The Sisters Rondoli, and Other Stories. Guy de Maupassant
How long are you going to wait? I should not wonder if you were foolish enough to go and look for her at the address she gave you. "Does Mme. Rondoli live here, please?" I'll bet that you are longing to go there.'
"'Not in the least,' I protested, 'and I assure you that if she does not come back to-morrow morning I shall start by the express at eight o'clock. I shall have waited twenty-four hours, and that is enough; my conscience will be quite clear.'
"I spent an uneasy and unpleasant evening, for I really had at heart a very tender feeling for her. I went to bed at twelve o'clock, and hardly slept at all. I got up at six, called Paul, packed up my things, and two hours later we started for France together."
III
"The next year, at just about the same period, I was seized, just as one is with a periodical fever, with a new desire to go to Italy, and I immediately made up my mind to carry it into effect. There is no doubt that every really well-educated man ought to see Florence, Venice, and Rome. There is the additional advantage of providing many subjects of conversation in society, and of giving one an opportunity for bringing forward artistic generalities which appear profound. This time I went alone, and I arrived at Genoa at the same time as the year before, but without any adventure on the road. I went to the same hotel, and actually happened to have the same room.
"I was scarcely in bed when the recollection of Francesca which, since the evening before, had been floating vaguely through my mind, haunted me with strange persistency.
"Have you ever been obsessed by the thought of a woman, long afterwards, on returning to the place where you loved her and she gave herself to you? It is one of the most powerful and painful sensations I know. It seems as if one could see her enter, smiling and holding out her arms. Her features, elusive yet clear, are before your eyes. She passes, returns and disappears. She tortures you like a nightmare, holds you, fills your heart, and stirs your senses by her unreal presence. She is visible to the eye, her perfume haunts you, the taste of her kisses is on your lips, and the touch of her body caresses your skin. Yet, one knows one is alone, and one is strangely tortured by the phantom one has evoked. A heavy, heart-breaking melancholy invades you, as if you were abandoned for ever. Everything looks depressing, filling the heart with a horrible sense of isolation and abandonment. Never return to the house, the room, the woods, the garden, the seat, the town, where you have held in your arms a woman you loved.
"I thought of her nearly the whole night, and by degrees the wish to see her again seized me, a confused desire at first, which gradually grew stronger and more intense. At last I made up my mind to spend the next day in Genoa, to try and find her, and if I should not succeed to take the evening train.
"Early in the morning I set out on my search. I remembered the directions she had given me when she left me, perfectly—Victor-Emmanuel Street, the Passage Falcone, St. Raphael Street, house of the furniture-dealer, at the bottom of the yard in a court.
"I found it without the least difficulty, and I knocked at the door of a somewhat dilapidated-looking dwelling. A fat woman opened it, who must once have been very handsome, but who actually was only very dirty. Although she was too fat, she still bore the lines of majestic beauty; her untidy hair fell over her forehead and shoulders, and one fancied one could see her fat body floating about in an enormous dressing-gown covered with spots of dirt and grease. Round her neck she wore a great gilt necklace, and on her wrists were splendid bracelets of Genoa filigree work.
"In rather a hostile manner she asked me what I wanted, and I replied by requesting her to tell me whether Francesca Rondoli lived there.
"'What do you want with her?' she asked.
"'I had the pleasure of meeting her last year, and I should like to see her again.'
"The old woman looked at me suspiciously.
"'Where did you meet her?' she asked.
"'Why, here, in Genoa itself.'
"'What is your name?'
"I hesitated a moment, and then I told her. I had scarcely done so when the Italian raised her arms as if to embrace me. 'Oh! you are the Frenchman; how glad I am to see you! But what grief you caused the poor child. She waited for you a month; yes, a whole month. At first she thought you would come to fetch her. She wanted to see whether you loved her. If you only knew how she cried when she saw that you were not coming! She cried till she seemed to have no tears left. Then she went to the hotel, but you had gone. She thought that most likely you were travelling in Italy, and that you would return by Genoa to fetch her, as she would not go with you. And she waited more than a month. Monsieur; and she was so unhappy; so unhappy. I am her mother.'
"I really felt a little disconcerted, but I regained my self-possession, and asked: 'Is she here now?'
"'No, she has gone to Paris with a painter, a delightful man, who loves her very much, and who gives her everything that she wants. Just look at what she sent me; they are very pretty, are they not?'
"And she showed me, with quite southern animation, her heavy bracelets and necklace. 'I have also,' she continued, 'earrings with stones in them, a silk dress, and some rings; but I only wear them on grand occasions. Oh! she is very happy, sir, very happy. She will be so pleased when I tell her you have been here. But pray come in and sit down. You will take something or other, surely?'
"But I refused, as I now wished to get away by the first train; but she took me by the arm and pulled me in, saying:
"'Please, come in; I must tell her that you have been here.'
"I found myself in a small, rather dark room, furnished with only a table and a few chairs.
"She continued: 'Oh! She is very happy now, very happy. When you met her in the train she was very miserable, for her lover had just left her at Marseilles, and she was coming back, poor child. But she liked you at once, though she was still rather sad, you understand. Now she has all she wants, and she writes and tells me everything that she does. His name is Bellemin, and they say he is a great painter in your country. He met her in the street here, and fell in love with her immediately. But you will take a glass of syrup?—it is very good. Are you quite alone, this year?'
"'Yes, I said, quite alone.'
"I felt an increasing inclination to laugh, as my first disappointment was dispelled by what Mother Rondoli said. I was obliged, however, to drink a glass of her syrup.
"'So you are quite alone?' she continued. 'How sorry I am that Francesca is not here now; she would have been company for you all the time you stayed. It is not very amusing to go about all by oneself, and she will be very sorry also.'
"Then, as I was getting up to go, she exclaimed:
"'But would you not like Carlotta to go with you? She knows all the walks very well. She is my second daughter, sir.'
"No doubt she took my look of surprise for consent, for she opened the inner door and called out up the dark stairs which I could not see:
"'Carlotta! Carlotta! come down, quickly, my dear child.'
"I tried to protest, but she would not listen.
"'No; she will be very glad to go with you; she is very nice, and much more cheerful than her sister, and she is a good girl, a very good girl, whom I love very much.'
"I heard the clatter of slippers on the stairs, and a tall, slender, dark girl appeared, also with her hair hanging down, and whose youthful figure showed unmistakably beneath an old dress of her mother.
"The latter at once told her how matters stood.
"'This is Francesca's Frenchman, you know, the one whom she knew last year. He is quite alone, and has come to look for her, poor fellow; so I told him that you would go with him to keep him company.'
"The girl looked at me with her handsome dark eyes, and said, smiling:
"'I have no objection, if he wishes it.'
"I could not possibly refuse,