge of other people's lives, and look at the result!"

      She must needs laugh at herself, but it made little matter. She fell asleep cradled in dreams. Aldous Raeburn's final part in them was not great!

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      Mrs. Boyce


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