Edgar Saltus: The Man. Marie Saltus

Edgar Saltus: The Man - Marie Saltus


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complex of the super-feminine, Edgar Saltus took unto himself a prerogative usually assigned to it, and, snipping off a few years, gave the date of his birth to "Who's Who," as 1868.

      Late in life, when confronted with the family Bible in which the date had been correctly set down, and with a photograph of himself as a baby on which his mother had proudly recorded the same, he admitted, reluctantly it must be confessed, that he had juggled things a bit. In those days births were not recorded as they now are.

      His irritation at the detection being construed as shame over his act, he laughed. The annoyance was at himself for omitting, when he had the chance, to knock off a few more objectionable years. The glorious gift of seeming as young as he looked had been offered by fate, and lost.

      As a matter of fact Edgar Saltus was born in New York City, some time during the night of October 8, 1855.

      When, later in life, he became interested in occultism, and the possibility of having an astrological chart was suggested, there was no one living who could tell him the exact hour. Trivial as it may seem, he would have given much to ascertain it. The Libra qualities assigned to those born in October were all his. This fact made him keen to know how they would be modified or increased by that of the sign rising at the hour of his birth.

      It delighted him to brush aside many annoying happenings with the remark that all Libra people were volatile, evanescent, and often irritable; were born so, and could not escape their limitations. Upon these occasions he would end up with the statement that however objectionable the sign, it was less so than that of Scorpio rising with the Sun in Taurus (which was mine). That, he declared, only a philosopher could understand and hit it off with. He had a splendid ally in the stars.

      Edgar Saltus had the good fortune, or the bad luck, as one looks at it, to be born the son of a brilliant father. Francis Henry Saltus not only brought into being the first rifled steel cannon ever made, but perfected a number of other inventions as well. For this he was decorated by almost all the crowned heads of Europe. Queen Victoria knighted him and presented his wife with a marvelous Indian shawl. He was given the Legion of Honour of France, the Order of Isabella the Catholic, of Spain—the Order of Gustavus Vasa of Sweden, and the Order of Christ of Portugal. For having chartered a ship, loading it with provisions and sending it to the starving people of the Canary Islands during a famine, he was given the inheritable title of Marquise de Casa Besa by the King of Portugal as well. The title, however, he never used.

      From Solomon Saltus back to the time of the Emperor Tiberius, the men of the Saltus family appear to have left a mark either of gore or glory upon their generation. Francis Henry Saltus did not purpose to do less. An omnivorous reader, a student and a philosopher, with some queer twists to his curious mentality, he passed on the lot—twists included—not only to his son by a former wife, Francis Saltus Saltus, named after himself, but to the little Edgar as well.

      Concerning Francis Saltus Saltus, volumes might be written. A genius, and ambidextrous, he could write sonnets with one hand and compose operas with the other. Without instruction he could improvise on any musical instrument and learn any language with equal facility.

      He did all this as a bird sings, joyously, and with so little effort that one was appalled at his genius. A clearer case of subconscious memory never existed. He learned nothing, but he remembered everything. To know where he had acquired it and how would be interesting.

      

FRANCIS HENRY SALTUS Father of Edgar Saltus

      His ability was supernormal, yet anything once written (he never made a revised copy) was tossed aside—fait accompli. A new thought or a fleeting melody called him elsewhere.

      What he lacked was the concentration, the patience, the sustained interest in his creation, to go over his work, rearrange, polish and put it into shape to live. Details were deadly. What he had written—he had written. With an indifference proportionate to his genius, he yawned—and lighted a cigarette.

      That lack was tragic. It meant a niche in the gallery of "might have beens" instead of the high place in the Hall of Fame, where he really belonged, and where, had he but condescended to care, he could have flamed as a volcano in active eruption.

      Frank was in his sixth year when little Edgar made his début. These four, Francis Senior and Junior, with Edgar and his mother, constituted the family.

      A descendant of a line of illustrious Dutch admirals, Eliza Evertson, after two rather unhappy love affairs, married Francis Saltus. She had passed her first youth. Brave she must have been, to risk her happiness with a brilliantly eccentric husband, and take upon herself the upbringing of his even more erratic son.

      Until Edgar was seven the experiment was fairly successful. Eliza Saltus, witty, quick at repartee, and interestingly sarcastic, took her place in the "family party" which constituted the social set in those days. New York was a small place. Everybody who was anybody, knew everybody else.

      Tall, fair, and distinguished looking, wearing his honors and decorations as lightly as a boutonniere, Francis Saltus was a splendid foil for the brunette beauty and vivacious spirits of his wife. During these early years together they traveled a great deal, and the problem of peace did not present itself. Eliza Evertson was a person not easily submerged. In a large home in West Seventeenth Street, none too cheerful at best, filled with massive Italian furniture of carved olive wood, these four struggled for a time to keep together and form a family.

      Of those early years Mr. Saltus always told with sadness—how his mother fought against the influence of Frank, who, even at pre-adolescence, evinced many of the peculiarities and angles which developed rapidly with the years.

      Resentful over the father's preference for his first-born, the little Edgar became the idol of his mother's heart, giving to her his deepest affection in return. Francis Saltus' pride in the elder son outweighing every other sentiment, he could see no fault in him, in spite of his habit of getting up when he pleased, eating at odd times, composing on the piano at two a. m., or bringing all kinds of queer people to the house at any hour of the day or night.

      Whether or not the stepmother exercised the tact which would have oiled the machinery of things, one cannot know. Good mothers are seldom philosophers. The fact that Frank was over-indulged and given plenty of money by an adoring father, who scarcely noticed her own small son, must have hurt her independence and pride. That she could see only his faults, and nothing of his genius, cemented the bond between the father and Frank as nothing else could have done. Blond, handsome, debonair, Frank Saltus charmed as he breathed. Only his stepmother was impervious to his fascinations.

      The little Edgar combined the Greek features of his father and half-brother with the dark eyes and olive coloring of his mother. High-strung, timid, and so nervous that a slight hesitancy marred his speech at times, the child lived in fear of offending his father by a refusal to repeat his mother's warnings against Frank, and the fear of enraging his mother by his unwillingness to repeat his father's comments.

      

EDGAR SALTUS At Two Years of Age, sitting on the Lap of His Mother ELIZA EVERTSON SALTUS

      The battle-ground of a ceaseless conflict between his parents, the boy developed a quality negative in one sense, dangerous in another. He was afraid to repeat anything of a disagreeable nature or admit an unpleasant truth. Forced to the wall he avoided truth—made a jest of it if he could, or, as a last resource, denied it pointblank. It is the fear of danger and discord and the hanging back from it that injures. On the firing-line death may be in waiting, but fear has fled.

      To get the right slant on Edgar Saltus' life as a whole, this early training—or lack of it—must be taken into consideration. This almost physical disability to tell the truth, if that truth were disagreeable, was equaled by his inability to bear pain. At any excess of it he fainted. It followed him throughout life. Rarely did he get into a dentist's chair without fainting.

      With


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