Sekhet. Irene Miller
its lofty pedestal. On the contrary, she rested quite impassive, and Morris felt her soft uncorseted waist heave slightly with the deep, quivering breath she drew. Somewhat fiercely clasping her yet closer, in a second his other arm was also around her, and he was straining the flexible young form to his breast with all the abandon of a man who, having reluctantly practised self-control for long, lets himself go at last.
But his very ardour and heedless violence frightened Evarne immediately. Using the whole of her considerable strength she endeavoured to break away from his clasp. "Don't, don't!" she cried in unmistakable earnestness, and besides genuine alarm there was a touch of decided anger in her voice.
As soon as she had freed herself she stood irresolute—motionless and fascinated—yet obviously prepared at any second to dart away. Indeed, unconsciously, prompted by her athletic instincts, she rested, poised with her heels already slightly raised off the earth.
She looked more Greek than ever at that moment; fitted indeed to form part of some legend—
"Of deities or mortals, or of both;
In Temple, or the dales of Arcady."
Morris gazing at her with eager, ardent appreciation, yet read a warning that he must venture no farther that night! Trusting and confiding though Evarne might be, she was too serious, too thoughtful, to accept such overtures with childish carelessness.
Her expression gradually clouded, for the unknown Mrs. Kenyon rose in indignant might before her mind's eye! Morris, guessing the nature of some of her thoughts, knew that in dealing with a young woman possessed of such painfully lofty principles, discretion was indeed the better part of valour. Moreover, he was far too genuinely attached to her to wish to cause her undue distress, and, however strong she might be physically, he knew well that where her feelings were concerned, Evarne was in deed a "fragile flower," to be guarded well and treated tenderly.
So he just smiled calmly and reassuringly, and into his eyes came that kindly, indulgent look that always stirred the girl's very heart.
"Come, pretty one," he said, "hold my hand quietly, and go on telling me the troubles about the drawing."
Such a sudden change of manner and topic was quite bewildering; Evarne could not accommodate herself to it all with equal rapidity. There was a considerable pause, while he stood waiting with his hand outstretched. The imprint of very varying emotions passed over the girl's gentle countenance. By the brilliant light of the moon every fleeting expression could be seen, and the look with which she at length laid her hand in his could not have been displeasing even to the chaste goddess whose clear rays rendered it visible.
Somewhat hastily Evarne proceeded to chatter about the studio, but her nerves were overwrought, and her voice sounded strange to her own ears.
"Let us go in," she urged ere long; "I'm cold."
"Cold now, perhaps," murmured Morris softly, "but, if I mistake not, magnificently capable of burning with the most divine of all fires."
She made no answer. He could not be sure that she had heard, or if she had, that she understood. Neither was he at all sure that the time had even yet come when it was really desirable that she should hear and understand.
CHAPTER V
THE WILES OF THE FOWLER
Within a week of taking up her residence at "Mon Bijou," Evarne started her career at Florelli's. She proved very painstaking, and earnest—so much so as to cause considerable surprise to the other students, who had judged, from the luxury of her attire and appointments, that she was a mere dilettante.
She was far and away the most elementary pupil in the studio, and truth to tell did not find it particularly interesting to sit alone hour after hour in a corner, covering reams of Michallet, and using up boxes of charcoal in repeated struggles to depict gigantic plaster replicas of detached features from Michael Angelo's "David," or innumerable casts of torsos, of arms and legs, hands and feet, in all sizes and attitudes—painfully suggestive of amputations.
For stimulus and encouragement she would peep into the two rooms where the more advanced students were working from life, in one room from the costume model, in the other from the nude. The mental atmosphere of these rooms was so full of energy and enthusiasm that she would return with fresh ardour to her limbs and features.
Not that she was able to devote all her time to the services of the exigent Muses, nor, alas! could this pursuit arouse the keenest, most engrossing thoughts and energies of which her nature was capable. Interest in this, as in everything else in the wide universe, showed pallid and feeble before the overwhelming and concentrated interest of her love for Morris Kenyon. There was something almost tragic in such a domination. Barely seventeen, her heart and mind should have been still too youthful, too immature, to conceive and sustain such force of emotion.
Morris had many friends in Naples, and both visited and entertained considerably. Evarne, both by reason of her studies and her recent loss, could be prevailed upon to take very little part in any fêtes. Still, she started to learn Italian, and was soon able to express her will to Bianca in all simple matters, and to amuse Morris by her courageous, laughable efforts.
She fancied herself a perfect little diplomatist, and was blissfully unaware that her affection for him was very soon betrayed to his experienced eye by her every look—every word—every action. Under the circumstances, silence on the momentous topic so uppermost in both minds was naturally not maintained for long.
One night as she sat on a footstool at his feet, spoiling her eyesight by delicate fancy work, not speaking much, but at intervals contentedly humming a little song, a sudden impatience at further waste of time took possession of him.
"Evarne," he said abruptly, and as the girl in all unconsciousness stayed her needle and looked up inquiringly, he bent forward, and without any warning pressed his lips to hers. Then, shaken from his habitual calm, he placed his hands heavily upon her shoulders and gazed intently into her eyes, his expression telling yet more than his actions.
She remained motionless as if hypnotised, her face still uplifted. "Evarne, sweetest little Evarne!" he murmured after a pause, in accents tender and caressing. At the sound of his voice she dropped her head slowly lower and yet lower, until it finally rested upon his knee. Still she spoke nothing.
Slipping his arms around her, he forcibly drew her up until her head was pillowed upon his breast. Then he kissed her again and again, kissed her brow, her hair, her cheeks, her mouth.
"Darling, are you happy?" he breathed at length into her ear.
Upon this the girl released herself from his hold, and kneeling erect by his side, looked with wide-open, excited, somewhat horrified eyes straight into his. It was no highly-wrought sentiment either of love or indignation that fell from her lips. Simply, yet emphatically, she cried—
"Oh, we mustn't! we mustn't! We were both forgetting your wife!"
Morris was rather proud of his versatility, and cultivated the art of being all things to all women. The last lady on whom he had temporarily bestowed his affections had, like Evarne, been tactless and inconsiderate enough to invoke the memory of the happily absent one at a critical moment. To Evarne's predecessor he had lightly remarked, "Oh! hang my wife, Birdie. She doesn't count." Birdie had giggled, called him a "naughty man," and there had been an end to that topic.
To have addressed any such flippant answer to Evarne and her clamouring conscience would have meant the end of all things. Morris unhesitatingly took the one and only course that would serve his turn now. He adopted the plan of apparent perfect frankness, not only regarding the legal partner of his joys and woes, but concerning much else that he had hitherto kept hidden.
With many a sign of great mental struggle, now flashing forth eloquent glances, now veiling his eyes from her clear, searching gaze, he made confession