The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez
sharp sabers, when they came to face the astute little yellow men who had silently gone on appropriating the most scientific occidental arts of killing.
His adventures in the various ports, his relations with women of every race and color, were sufficient to fill his life.
"I am studying geography," he wrote Don Marcos, after inquiring about his mother's health. "I am studying the geography of love."
It was not long before he was obliged to interrupt his cruise to return to the Princess. The physicians had ordered her away from the Paris palace, with its gloomy decorations so stimulating to her obsessions. They were sending her to the Riviera to drink sunlight and open air.
And poor Maria Stuart, absolutely incognito, went from one large hotel to another, occupying entire floors with her retinue of much beaten Russian servants and much adored soothsayers and witch doctors. She was the despair of the hotel keepers, who were always glad to see her depart, though she alone paid more than all the other guests put together.
Her son found her looking like a specter in her flowing mourning garb. She was weaker and thinner, and her eyes had taken on an alarming, fixed stare, which gave one the creeps. Her complexion had lost its former whiteness, gradually growing darker as though burned by an inner fire. For the moment her sole preoccupation was the construction of a palace on the Blue Coast. On French territory, in sight of Monte Carlo, she had bought a small promontory, a spur of land and rocks jutting out into the sea, a ridge covered with century-old olive trees and gnarled pines. She was kept busy quarreling with a stubborn old couple, an aged peasant and his wife, who were refusing to sell her the extreme point of the headland. She had already spent many thousands of francs on the plans of the future palace. Architects, painters, and landscape gardeners were constantly working for her, making studies of the historic past, in the endeavor to view of the Mediterranean an enormous Scottish castle express her imaginings. Her idea was to erect in full as Scotch as could possibly be imagined; in short, according to the Princess, it was to be "a novel of Walter Scott, done in stone."
Michael was frightened. The sumptuous dungeon in Paris was to be repeated in the face of that luminous sea, in one of the most smiling landscapes of the earth. Behind his mother's back he talked with all the men who were working on the future Villa Sirena, the "Villa of the Sirens." The Princess had selected this name, in the conviction that on moonlight nights the daughters of the briny deep would come and visit her, singing on the reefs beneath her window. That was the least they could do for her!
Each day the veil of mystery was opening more widely before her eyes, allowing her to see things which for others were invisible.
Don Marcos, who, deserted by his former pupil, had gone back to the Princess, likewise received instructions from Lubimoff. He was to prevent the unhappy lady from perpetrating such a sacrilege on the Mediterranean. But what could the poor Colonel do with that madwoman who spent whole weeks without speaking to him, as though she did not know who he was!
The Prince returned to his yacht, and a year later being by chance in upper Norway on his return from an expedition to the Arctic Ocean, he received the sad but expected news. His mother had died, just as she saw rising from among the olive trees and pines of the rosy promontory, the beginning of huge stone walls artificially blackened like the painted panels in the antique shops, and which looked as though they were about to fall in ruins from mere age, as soon as they had risen from the ground.
CHAPTER III
MICHAEL arrived in time to receive the body of the Princess in Paris. Before her death her mind had been illuminated by the sudden flare of reason which is the signal of the end in cases of serious mental disturbances. She had left various papers on which she had noted loans made to certain persons, and judicious suggestions for her son in regard to the management of the enormous fortune. She wanted to be buried beside her husband, her first husband, "the hero," in the Père Lachaise cemetery. During the last years she had stayed in Paris, she had been seized once more by the craze for building, and had busied herself with the preparation of her final dwelling place. Beside the mausoleum of the Marquis of Villablanca, whose image, frowning and indomitable, held in one hand a broken sword, she had set up another monument no less ostentatious with a statue which was supposed to be her exact likeness and was nothing less than the semblance of the unhappy Queen of Scots, as it appears in the engraving of the Romanticist period.
During the funeral ceremonies, Michael Fedor met again many persons who formerly visited the Lubimoff palace, and whom he had thought were dead. Doña Mercedes in tears embraced him. She had become extraordinarily stout, and the coppery complexion inherited from her Aztec ancestors had taken on an unhealthy ascetic pallor. She looked like the Mother Superior of a noble convent of nuns. At her side, Monsignor, in his silk cassock and with an air of compunction, was moving his lips to save the dead woman's soul. "My son! We have all our sorrows." And as she said this, the poor lady looked at another woman elegantly dressed in mourning who stood there somewhat aloof, in the cemetery, and seemed utterly incapacitated by the ceremony which had obliged her to rise before noon.
The Duchess de Delille also came forward to meet him, taking both his hands and giving him a strange glance.
"Your mother loved me … really loved me. During these last years we saw each other very often."
Michael nodded assent. He knew that already. The Princess Lubimoff had been the one loyal friend of this passionate unscrupulous woman, who was gradually losing every one's respect. She had defended Alicia when other high society women declared open war and closed their doors to her, fearing for their husbands' fidelity. As she used to play every winter at Monte Carlo, she had been in the company of the Princess up to the last moments.
"She loved me more than my mother ever did. … Perhaps she remembered that I might have been her daughter."
The Prince walked away, as though annoyed by this allusion. He had heard such things about her! … But all during the ceremony he kept seeing her in his mind's eye. She was still beautiful, but so strangely beautiful. Her skin had lost the golden tinge of ripened fruit, and now was pale, the dull white of Japanese paper. Her large eyes, which gave off green and yellow glints, stared with disturbing fixity and seemed at the same time to have a blank expression, as though covered by an invisible spider web. Her least bitter enemies accused her of a certain propensity for spirits. She drank all sorts of American mixed drinks like an habitué of the bars. Other people attributed her pallor and the continual darkly bewildered look in her eyes to morphine, opium and all the various liquids and perfumes producing lethargy and creating "artificial paradise." The little Alicia of former years was drinking, draining it to the last drop from the cup of life in deep draughts.
Michael Fedor thought that he had seen the last of her, but a few days later he began to receive letters. He was alone, and must be feeling sad, so she was inviting him to come and eat with her, informally, of course, as was natural among close relatives. His evasions brought fresh invitations by telephone. The Prince, like a person fulfulling a tiresome social obligation, finally went one evening to her little palace in the Avenue du Bois, one of the numerous imitations of the Petit Trianon, which are to be found in various parts of the world.
The Duchess de Delille was proud of this edifice and the tiny garden with its sharp, gilded grating, in front of which all fashionable Paris passed. Michael was acquainted with the drawing rooms without ever having been inside them. The illustrated journals, which cover the styles of wealthy social life, had published photographs, in Europe and America, of the interior of her residence. Gossip had kept him informed of Alicia's strange life. She had suddenly been taken with the mad desire of seeing people, of being admired, and of astonishing every one by her prodigality. She gave a series of great fêtes, and publicly protested because the municipality of Paris would not allow her to illuminate the entire Champs Élysées and the Arch of Triumph so that her guests might ride up to her very door in a fiery apotheosis. She had given a garden party in the Bois de Boulogne, with water sports, and dances of sacred dancers, brought from Asia. The buffet supper had been