L'Assommoir. Emile Zola
be seen the pale daylight of a courtyard. This entranceway was paved like the street, and down the center flowed a streamlet of pink-stained water.
"Come in," said Coupeau, "no one will eat you."
Gervaise wanted to wait for him in the street. However, she could not resist going through the porch as far as the concierge's room on the right. And there, on the threshold, she raised her eyes. Inside, the building was six stories high, with four identical plain walls enclosing the broad central court. The drab walls were corroded by yellowish spots and streaked by drippings from the roof gutters. The walls went straight up to the eaves with no molding or ornament except the angles on the drain pipes at each floor. Here the sink drains added their stains. The glass window panes resembled murky water. Mattresses of checkered blue ticking were hanging out of several windows to air. Clothes lines stretched from other windows with family washing hanging to dry. On a third floor line was a baby's diaper, still implanted with filth. This crowded tenement was bursting at the seams, spilling out poverty and misery through every crevice.
Each of the four walls had, at ground level, a narrow entrance, plastered without a trace of woodwork. This opened into a vestibule containing a dirt-encrusted staircase which spiraled upward. They were each labeled with one of the first four letters of the alphabet painted on the wall.
Several large work-shops with weather-blackened skylights were scattered about the court. Near the concierge's room was the dyeing establishment responsible for the pink streamlet. Puddles of water infested the courtyard, along with wood shavings and coal cinders. Grass and weeds grew between the paving stones. The unforgiving sunlight seemed to cut the court into two parts. On the shady side was a dripping water tap with three small hens scratching for worms with their filth-smeared claws.
Gervaise slowly gazed about, lowering her glance from the sixth floor to the paving stones, then raising it again, surprised at the vastness, feeling as it were in the midst of a living organ, in the very heart of a city, and interested in the house, as though it were a giant before her.
"Is madame seeking for any one?" called out the inquisitive concierge, emerging from her room.
The young woman explained that she was waiting for a friend. She returned to the street; then as Coupeau did not come, she went back to the courtyard seized with the desire to take another look. She did not think the house ugly. Amongst the rags hanging from the windows she discovered various cheerful touches—a wall-flower blooming in a pot, a cage of chirruping canaries, shaving-glasses shining like stars in the depth of the shadow. A carpenter was singing in his work-shop, accompanied by the whining of his plane. The blacksmith's hammers were ringing rhythmically.
In contrast to the apparent wretched poverty, at nearly every open window appeared the begrimed faces of laughing children. Women with peaceful faces could be seen bent over their sewing. The rooms were empty of men who had gone back to work after lunch. The whole tenement was tranquil except for the sounds from the work-shops below which served as a sort of lullaby that went on, unceasingly, always the same.
The only thing she did not like was the courtyard's dampness. She would want rooms at the rear, on the sunny side. Gervaise took a few more steps into the courtyard, inhaling the characteristic odor of the slums, comprised of dust and rotten garbage. But the sharp odor of the waste water from the dye shop was strong, and Gervaise thought it smelled better here than at the Hotel Boncoeur. She chose a window for herself, the one at the far left with a small window box planted with scarlet runners.
"I'm afraid I've kept you waiting rather a long time," said Coupeau, whom she suddenly heard close beside her. "They always make an awful fuss whenever I don't dine with them, and it was worse than ever to-day as my sister had bought some veal."
And as Gervaise had slightly started with surprise, he continued glancing around in his turn:
"You were looking at the house. It's always all let from the top to the bottom. There are three hundred lodgers, I think. If I had any furniture, I would have secured a small room. One would be comfortable here, don't you think so?"
"Yes, one would be comfortable," murmured Gervaise. "In our street at Plassans there weren't near so many people. Look, that's pretty—that window up on the fifth floor, with the scarlet runners."
The zinc-worker's obstinate desire made him ask her once more whether she would or she wouldn't. They could rent a place here as soon as they found a bed. She hurried out the arched entranceway, asking him not to start that subject again. There was as much chance of this building collapsing as there was of her sleeping under the same blanket with him. Still, when Coupeau left her in front of Madame Fauconnier's shop, he was allowed to hold her hand for a moment.
For a month the young woman and the zinc-worker were the best of friends. He admired her courage, when he beheld her half killing herself with work, keeping her children tidy and clean, and yet finding time at night to do a little sewing. Often other women were hopelessly messy, forever nibbling or gadding about, but she wasn't like them at all. She was much too serious. Then she would laugh, and modestly defend herself. It was her misfortune that she had not always been good, having been with a man when only fourteen. Then too, she had often helped her mother empty a bottle of anisette. But she had learned a few things from experience. He was wrong to think of her as strong-willed; her will power was very weak. She had always let herself be pushed into things because she didn't want to hurt someone's feelings. Her one hope now was to live among decent people, for living among bad people was like being hit over the head. It cracks your skull. Whenever she thought of the future, she shivered. Everything she had seen in life so far, especially when a child, had given her lessons to remember.
Coupeau, however, chaffed her about her gloomy thoughts, and brought back all her courage by trying to pinch her hips. She pushed him away from her, and slapped his hands, whilst he called out laughingly that, for a weak woman, she was not a very easy capture. He, who always joked about everything did not trouble himself regarding the future. One day followed another, that was all. There would always be somewhere to sleep and a bite to eat. The neighborhood seemed decent enough to him, except for a gang of drunkards that ought to be cleaned out of the gutters.
Coupeau was not a bad sort of fellow. He sometimes had really sensible things to say. He was something of a dandy with his Parisian working man's gift for banter, a regular gift of gab, and besides, he was attractive.
They had ended by rendering each other all sorts of services at the Hotel Boncoeur. Coupeau fetched her milk, ran her errands, carried her bundles of clothes; often of an evening, as he got home first from work, he took the children for a walk on the exterior Boulevard. Gervaise, in return for his polite attentions, would go up into the narrow room at the top of the house where he slept, and see to his clothes, sewing buttons on his blue linen trousers, and mending his linen jackets. A great familiarity existed between them. She was never bored when he was around. The gay songs he sang amused her, and so did his continuous banter of jokes and jibes characteristic of the Paris streets, this being still new to her.
On Coupeau's side, this continual familiarity inflamed him more and more until it began to seriously bother him. He began to feel tense and uneasy. He continued with his foolish talk, never failing to ask her, "When will it be?" She understood what he meant and teased him. He would then come to visit her carrying his bedroom slippers, as if he were moving in. She joked about it and continued calmly without blushing at the allusions with which he was always surrounding her. She stood for anything from him as long as he didn't get rough. She only got angry once when he pulled a strand of her hair while trying to force a kiss from her.
Towards the end of June, Coupeau lost his liveliness. He became most peculiar. Gervaise, feeling uneasy at some of his glances, barricaded herself in at night. Then, after having sulked ever since the Sunday, he suddenly came on the Tuesday night about eleven o'clock and knocked at her room. She would not open to him; but his voice was so gentle and so trembling that she ended by removing the chest of drawers she had pushed against the door. When he entered, she thought he was ill; he looked so pale, his eyes were so red, and the veins on his face were all swollen. And he stood there, stuttering and shaking his head. No, no, he was not ill. He had been crying for two hours upstairs in his room; he wept like a