The Essential Writings of Jean-Jacques Rousseau. Jean-Jacques Rousseau
but before these things present and withdraw themselves, so to speak, from his sight, taking size and shape for him, the recurrence of emotional experiences is beginning to subject the child to the rule of habit. You see his eyes constantly follow the light, and if the light comes from the side the eyes turn towards it, so that one must be careful to turn his head towards the light lest he should squint. He must also be accustomed from the first to the dark, or he will cry if he misses the light. Food and sleep, too, exactly measured, become necessary at regular intervals, and soon desire is no longer the effect of need, but of habit, or rather habit adds a fresh need to those of nature. You must be on your guard against this.
The only habit the child should be allowed to contract is that of having no habits; let him be carried on either arm, let him be accustomed to offer either hand, to use one or other indifferently; let him not want to eat, sleep, or do anything at fixed hours, nor be unable to be left alone by day or night. Prepare the way for his control of his liberty and the use of his strength by leaving his body its natural habit, by making him capable of lasting self-control, of doing all that he wills when his will is formed.
As soon as the child begins to take notice, what is shown him must be carefully chosen. The natural man is interested in all new things. He feels so feeble that he fears the unknown: the habit of seeing fresh things without ill effects destroys this fear. Children brought up in clean houses where there are no spiders are afraid of spiders, and this fear often lasts through life. I never saw peasants, man, woman, or child, afraid of spiders.
Since the mere choice of things shown him may make the child timid or brave, why should not his education begin before he can speak or understand? I would have him accustomed to see fresh things, ugly, repulsive, and strange beasts, but little by little, and far off till he is used to them, and till having seen others handle them he handles them himself. If in childhood he sees toads, snakes, and crayfish, he will not be afraid of any animal when he is grown up. Those who are continually seeing terrible things think nothing of them.
All children are afraid of masks. I begin by showing Emile a mask with a pleasant face, then some one puts this mask before his face; I begin to laugh, they all laugh too, and the child with them. By degrees I accustom him to less pleasing masks, and at last hideous ones. If I have arranged my stages skilfully, far from being afraid of the last mask, he will laugh at it as he did at the first. After that I am not afraid of people frightening him with masks.
When Hector bids farewell to Andromache, the young Astyanax, startled by the nodding plumes on the helmet, does not know his father; he flings himself weeping upon his nurse's bosom and wins from his mother a smile mingled with tears. What must be done to stay this terror? Just what Hector did; put the helmet on the ground and caress the child. In a calmer moment one would do more; one would go up to the helmet, play with the plumes, let the child feel them; at last the nurse would take the helmet and place it laughingly on her own head, if indeed a woman's hand dare touch the armour of Hector.
If Emile must get used to the sound of a gun, I first fire a pistol with a small charge. He is delighted with this sudden flash, this sort of lightning; I repeat the process with more powder; gradually I add a small charge without a wad, then a larger; in the end I accustom him to the sound of a gun, to fireworks, cannon, and the most terrible explosions.
I have observed that children are rarely afraid of thunder unless the peals are really terrible and actually hurt the ear, otherwise this fear only comes to them when they know that thunder sometimes hurts or kills. When reason begins to cause fear, let us reassure them. By slow and careful stages man and child learn to fear nothing.
In the dawn of life, when memory and imagination have not begun to function, the child only attends to what affects its senses. His sense experiences are the raw material of thought; they should, therefore, be presented to him in fitting order, so that memory may at a future time present them in the same order to his understanding; but as he only attends to his sensations it is enough, at first, to show him clearly the connection between these sensations and the things which cause them. He wants to touch and handle everything; do not check these movements which teach him invaluable lessons. Thus he learns to perceive the heat, cold, hardness, softness, weight, or lightness of bodies, to judge their size and shape and all their physical properties, by looking, feeling,14 listening, and, above all, by comparing sight and touch, by judging with the eye what sensation they would cause to his hand.
It is only by movement that we learn the difference between self and not self; it is only by our own movements that we gain the idea of space. The child has not this idea, so he stretches out his hand to seize the object within his reach or that which is a hundred paces from him. You take this as a sign of tyranny, an attempt to bid the thing draw near, or to bid you bring it. Nothing of the kind, it is merely that the object first seen in his brain, then before his eyes, now seems close to his arms, and he has no idea of space beyond his reach. Be careful, therefore, to take him about, to move him from place to place, and to let him perceive the change in his surroundings, so as to teach him to judge of distances.
When he begins to perceive distances then you must change your plan, and only carry him when you please, not when he pleases; for as soon as he is no longer deceived by his senses, there is another motive for his effort. This change is remarkable and calls for explanation.
The discomfort caused by real needs is shown by signs, when the help of others is required. Hence the cries of children; they often cry; it must be so. Since they are only conscious of feelings, when those feelings are pleasant they enjoy them in silence; when they are painful they say so in their own way and demand relief. Now when they are awake they can scarcely be in a state of indifference, either they are asleep or else they are feeling something.
All our languages are the result of art. It has long been a subject of inquiry whether there ever was a natural language common to all; no doubt there is, and it is the language of children before they begin to speak. This language is inarticulate, but it has tone, stress, and meaning. The use of our own language has led us to neglect it so far as to forget it altogether. Let us study children and we shall soon learn it afresh from them. Nurses can teach us this language; they understand all their nurslings say to them, they answer them, and keep up long conversations with them; and though they use words, these words are quite useless. It is not the hearing of the word, but its accompanying intonation that is understood.
To the language of intonation is added the no less forcible language of gesture. The child uses, not its weak hands, but its face. The amount of expression in these undeveloped faces is extraordinary; their features change from one moment to another with incredible speed. You see smiles, desires, terror, come and go like lightning; every time the face seems different. The muscles of the face are undoubtedly more mobile than our own. On the other hand the eyes are almost expressionless. Such must be the sort of signs they use at an age when their only needs are those of the body. Grimaces are the sign of sensation, the glance expresses sentiment.
As man's first state is one of want and weakness, his first sounds are cries and tears. The child feels his needs and cannot satisfy them, he begs for help by his cries. Is he hungry or thirsty? there are tears; is he too cold or too hot? more tears; he needs movement and is kept quiet, more tears; he wants to sleep and is disturbed, he weeps. The less comfortable he is, the more he demands change. He has only one language because he has, so to say, only one kind of discomfort. In the imperfect state of his sense organs he does not distinguish their several impressions; all ills produce one feeling of sorrow.
These tears, which you think so little worthy of your attention, give rise to the first relation between man and his environment; here is forged the first link in the long chain of social order.
When the child cries he is uneasy, he feels some need which he cannot satisfy; you watch him, seek this need, find it, and satisfy it. If you can neither find it nor satisfy it, the tears continue and become tiresome. The child is petted to quiet him, he is rocked or sung to sleep; if he is obstinate, the nurse becomes impatient and threatens him; cruel nurses sometimes strike him. What strange lessons for him at his first entrance into life!
I shall never forget seeing one of these troublesome crying children thus beaten by his nurse.