Creative Intelligence. Джон Дьюи
and the categories are the given elements from which objects are somehow made; in scientific procedure data and hypothesis are derived through logical observation and imagination from the content and operations of immediate experience. In Kant's account of the process by which objects are constructed we are nowhere in sight of any experimental procedure. Indeed, the real act of knowing, the selection and application of the category to the sense matter, is, as Kant in the end had to confess, "hidden away in the depths of the soul." Made in the presence of the elaborate machinery of knowing which Kant had constructed, this confession is almost tragic; and the tragic aspect grows when we find that the result of the "hidden" operation is merely a phenomenal object. That this should be the case, however, is not strange. A phenomenal object is the inevitable correlate of the "hidden" act of knowing whether in a "transcendental" or in an "empirical" logic. In vain do we call the act of knowing "constructive" and "synthetic" if its method of synthesis is hidden. A transcendental unity whose method is indefinable has no advantage over empirical association.
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