Gladys, the Reaper. Anne Beale
a rainbow leaps, as it were, out of the river, and spans, with its mighty arch, the country scene before us.
'A rainbow at night
Is the shepherd's delight;'
so the proverbially-grumbling farmers will have another prognostic to clear their countenances.
Perchance the worthy man who inhabits the farm we have just reached, may be congratulating himself upon it, as he jogs home from market this Saturday evening. If he could look upon his homestead with our eyes, I feel sure he would cease to despond. How cheerily the wide, slated roof gleams forth from amongst the trees, and returns the warm glance of the sun with one almost as warm, albeit proceeding from a very moist eyelid! How gladly the white smoke arises once more, spirally, from the large chimneys, after having been so long depressed by the heavy atmosphere! and how the massive ivy that covers the gable end, responds to the songs of the birds that warble their evening gladness amongst its gleaming leaves! The face of the dwelling is as cheerful as are the sun, river, mountains and meads, that it looks down upon from its slight elevation. Every leaf of the vine and pyrus-japonica that covers its front, is bedecked with a diamond; and the roses, laburnums, nasturtiums, and other gay flowers in the garden, drop jewels more freely than the maiden in the fairy tale, as they glisten beneath the rainbow.
This is what we see from the hawthorn lane below the house; but walking up into the highroad at the back, the scene changes, and just as our sympathies with beautiful nature were called forth below, so are they instantaneously assailed by our fellow-creatures above.
We come to the substantial gate that is the entrance to the pretty farm, and a curious and a motley group is there. We see such groups almost daily, here in Carmarthenshire; but as all the counties of England and Wales are not thoroughfares for the Irish from their country to England, we will describe these poor people as graphically as we can. There is evidently a consultation going on amongst them, and the general attention is directed to one individual of their party.
This is a young girl of some seventeen or eighteen years of age. She is seated on the ground, and leans her back against the stone wall that flanks the substantial gate afore mentioned. To judge from her general appearance she can scarcely belong to the ragged set that surround her, for there is an attempt at neatness and cleanliness in her attire, though it is poor enough, that the rest cannot boast of. She wears a cotton gown, shawl, straw bonnet, and shoes and stockings, which were once respectable and seem to have been originally intended for her. True, they are all worn and shabby-looking. The gown is faded, the bonnet very brown, and the shoes have holes in them; but they indicate a mind, or station, at least a degree above those of her companions. Her head is so inclined upon her breast, that it is difficult to see more than a pale face underneath the bonnet; but a pair of thin white hands that rest listlessly upon her lap, still tend to induce the notion that the girl cannot quite belong to the wild-looking company with which she is mixed up.
Right in front of her, and looking alternately from her to a man to whom she is talking, stands a middle-aged woman of good-natured but terrified aspect. A checked and ragged handkerchief confines her black, rough hair—a torn red cloak covers a portion of her body, and a curious collection of rags and tatters makes a vain effort to shelter the rest. In the large hood of the red cloak a hardy-looking infant is tied up, its little head and hand being alone visible, which are engaged in munching and holding a crust of bread. At the feet of the woman are sundry articles, amongst which a bundle of rags, an iron pot, and a tin saucepan, are the most conspicuous. The man to whom she is talking is a tall, gaunt specimen of Irish poverty and famine. He holds a rake and pitchfork in his hand, and leans upon them for support. Gazing into his face is a rough, surly-looking youth, who seems cordially to agree with all that he says.
Leaning against the wall that flanks the gate on the side opposite that which supports the girl, are another man and woman, who cast from time to time pitying glances at the pale face beneath the straw bonnet. These are as raggedly picturesque in their attire as the rest—a short red petticoat, a blanket substituted for a shawl, and a bundle on the back, distinguish the female; a long great coat and short trousers the male. They are deep in conversation upon the common theme. A young man of more stalwart figure stands beside the girl, and failing to attract her attention, kneels down on one knee and speaks low to her. A little boy is seated at her feet, alternately stroking her hands, and stirring up a small puddle of water with a short stick. Two other children are engaged at a little distance in making a lean cur beg for a mouthful of bread, which the generous urchins would evidently rather share with the dog than eat alone.
The one prevailing feature of the party is rags, and how they hold together no tongue can tell.
At last there is a general movement, as well as general clamour of voices and much gesticulation. All, old and young, with the exception of the girl, gather round the woman in the red cloak, and seem to be urging her to do something that she does not like to do. They point to the girl, and the appeal is not in vain.
The woman moves slowly and somewhat sulkily towards one of the boys, takes him by the hand, and returning to the gate, opens it, and walks down the good broad road that leads to the farm, the boy trotting by her side. We watch the bright red cloak till it disappears amongst the trees that surround the house; and turn again to wonder what can be the matter with the girl. She neither moves nor speaks, although her kindly companions in turn endeavour to attract her attention.
In the course of a few minutes the red cloak is again seen coming up the road, closely followed by another figure. We soon hear sounds of earnest pleading, in a broad Irish brogue, from our friend of the red cloak. As they approach the gate sound distinctly the words—
'It's all thrue, my leddy—as thrue as the blessed gospel. I'm afeered she's dyin' if yer honour's glory won't lend us a hand.'
'I don't know how to believe you, my good woman, for some of you come every week and deceive me with all kinds of stories.'
'An' she's Welsh, yer honour. She's come to find out her friends, my leddy! God bless ye, ye've a kind eye and a gintle voice,'
Red cloak spoke the truth. The woman who is now added to the group has truly 'a kind eye and a gintle voice.' She is short and small of form, of middle age and matronly appearance; neatly and even handsomely dressed, as becomes the mistress of one of the largest and wealthiest farms of a country where large farms are rare. She has a handsome, placid face, and looks as if the world had moved on quietly and happily ever since she had been on its surface. Her dark eyes, that must once have been bright and piercing, are softened down to gentleness by the quieting hand of time; and the black hair is slightly streaked with white by the same unsparing fingers. But for this, age would seem to have little to do with the comely dame who is now bending her neatly-attired head before the shabby-looking girl against the wall,
'What is the matter with you, my poor girl?' says the 'gintle voice,'
These kind words have a power that the equally kind ones of the rough friends around had not. The brown straw bonnet is raised from the breast, and we perceive that the girl is neither dead nor sleeping. We perceive something more—a pair of the most painfully melancholy, and beautiful violet eyes that we ever looked into, which are languidly uplifted to the farm-lady. With the words, 'I am very tired, ma'am,' the eyes reclose, and we see long black fringes of soft hair rest upon the pale, thin cheek. The ready tear of compassion springs to the matron's eyes, as she stoops still lower to feel the pulse in the wan hand.
'What is the matter with her?' she inquires, turning to the bystanders.
'Tis tiert all out she is, my leddy. We come by say from Watherford to Milford, and thin, yer honour, we come on foot all trough Pembrokeshire, and County Carmarthin, and now she's jist kilt.'
'But what is she going to do? Why do you come away from Ireland at all?'
'Och, my leddy, shure we're starvin' there. And we jist come to luk for the work in the harvest, an' we're goin' to Herefordshire to git it. An' plaase yer honour's glory, she come wid us to this counthry to luk for her mother's relations that's Welsh, my leddy, small blame to thim, seein' her mother married an Irishman, and come to live in our counthry.'
'I