The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez
all the stone. A whole quarry! And I wish you could have seen the bargeloads of rich soil it took to fill the hollows, level the ground, and make a decent garden!"
He grew enthusiastic as he talked about the modern flower gardens stretching around the villa and along the iron railing bordering the Menton road; and he lavished his praise on their harmonious elegance, and the majestic regulation to which the plants were forced to conform. That was how he felt a garden should be, like many another thing in life: perfect order, a sense of subordination, and respect for the hierarchies, each thing in its place, with no individual rivalries to cause confusion. But he was afraid to expound his "old-fashioned" tastes, recalling the jests of the Prince and Castro. They preferred the park, which the Colonel always thought of as the "wild garden."
They had availed themselves of the extremely ancient olive trees already on the promontory as a beginning for the park. These trees could not be called old, exactly. Such an appellation would have been petty and inadequate to their age. They were simply ancient, of no visible age. They had an air of changeless eternity about them which made them seem contemporaries of the rocks and the waves themselves. They looked more like ruins than like trees, like heaps of black wood, twisted and overthrown by a storm, or piles of wood, warped and hollowed and scorched by some fire long since past. With them also the invisible part was more important than the portions exposed to the light. Their roots, as large around as tree trunks, went out of sight, wound their way through the red earth, and then appeared once more thirty or forty yards beyond. Some of the trees had died on one side, only to come to life again on the other. What had been the trunk five hundred years before, now appeared as a mutilated stump, table shaped, severed by ax or shattered by thunderbolt; and the root, showing above the soil, was flowering again in its turn, changing into a tree, to continue an apparently limitless existence, in which centuries counted as years. The hearts of other trees were gnawed away and empty; and these supported only half of their outer shell, looking like a tower with one side blown out by an explosion; but on high they displayed an almost ridiculous crown of foliage, a few handfuls of silvery leaves scattering along the sinuous black branches. Below, the gnarled roots which seemed to have preserved in their knotted windings the sap that was the first life of the earth, embraced a much larger radius on the ground than that occupied by the branches in the air. Other olive trees, that were only three or four hundred years old, stood erect with the arrogance of youth, leafy and exuberant, casting a light, trembling, almost diaphanous shadow, like that of frosted glass which swayed with the capricious will of the wind.
"His Excellency says that there are olive trees here that were seen by the Romans. Do you believe it, Professor? Can it be that any of these trees date back to the time of Jesus Christ?"
Novoa hesitated in replying. The Colonel continued his observations as they walked along between walls of well-trimmed shrubbery towards the end of the park.
"Look: there is the Greek garden."
It was an avenue of laurels and cypress trees with curving marble benches, and in the background a semi-circular colonnade.
"I would have liked to plant a great many palms: African, Japanese, and Brazilian, like those in the gardens of the Casino. But the Prince and Don Atilio detest them. They say that they are an anachronism, that they never existed in this region, and were imported by the wealthy people who have been building for the last fifty years on the Blue Coast. All those two fellows admire is the ancient Provençal or Italian garden: olive trees, laurels, and cypresses—but not the huge, funereal cypresses with bushy tops, that we use in Spain, to decorate the calvaries and cemeteries. Look at them: they are as light and slender as feathers. To keep the wind from blowing them over you have to plant two or three together in a clump."
They had reached the extreme limit of the park, where the leafiest olive trees were growing. They walked along open pathways through high masses of wild and fragrant vegetation, whose vigorous vitality seemed to challenge the salt breeze. The plants had stiff leaves, and gave out strong exotic perfumes. As Novoa breathed in the fragrance, it evoked visions of far-off lands; and in truth it seemed almost as though an odor of Hindoo cooking or Oriental incense were floating through that wild garden. A variety of creepers hung from tree to tree. Though it was still winter these natural garlands had already begun to bloom, owing to the warm breezes of an early Spring. They stood out with all the gay splendor of a courtly festival, against the chaste pale green of the olive trees.
"Don Atilio says that all this makes him think of a Mozart symphony."
The deep blue Mediterranean lay at their feet, its slow swells combed by a sharp reef that broke the streaming water into clouds of spray. Here the promontory divided, forming two arms of unequal length. The shortest was a prolongation of the park, carrying the magnificent vegetation which flourished on its back, into the very waters. The other descended to the sea in a chaos of rocks and loose earth, with no growth save a few twisted pines, clinging to the soil, obstinately determined to prolong their death struggle. The barren loneliness of this tongue of land drew a sad smile from the Colonel each time he gazed at the dividing wall. The rugged point was eaten away by the sea with caves that threatened to cut it in two. It had no regular place of entrance, being separated from the mainland by the gardens of Villa Sirena, and shut off by a hostile wall, which represented the inalienable rights of ownership, and was a source of constant indignation and amazement to Don Marcos.
Doubtless that was why he turned away from it, gazing out toward where Monaco lay beyond the rocky cliffs.
"It is lovely, Professor: one of the most delightful panoramas anywhere. There is good reason for people to come here from the farthest ends of the earth!"
He let his glance rest on the violet colored mountains that, at the farthest horizon, projected out upon the sea, like the limit of a world. They were the so-called Mountains of the Moors, which, with Esterel Point, form a branch of the Maritime Alps, a separate mountain chain, which juts into the Mediterranean. In the opposite direction lay a portion of the pseudo-Blue Coast, which begins at Toulon and Hyères. But this part did not interest the Colonel. What he saw, more in imagination than in reality, was a bird's-eye view of the real Blue Coast, his own Blue Coast—that of the aristocratic and wealthy people on whom he was in the habit of calling, in their elegant villas and expensive hotels.
The Maritime Alps form a giant wall, parallel to the sea. In some places they fall steeply toward the Mediterranean with the sharp slope of a bulwark, without the slightest break to mask the abrupt descent. At other points the incline is gentler, creating waves of stone, miniature mountains which stand out above the water, forming capes and placid inlets. And on these sheltered shores, from Esterel to the Italian frontier, wealthy people, sensitive to cold, arriving in pilgrimages every winter, had finally converted the sleepy provincial villages into world-famous capitals. Fishing hamlets were transformed into elegant towns; the large Paris and London hotels erected enormous annexes on the deserted bays; the most expensive shops of the Boulevards opened branches in tiny settlements where a few years before every one had gone barefoot.
In his mind Toledo went over the undulating line of celebrated places, overlooking the sea from the promontories, or nestling in the little horseshoe bays to profit more directly by the refraction of the winter sunlight from the red walls of the Alps: Cannes, which inspired in him a certain awe on account of its quiet distinction—the place where consumptives and old people of renown desire to die—Antibes, with its square harbor and its walls which, according to Castro, recalled the romantic seascapes painted by Vernet; Nice, the capital where people come together to spend their money, copying Parisian life; the deep bay of Villefranche, the harborage of battleships; Cap-Ferrat and the beautiful Point Saint-Hospice, a former den of African pirates, jutting out from it; Beaulieu, with its Tunisian palaces, the homes of American multimillionaires, who always keep open house, and who had often invited the Colonel to luncheon there; Eze, the feudal hamlet, hanging grimly to the side of the Alps, and falling in ruins around its decaying castle, while down below, the people who fled from it are forming a new town, beside the gulf which their predecessors proudly called the Sea of Eze; Cap d'Ail, which serves as a sort of portico to the adjoining Principality; the Rock of Monaco, carrying on its giant's back a walled city; opposite it the dazzling Monte Carlo; and beyond, Cap-Martin, with somber vegetation, reserved and lordly,