The Greatest Works of E. E. Smith. E. E. Smith

The Greatest Works of E. E. Smith

of them could not be done in those fifteen minutes it probably could not be done at all.

Therefore it is entirely useless even to attempt to describe what happened then, or to portray the spectacle that ensued when beam met screen. Why try to describe pink to a man born blind? Suffice it to say that those Patrol beams bored down, and that Helmuth’s automatic screens resisted to the limit of their ability. Nor was that resistance small.

Had Helmuth’s customary staff of keen-eyed, quick-witted lieutenants been at their posts, to reenforce those primary screens with the practically unlimited power which could have been put behind them, his defense would not have failed under even the unimaginable force of that Titanic thrust; but those lieutenants were not at their posts. The screens of the twenty-six primary objectives failed, and the twenty-six stupendous flotillas moved slowly, grandly, voraciously, each along its designated line.

Every alarm in Helmuth’s dome had burst into frantic warning as the massed might of the Galactic Patrol was hurled against the twenty-six vital points of Grand Base, but those alarms clamored in vain. No hands were raised to the switches whose closing would unleash the hellish energies of Boskone’s irresistible projectors, no eyes were upon the sighting devices which would align them against the attacking ships of war. Only Helmuth, in his inner-shielded control compartment, was left; and Helmuth was the directing intelligence, the master mind, and not a mere operator. And, now that he had no operators to direct, he was utterly helpless. He could see the stupendous fleet of the Patrol, he could understand fully its dire menace; but he could neither stiffen his screens nor energize a single beam. He could only sit, grinding his teeth in helpless fury, and watch the destruction of the armament which, if it could only have been in operation, would have blasted those battleships and maulers from the skies as though they had been so many fluffy bits of thistledown.

Time after time he leaped to his feet, as if about to dash across to one of the control stations, but each time he sank back into his seat at the desk. One firing-station would be little, if any, better than none at all. Besides, that accursed Lensman was back of this. He was—must be—right here in the dome, somewhere. He wanted him to leave this desk—that was what he was waiting for! As long as he stayed at the desk he himself was safe. For that matter, this whole dome was safe. The projector had never been mounted that could break down those screens. No—no matter what happened, he would stay at the desk!

Kinnison, watching, marveled at his fortitude. He himself could not have stayed there, he knew; and he also knew now that Helmuth was going to stay. Time was flying; five of the fifteen minutes were gone. He had hoped that Helmuth would leave that well-protected inner sanctum, with its unknown potentialities; but if the pirate would not come out, the Lensman would go in. The storming of that inner stronghold was what his new armor was for.

In he went, but he did not catch Helmuth napping. Even before he crashed the screens his own defensive zones burst into furiously coruscant activity, and through that flame there came tearing the metallic slugs of a high-power machine rifle.

Ha! There was a rifle, even though he had not been able to find it! Clever guy, that Helmuth! And what a break that he had taken time to learn how to hold this suit up against the trickiest kind of machine-rifle fire!

Kinnison’s screens were almost those of a battleship; his armor almost, relatively, as strong. And he could hold that armor upright. Therefore through the raging beam of the semi-portable projector he plowed and straight up that torrent of raging steel he drove his way. And now from his own mighty projector, against Helmuth’s armor, there raved out a beam scarcely less potent than that of a semi-portable. The Lensman’s armor did not mount a water-cooled machine rifle—there was a limit to what even that powerful structure could carry—but grimly, with every faculty of his newly enlarged mind concentrated upon that thought-screened, armored head behind the belching gun, Kinnison held his line and forged ahead.

Well it was that the Lensman was concentrating upon that screened head; for when the screen weakened slightly and a thought began to seep through it toward an enigmatically sparkling ball of force, Kinnison was ready. He blanketed the thought savagely, before it could take form, and attacked the screen so viciously that Helmuth had either to restore full coverage instantly or die then and there. For the Lensman had studied that ball long and earnestly. It was the one thing about the whole base that he could not understand; the one thing, therefore, of which he had been afraid.

But he was afraid of it no longer. It was operated, he now knew, by thought; and, no matter how terrific its potentialities might be, it now was and would remain perfectly harmless; for if the pirate chief softened his screen enough to emit a thought, he would never think again.

Therefore he rushed. At full blast he hurdled the rifle and crashed full against the armored figure behind it. Magnetic clamps locked and held; and, driving projectors furiously ablaze, he whirled around and forced the madly struggling Helmuth back, toward the line along which the bellowing rifle was still spewing forth a continuous storm of metal.

Helmuth’s utmost efforts sufficed only to throw the Lensman out of balance, and both figures crashed to the floor. And now the madly fighting armored pair rolled over and over—straight into the line of fire.

First Kinnison; the bullets whining, shrieking off the armor of his personal battleship and crashing through or smashing ringingly against whatever happened to be in the ever-changing line or ricochet. Then Helmuth; and as the fierce-driven metal slugs tore in their multitudes through his armor and through and through his body, riddling his every vital organ, that was

THE END