The Price of Love. Arnold Bennett
eyes embraced the whole room. They did not, as the phrase is, "beam" approval; for the act of beaming involves a sort of ecstasy, and Mrs. Maldon was too dignified for ecstasy. But they displayed a mild and proud contentment as she said—
"I'm sure it's all very nice."
It was. The table crowded with porcelain, crystal, silver, and flowers, and every object upon it casting a familiar curved shadow on the whiteness of the damask toward the window! The fresh crimson and blues of the everlasting Turkey carpet (Turkey carpet being the ne plus ultra of carpetry in the Five Towns, when that carpet was bought, just as sealskin was the ne plus ultra of all furs)! The silken-polished sideboard, strange to the company, but worthy of it, and exhibiting a due sense of its high destiny! The sombre bookcase and corner cupboard, darkly glittering! The Chesterfield sofa, broad, accepting, acquiescent! The flashing brass fender and copper scuttle! The comfortably reddish walls, with their pictures—like limpets on the face of precipices! The new-whitened ceiling! In the midst the incandescent lamp that hung like the moon in heaven! … And then the young, sturdy girl, standing over the old woman and breathing out the very breath of life, vitalizing everything, rejuvenating the old woman!
Mrs. Maldon's sitting-room had a considerable renown among her acquaintance, not only for its peculiar charm, which combined and reconciled the tastes of two very different generations, but also for its radiant cleanness. There are many clean houses in the Five Towns, using the adjective in the relative sense in which the Five Towns is forced by chimneys to use it. But Mrs. Maldon's sitting-room (save for the white window-curtains, which had to accept the common grey fate of white window-curtains in the district) was clean in the country-side sense, almost in the Dutch sense. The challenge of its cleanness gleamed on every polished surface, victorious in the unending battle against the horrible contagion of foul industries. Mrs. Maldon's friends would assert that the state of that sitting-room "passed" them, or "fair passed" them, and she would receive their ever-amazed compliments with modesty. But behind her benevolent depreciation she would be blandly saying to herself: "Yes, I'm scarcely surprised it passes you—seeing the way you housewives let things go on here." The word "here" would be faintly emphasized in her mind, as no native would have emphasized it.
Rachel shared the general estimate of the sitting-room. She appreciated its charm, and admitted to herself that her first vision of it, rather less than a month before, had indeed given her a new and startling ideal of cleanliness. On that occasion it had been evident, from Mrs. Maldon's physical exhaustion, that the housemistress had made an enormous personal effort to dazzle and inspire her new "lady companion," which effort, though detected and perhaps scorned by Rachel, had nevertheless succeeded in its aim. With a certain presence of mind Rachel had feigned to remark nothing miraculous in the condition of the room. Appropriating the new ideal instantly, she had on the first morning of her service "turned out" the room before breakfast, well knowing that it must have been turned out on the previous day. Dumbfounded for a few moments, Mrs. Maldon had at length said, in her sweet and cordial benevolence, "I'm glad to see we think alike about cleanliness." And Rachel had replied with an air at once deferential, sweet, and yet casual, "Oh, of course, Mrs. Maldon!" Then they measured one another in a silent exchange. Mrs. Maldon was aware that she had by chance discovered a pearl—yes, a treasure beyond pearls. And Rachel, too, divined the high value of her employer, and felt within the stirrings of a passionate loyalty to her.
III
And yet, during the three weeks and a half of their joint existence, Rachel's estimate of Mrs. Maldon had undergone certain subtle modifications.
At first, somewhat overawed, Rachel had seen in her employer the Mrs. Maldon of the town's legend, which legend had travelled to Rachel as far as Knype, whence she sprang. That is to say, one of the great ladies of Bursley, ranking in the popular regard with Mrs. Clayton-Vernon, the leader of society, Mrs. Sutton, the philanthropist, and Mrs. Hamps, the powerful religious bully. She had been impressed by her height (Rachel herself being no lamp-post), her carriage, her superlative dignity, her benevolence of thought, and above all by her aristocratic Southern accent. After eight-and-forty years of the Five Towns, Mrs. Maldon had still kept most of that Southern accent—so intimidating to the rough, broad talkers of the district, who take revenge by mocking it among themselves, but for whom it will always possess the thrilling prestige of high life.
And then day by day Rachel had discovered that great ladies are, after all, human creatures, strangely resembling other human creatures. And Mrs. Maldon slowly became for her an old woman of seventy-two, with unquestionably wondrous hair, but failing in strength and in faculties; and it grew merely pathetic to Rachel that Mrs. Maldon should force herself always to sit straight upright. As for Mrs. Maldon's charitableness, Rachel could not deny that she refused to think evil, and yet it was plain that at bottom Mrs. Maldon was not much deceived about people: in which apparent inconsistency there hid a slight disturbing suggestion of falseness that mysteriously fretted the downright Rachel.
Again, beneath Mrs. Maldon's modesty concerning the merits of her sitting-room Rachael soon fancied that she could detect traces of an ingenuous and possibly senile "house-pride," which did more than fret the lady companion; it faintly offended her. That one should be proud of a possession or of an achievement was admissible, but that one should fail to conceal the pride absolutely was to Rachel, with her Five Towns character, a sign of weakness, a sign of the soft South. Lastly, Mrs. Maldon had, it transpired, her "ways"; for example, in the matter of blinds and in the matter of tapers. She would actually insist on the gas being lighted with a taper; a paper spill, which was just as good and better, seemed to ruffle her benign placidity: and she was funnily economical with matches. Rachel had never seen a taper before, and could not conceive where the old lady managed to buy the things.
In short, with admiration almost undiminished, and with a rapidly growing love and loyalty, Rachel had arrived at the point of feeling glad that she, a mature, capable, sagacious, and strong woman, was there to watch over the last years of the waning and somewhat peculiar old lady.
Mrs. Maldon did not see the situation from quite the same angle. She did not, for example, consider herself to be in the least peculiar, but, on the contrary, a very normal woman. She had always used tapers; she could remember the period when every one used tapers. In her view tapers were far more genteel and less dangerous than the untidy, flaring spill, which she abhorred as a vulgarity. As for matches, frankly it would not have occurred to her to waste a match when fire was available. In the matter of her sharp insistence on drawn blinds at night, domestic privacy seemed to be one of the fundamental decencies of life—simply that! And as for house-pride, she considered that she locked away her fervent feeling for her parlour in a manner marvellous and complete.
No one could or ever would guess the depth of her attachment to that sitting-room, nor the extent to which it engrossed her emotional life. And yet she had only occupied the house for fourteen years out of the forty-five years of her widowhood, and the furniture had at intervals been renewed (for Mrs. Maldon would on no account permit herself to be old-fashioned). Indeed, she had had five different sitting-rooms in five different houses since her husband's death. No matter. They were all the same sitting-room, all rendered identical by the mysterious force of her dreamy meditations on the past. And, moreover, sundry important articles had remained constant to preserve unbroken the chain that linked her to her youth. The table which Rachel had so nicely laid was the table at which Mrs. Maldon had taken her first meal as mistress of a house. Her husband had carved mutton at it, and grumbled about the consistency of toast; her children had spilt jam on its cloth. And when on Sunday nights she wound up the bracket-clock on the mantelpiece, she could see and hear a handsome young man in a long frock-coat and a large shirt-front and a very thin black tie winding it up too—her husband—on Sunday nights. And she could simultaneously see another handsome young man winding it up—her son.
Her pictures were admired.
"Your son painted this water-colour, did he not, Mrs. Maldon?"
"Yes, my son Athelstan."
"How gifted he must have been!"
"Yes, the best judges say he showed very remarkable promise. It's fading, I fear. I ought to cover