An Ambitious Woman. Fawcett Edgar

An Ambitious Woman - Fawcett Edgar


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seemed a sort of beautiful outrage that the pure, misty blue of the afternoon sky should arch so contentedly over these slimy gutters, shabby tenements, dirty children, and neglected sidewalks. A German woman jostled against her as she pressed onward; the woman carried a pail of liquid refuse, and issued from a near doorway. She had a tawdry red bow at her throat, one or two smaller bows to match it in her tossed blonde hair, and an immense flat water-curl glued against either temple, with the effect of some old hieroglyph. She was a beer-seller's wife, and she was about to empty her vessel of stale malt upon the neighboring cobble-stones. But the random speed of her gait caused her to collide abruptly with Claire's passing figure, and some of the contents of her pail shot out upon the latter's dress, making an instant stain. Claire paused, and looked at the woman with a slight annoyed motion of the head. The offender was a high-tempered person; it was currently whispered by members of their special Teuton clique that her husband was a rank socialist who had been forced to fly the police of his native town overseas, and that she shared in secret his rebellious opinions. This may or may not have been truth; but the woman flung her pailful fiercely into the street, and then as fiercely confronted Claire.

      "Vell, vat you got to say?" she cried, shrilly. "You looks at me as if I vass to blame for you running against me, ain't it? I see you before. You ain't much, annerhow. You got a big lot uf airs; you valks shust like a grant laty." Here the virago dropped her pail, set a hand on either hip, and attempted, with sad lack of success, while two long, tarnished ear-rings oscillated in her big, flushed ears, to imitate Claire's really graceful walk. "Sho," she continued, in sarcastic explanation of her parody. "You valks jush sho! Bud you ain't much. You ain't no laty. You better stop ride avay treing to be one. Dot's too thin, dot iss. Aha, you're off. I t'ought I'd freiden you!"

      Claire was indeed "off," and moving somewhat briskly, too. She had grown rather white. This rude encounter left a harsh memory behind it. For some time she could not dissipate the recollection of the German jade's insolence.

      "Perhaps she was right," her set lips at length murmured. "I am not a lady. I had better stop right away trying to be one."

      A little later she had quitted the main street of the town, and gained an open expanse at whose verge the houses stood with wide gaps between them, as though a forlorn effort had been made to conquer vacancy by ugliness. But vacancy had won the fight; space never resisted time with more complete conquest. An immense drab plain, shorn of the least green feature, now stretched before Claire's gaze. On one hand, like a slow, interminable snake, wound a black thread of slimy creek, flanked by ragged embankments of crumbling clay. On the other hand was a dull, bare sweep, unrelieved by even a single hut. Far to the eastward, facing Claire, gleamed a wide assemblage of cottages; this was a settlement that some wag or optimist, whichever he may have been, had long ago named Blissville.

      Claire had a fanciful thought, now, as she walked along the hard macadamized road which the incessant trains of funerals took toward Calvary, that Blissville, seen so distantly at the end of this treeless, herbless waste, was like the mirage glimpsed by a wanderer on a desert. But she might more aptly have compared the lonely desolation which encompassed her to those classic fields where the Greek and Roman dead found their reputed bourne. The shocking creek would have made an excellent Styx, and even the most barren imagination could have traced ready analogy between these monotonous levels of sun-baked mud and the flowerless lands where disconsolate shades were supposed to wander.

      The tender amethyst sky, arching over this hideous spot, alone saved it, to-day, from the last sort of infernal suggestiveness. An enormous funeral presently appeared in sight, just as Claire reached a certain uncouth bridge that spanned a curve of the impure current. The slow procession of dark carriages uncoiled itself, so to speak, from the massed habitations of Greenpoint, and drew gradually nearer without yet revealing its final vehicle. It was a mortuary cavalcade of phenomenal length, even for the present place, where New York quite often sends some of her worst reprobates to their graves under conditions of the most imposing solemnity. The whole retinue was at last unfurled upon the smooth roadway, along which it crawled with something of the same serpentine stealthiness as that of the almost parallel creek. A sombre rivalry seemed evident, now, between the two differing streams. This blank tract of repulsive land, so strangely dedicated to death, had lost every hint of Lethean likeness. The arrival of the funeral had wrought striking change. Here we had the modern mode of dealing with death. It seemed to make paganism wither and vanish. An old, half-rotten barge, moored in a slushy cove, might have served for an emblem of the decay and contempt now fallen upon antique legend. Was this the melancholy boat that once ferried the ghosts to Hades? Ah! but if so, the oars were lost, the planks leaked wofully, and the grim pilot had gone permanently away into the great shadow-land of all the dead gods! Claire looked toward the coming funeral, and shuddered in silence. There seemed so unholy a contrast between her own fresh, vital maidenhood and this ghastly, morbid domain. How had her healthful young spirit ever courted death, that it should thus force upon her its continual grisly fellowship? She placed both elbows on the rough balustrade of the bridge, leaned her fair girlish chin against both hands, and stared straight before her across the bleak heath. Not far off several venturesome swine were waddling; they were near enough for their absurd grunts now and then to reach her, and for her to see the pink flush of their cumbrous bodies between coarse, soiled hairs, and the earthward thrust of their long, gray, cylindrical noses. But a moment later a flock of pigeons suddenly lighted just at the foot of the bridge, on a little loamy flat. The sight gave her a thrill of pleasure. It was so odd to get any bit of beauty here, and each bird was a true bit of beauty, with its flexible irised neck, its rounded sleekness, and its rosy feet. Presently the flock began their rich peculiar coo, and the sound fascinated Claire as much as their shapes had done. She quite forgot the advancing funeral; here were color, grace, and a sort of music. They had fallen to her, as might be said, from the skies. In a dumb, unformulated way she wished that more of all three charms would so fall to her. It was such a wretched doom to dwell in this abominable suburb. All her youth was being wasted here. She was already getting rather old. She was already nearly twenty—four months of her twentieth year had gone—and she had been accustomed to think people quite old when they were twenty. Would it last years longer? Ah! to fly as those lovely birds could! Why had they come hither, of all places in the world? If she were a green-and-purple thing, with strong wings, like any of them, she would soar away to the window of some rich lady's house on Fifth Avenue, and be taken inside some handsome chamber, perhaps, and fed and petted—yes, even put into a cage, if the lady chose. A cage there would be better than one's full freedom here, where the dead were always going to their graves.

      From a reverie which may or may not have resembled this if it had been made into actual language, the sudden spontaneous flight of the whole charming flock roused poor ruminative Claire. She now perceived that the funeral train had drawn much nearer. A sort of metallic resonance sounded from the many horse-hooves on the hard surface of the road. But another sound, at this point, turned her attention elsewhere. It was a cracked, thin, piping voice, and its utterances were delivered only a short distance from her side. She discovered that an old man had joined her on the bridge during her absorbed preoccupation with the pigeons. He was a very old man; he leant on a staff, and was clad in an evident holiday-attire of black, whose rusty broadcloth hung about his shrunken shape with tell-tale looseness; it had too evidently been cut for a far more portly person. He had a wrinkled face, and yet one of rubicund plumpness; a spot of red flushed each cheek, centring in a little crimson net-work of veins there, while the same peculiarity cropped out a third time, as it were, on the ball-like lump at the end of his irregular nose. Claire had a feeling, as she looked at him, that he was a reformed toper. Everything about him told of present sobriety, but he was like a colored lantern seen without the illuminative candle; you had a latent certainty, as you regarded him, that only a few glasses of sufficiently bad liquor were needed to warm up those three red spots into their old auroral splendor. While speaking, he put forth a brown hand that trembled a good deal. The tremor came, no doubt, from senile feebleness, and the hand was so gnarled and knotty that it might almost have been one of those rough excrescences which sometimes bulge from tree-trunks, instead of the sad rheumatic member that it really was. The new-comer spoke with an extremely strong Irish accent, and in a hollow, husky voice that implied, on first hearing it, a kind of elfin and subterranean origin.

      "Begorra, ma'am, here it is,


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