Emile, Confessions & The Social Contract (3 Books in One Edition). Jean-Jacques Rousseau

Emile, Confessions & The Social Contract (3 Books in One Edition) - Jean-Jacques Rousseau


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refused this, saying, thank Heaven, he had never stripped any one, and would not now begin for seven batz, adding I should keep my waistcoat and pay him when I could. I was affected with this unexpected kindness, but felt it less than I ought to have done, or have since experienced on the remembrance of it. I did not fail sending him his money, with thanks, by one I could depend on. Fifteen years after, passing Lausanne, on my return from Italy, I felt a sensible regret at having forgotten the name of the landlord and house. I wished to see him, and should have felt real pleasure in recalling to his memory that worthy action. Services which doubtless have been much more important, but rendered with ostentation, have not appeared to me so worthy of gratitude as the simple unaffected humanity of this honest man.

      As I approached Lausanne, I thought of my distress, and the means of extricating myself, without appearing in want to my step-mother. I compared myself, in this walking pilgrimage, to my friend Venture, on his arrival at Annecy, and was so warmed with the idea, that without recollecting that I had neither his gentility nor his talents, I determined to act the part of little Venture at Lausanne, to teach music, which I did not understand, and say I came from Paris, where I had never been.

      In consequence of this noble project (as there was no company where I could introduce myself without expense, and not choosing to venture among professional people), I inquired for some little inn, where I could lodge cheap, and was directed to one named Perrotet, who took in boarders. This Perrotet, who was one of the best men in the world, received me very kindly, and after having heard my feigned story and profession, promised to speak of me, and endeavored to procure me scholars, saying he should not expect any money till I had earned it. His price for board, though moderate in itself, was a great deal to me; he advised me, therefore, to begin with half board, which consisted of good soup only for dinner, but a plentiful supper at night. I closed with this proposition, and the poor Perrotet trusted me with great cheerfulness, sparing, meantime, no trouble to be useful to me.

      Having found so many good people in my youth, why do I find so few in my age? Is their race extinct? No; but I do not seek them in the same situation I did formerly, among the commonality, where violent passions predominate only at intervals, and where nature speaks her genuine sentiments. In more elevated stations they are entirely smothered, and under the mask of sentiment, only interest or vanity is heard.

      Having written to my father from Lausanne, he sent my packet and some excellent advice, of which I should have profited better. I have already observed that I have moments of inconceivable delirium, in which I am entirely out of myself. The adventure I am about to relate is an instance of this: to comprehend how completely my brain was turned, and to what degree I had 'Venturised' (if I may be allowed the expression), the many extravagances I ran into at the same time should be considered. Behold me, then, a singing master, without knowing how to note a common song; for if the five or six months passed with Le Maitre had improved me, they could not be supposed sufficient to qualify me for such an undertaking; besides, being taught by a master was enough (as I have before observed) to make me learn ill. Being a Parisian from Geneva, and a Catholic in a Protestant country, I thought I should change my name with my religion and country, still approaching as near as possible to the great model I had in view. He called himself Venture de Villeneuve. I changed, by anagram, the name Rousseau into that of Vaussore, calling myself Monsieur Vaussore de Villeneuve. Venture was a good composer, though he had not said so; without knowing anything of the art, I boasted of my skill to every one. This was not all: being presented to Monsieur de Freytorens, professor of law, who loved music, and who gave concerts at his house, nothing would do but I must give him a proof of my talents, and accordingly I set about composing a piece for his concerts, as boldly as if I had really understood the science. I had the constancy to labor a fortnight at this curious business, to copy it fair, write out the different parts, and distribute them with as much assurance as if they had been masterpieces of harmony; in short (what will hardly be believed, though strictly true), I tacked a very pretty minuet to the end of it, that was commonly played about the streets, and which many may remember from these words, so well known at that time:

      Quel caprice!

       Quel injustice!

       Quio, tu Clarice

       Trahiriot tes feux? &'c.

      Venture had taught me this air with the bass, set to other words, by the help of which I had retained it: thus at the end of my composition, I put this minuet and bass, suppressing the words, and uttering it for my own as confidently as if I had been speaking to the inhabitants of the moon. They assembled to perform my piece; I explain to each the movement, taste of execution, and references to his part--I was fully occupied. They were five or six minutes preparing, which were for me so many ages: at length, everything is adjusted, myself in a conspicuous situation, a fine roll of paper in my hand, gravely preparing to beat time. I gave four or five strokes with my paper, attending with "take care!" they begin --No, never since French operas existed was there such a confused discord! The minuet, however, presently put all the company in good humor; hardly was it begun, before I heard bursts of laughter from all parts, every one congratulated me on my pretty taste for music, declaring this minuet would make me spoken of, and that I merited the loudest praise. It is not necessary to describe my uneasiness, or to own how much I deserved it.

      Next day, one of the musicians, named Lutold, came to see me and was kind enough to congratulate me on my success. The profound conviction of my folly, shame, regret, and the state of despair to which I was reduced, with the impossibility of concealing the cruel agitation of my heart, made me open it to him; giving, therefore, a loose to my tears, not content with owning my ignorance, I told all, conjuring him to secrecy; he kept his word, as every one will suppose. The same evening, all Lausanne knew who I was, but what is remarkable, no one seemed to know, not even the good Perrotet, who (notwithstanding what had happened) continued to lodge and board me.

      I led a melancholy life here; the consequences of such an essay had not rendered Lausanne a very agreeable residence. Scholars did not present themselves in crowds, not a single female, and not a person of the city. I had only two or three great dunces, as stupid as I was ignorant, who fatigued me to death, and in my hands were not likely to edify much.

      At length, I was sent for to a house, where a little serpent of a girl amused herself by showing me a parcel of music that I could not read a note of, and which she had the malice to sing before her master, to teach him how it should be executed; for I was so unable to read an air at first sight, that in the charming concert I have just described, I could not possibly follow the execution a moment, or know whether they played truly what lay before them, and I myself had composed.

      In the midst of so many humiliating circumstances, I had the pleasing consolation, from time to time, of receiving letters from my two charming friends. I have ever found the utmost consolatory virtue in the fair; when in disgrace, nothing softens my affliction more than to be sensible that an amiable woman is interested for me. This correspondence ceased soon after, and was never renewed: indeed it was my own fault, for in changing situations I neglected sending my address, and forced by necessity to think perpetually of myself, I soon forgot them.

      It is a long time since I mentioned Madam de Warrens, but it should not be supposed I had forgotten her; never was she a moment absent from my thoughts. I anxiously wished to find her, not merely because she was necessary to my subsistence, but because she was infinitely more necessary to my heart. My attachment to her (though lively and tender, as it really was) did not prevent my loving others, but then it was not in the same manner. All equally claimed my tenderness for their charms, but it was those charms alone I loved, my passion would not have survived them, while Madam de Warrens might have become old or ugly without my loving her the less tenderly. My heart had entirely transmitted to herself the homage it first paid to her beauty, and whatever change she might experience, while she remained herself, my sentiments could not change. I was sensible how much gratitude I owed to her, but in truth, I never thought of it, and whether she served me or not, it would ever have been the same thing. I loved her neither from duty, interest, nor convenience; I loved her because I was born to love her. During my attachment to another, I own this affection was in some measure deranged; I did not think so frequently of her, but still with the same pleasure, and never, in love or otherwise, did I think of her without feeling that I could expect no true happiness in life while in


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