Uncle Max. Rosa Nouchette Carey

Uncle Max - Rosa Nouchette Carey


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of brains that Sara possessed, and she was starving on the education provided for her.

      To dance and drill and write dreary German exercises, when one is thirsting to drink deeply at the well of knowledge; to go round and round the narrow monotonous course that had sufficed for Sara's moderate abilities, like the blind horse at the mill, and never to advance an inch out of the beaten track, this was simply maddening to Jill's sturdy intellect. She often told me how she longed to attend classes, to hear lectures, to rub against full-grown minds.

      'Now. Me-ess Jocelyn, we will do a little of ze Wallenstein, by the immortal Schiller. Hold up the head, and leave off striking the table with your elbows.' Jill would give a droll imitation of Fräulein, and end with a groan.

      'What does she know-about Schiller? She cannot even comprehend him. She is dense—utterly dense and stupid; but because she knows her own language and has a correct deportment she is fit to teach me.' And Jill ground her little white teeth in impotent wrath. Jill always appeared to me like an infant Pegasus in harness; she wanted to soar—to make use of her wings—and they kept her down. She was not naturally gay, like Sara, though her health was good, and she was as powerful as a young Amazon. Her nature was more sombre and took colour from her surroundings.

      She was like a child in the sunshine; plenty of life and movement distracted her from interior broodings and made her joyous; when she was riding with the young ladies from Miss Dugald's, she would be as merry as the others.

      But her dreary schoolroom and Fräulein's society chafed her nervous sensibilities dangerously; there were only a few brown sparrows, or a stray cat intent on game, to be seen from her window. From the drawing-room, from Sara's boudoir, from her mother's bedroom, there was a charming view of the Park. In the spring the fresh foliage of the trees, and the velvety softness of the grass, would be delicious; down in the broad white road, carriages were passing, horses cantering, happy-looking people in smart bonnets, in gorgeous mantles, driving about everywhere; children would be running up and down the paths in the Park, flower-sellers would stand offering their innocent wares to the passengers. Jill would sit entranced by her mother's window watching them; the sunshine, the glitter, the hubbub, intoxicated her; she made up stories by the dozen, as her dark eyes followed the gay equipages. When Fräulein summoned her she went away reluctantly; the stories got into her head, and stopped there all the time she laboured through that long sonata.

      'Why are your fingers all thumbs to-day, Fräulein?' Herr Schliefer would demand gloomily. Jill, who was really fond of the stern old professor, hung her head and blushed guiltily. She had no excuse to offer: her girlish dreams were sacred to her; they came gliding to her through the most intricate passages of the sonata, now with a staccato movement—brisk, lively—with fitful energy, now andante, then crescendo, con passione. Jill's unformed girlish hands strike the chords wildly, angrily. 'Dolce, dolce,' screams the professor in her ears. The music softens, wanes, and the dreams seem to die away too. 'That will do, Fräulein: you have not acquitted yourself so badly after all.' And Jill gets off her music-stool reluctant, absent, half awake, and her day-dream broken up into chaos.

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      As I opened the schoolroom door a half-forgotten picture of Cinderella came vividly before me.

      The fire had burnt low; a heap of black ashes lay under the grate; and by the dull red glow I could see Jill's forlorn figure, very indistinctly, as she sat in her favourite attitude on the rug, her arms clasping her knees and her short black locks hanging loosely over her shoulders. She gave a little shrill exclamation of pleasure when she saw me.

      'Ah, you dear darling bear, do come and hug me,' she cried, trying to get up in a hurry, but her dress entangled her.

      'Where is Fräulein?' I asked, pushing her back into her place, while I knelt down to manipulate the miserable fire. 'Jill, you look just like Cinderella when the proud sisters drove away to the ball. My dear, were you asleep? Why are you sitting in the dark, with the fire going out, and the lamp unlighted? There, it only wanted to be stirred; we shall have light by which to see other's faces directly,'

      'Fräulein has a headache and has gone to lie down,' returned Jill, and, though I could not see her clearly, I knew at once by her voice that she had been crying; only she would have been furious if I had noticed the fact. 'I hope I am not very wicked, but Fräulein's headaches are the redeeming points in her character; she has them so often, and then she is obliged to lie down.'

      'Of course you have offered to bathe her head?' I asked, a little mischievously, but Jill, who was unusually subdued, took the question in good part.

      'Oh yes, and I spoke to her quite civilly; but I suppose she saw the savage gleam of delight in my eyes, for she was as cross as possible, and went away muttering that "Meess Jocelyn had the heart like the flint; if it had been Meess Sara, now—" and then she banged the door, so the pain could not have been so bad after all. It is my belief,' went on Jill, 'that Fräulein always has a headache when she has a novel to finish. Mamma does not like her to set me an example of novel-reading, so she is obliged to lock herself in her own room.'

      I took no notice of this statement, as I rather leaned to this view of the subject myself. Fräulein's round placid face and excellent appetite showed no signs of suffering, and her constant plea of a bad headache was only received with any credulity by Aunt Philippa herself; neither Sara nor I had much respect for Fräulein Sonnenschein, with her thick little figure, and big head covered with flimsy flaxen plaits. We were both aware of the smooth selfishness of her character, though Sara chose to ignore it for Jill's benefit. She was industrious, painstaking, and capable of a great deal of dull routine in the way of duties, but she was far too fond of her own comfort, and all the affection of which she was capable was lavished upon her own relatives; she had cared for Sara moderately, but her other pupil, Jill, was a thorn in her side. So I passed over Fräulein's headache without comment, and took Jill to task somewhat sharply for the comfortless state of the room. A good scolding would rouse her from her dejection; the blinds were up and the curtains undrawn; the remains of a meal, the usual five-o'clock schoolroom tea, were still on the table. Jill's German books were heaped up beside her empty cup and the glass dish that contained marmalade; the kettle spluttered and hissed in the blaze; Jill's little black kitten, Sooty, was dragging a half-knitted stocking across the rug.

      'I forgot to ring for Martha,' faltered Jill; 'she will come presently. Don't be cross, Ursula. I like the room as it is; it is deliciously untidy, just like Cinderella's kitchen; but there is no hope of the fairy godmother; and you are going away, and I shall be ten times more miserable.'

      It was this that was troubling her, then; for I had told her my plans and all about my letter to Uncle Max. Perhaps she had heard his voice in the hall, for Jill's pretty little ears heard everything that went on in the house: she admitted her knowledge at once when I taxed her with it.

      'Oh yes, I know Mr. Cunliffe is here. I heard papa go out and speak to him; his voice sounded quite cheerful; and now he has come and it will all be settled; and you will go away and be happy with your poor people, and forget that I am fretting myself to death in this horrid room.'

      She had drawn me down on the rug forcibly—for she had the strength of a young Titaness—and was wrapping her arms around me with a sort of fierce impatience. Her big eyes looked troubled and affectionate. Few people admired Jill; she was undeveloped and awkward, full of angles, and a little brusque in manner; she had a way of thrusting out her big feet and squaring her shoulders that horrified Aunt Philippa. She was very big, certainly, and would never possess Sara's slim grace. Her hair had been cropped in some illness, and had not grown so fast as they expected, but hung in short thick lengths about her neck; it was always getting into her eyes, and was being pushed back impatiently, but she would


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