The Guardian Angel. Oliver Wendell Holmes
know where I was born—under a hot sun and in the midst of strange, lovely scenes that I seem still to remember. I must visit them again: my heart always yearns for them. And I must cross the sea to get there—the beautiful great sea that I have always longed for and that my river has been whispering about to me ever so many years. My life is pinched and starved here. I feel as old as aunt Silence, and I am only fifteen—a child she has called me within a few days. If this is to be a child, what is it to be a woman?
I love you dearly—and your brother is almost to me as if he were mine. I love our sweet, patient Bathsheba—yes, and the old man that has spoken so kindly with me, good Master Gridley; I hate to give you pain—to leave you all—but my way of life is killing me, and I am too young to die. I cannot take the comfort with you, my dear friends, that I would; for it seems as if I carried a lump of ice in my heart, and all the warmth I find in you cannot thaw it out.
I have had a strange warning to leave this place, Olive. Do you remember how the angel of the Lord appeared to Joseph and told him to flee into Egypt? I have had a dream like that, Olive. There is an old belief in our family that the spirit of one who died many generations ago watches over some of her descendants. They say it led our first ancestor to come over here when it was a wilderness. I believe it has appeared to others of the family in times of trouble. I have had a strange dream at any rate, and the one I saw, or thought I saw, told me to leave this place. Perhaps I should have stayed if it had not been for that, but it seemed like an angel's warning.
Nobody will know how I have gone, or which way I have taken. On Monday, you may show this letter to my friends, not before. I do not think they will be in danger of breaking their hearts for me at our house. Aunt Silence cares for nothing but her own soul, and the other woman hates me, I always thought. Kitty Fagan will cry hard. Tell her perhaps I shall come back by and by. There is a little box in my room, with some keepsakes marked—one is for poor Kitty. You can give them to the right ones. Yours is with them.
Good-by, dearest. Keep my secret, as I told you, till Monday. And if you never see me again, remember how much I loved you. Never think hardly of me, for you have grown up in a happy home, and do not know how much misery can be crowded into fifteen years of a young girl's life. God be with you!
MYRTLE HAZARD.
Olive could not restrain her tears, as she handed the letter to Cyprian. “Her secret is as safe with you as with me,” she said. “But this is madness, Cyprian, and we must keep her from doing herself a wrong.
“What she means to do, is to get to Boston, in some way or other, and sail for India. It is strange that they have not tracked her. There is no time to be lost. She shall not go out into the world in this way, child that she is. No; she shall come back, and make her home with us, if she cannot be happy with these people. Ours is a happy and a cheerful home, and she shall be to me as a younger sister, and your sister too, Cyprian. But you must see her; you must leave this very hour; and you may find her. Go to your cousin Edward, in Boston, at once; tell him your errand, and get him to help you find our poor dear sister. Then give her the note I will write, and say I know your heart, Cyprian, and I can trust that to tell you what to say.”
In a very short time Cyprian Eveleth was on his way to Boston. But another, keener even in pursuit than he, was there before him.
Ever since the day when Master Gridley had made that over-curious observation of the young lawyer's proceedings at the office, Murray Bradshaw had shown a far livelier interest than before in the conditions and feelings of Myrtle Hazard. He had called frequently at The Poplars to talk over business matters, which seemed of late to require a deal of talking. He had been very deferential to Miss Silence, and had wound himself into the confidence of Miss Badlam. He found it harder to establish any very near relations with Myrtle, who had never seemed to care much for any young man but Cyprian Eveleth, and to care for him quite as much as Olive's brother as for any personal reason. But he carefully studied Myrtle's tastes and ways of thinking and of life, so that, by and by, when she should look upon herself as a young woman, and not as a girl, he would have a great advantage in making her more intimate acquaintance.
Thus, she corresponded with a friend of her mother's in India. She talked at times as if it were her ideal home, and showed many tastes which might well be vestiges of early Oriental impressions. She made herself a rude hammock—such as are often used in hot climates—and swung it between two elms. Here she would lie in the hot summer days, and fan herself with the sandal-wood fan her friend in India had sent her—the perfume of which, the women said, seemed to throw her into day-dreams, which were almost like trances.
These circumstances gave a general direction to his ideas, which were presently fixed more exactly by two circumstances which he learned for himself and kept to himself; for he had no idea of making a hue and cry, and yet he did not mean that Myrtle Hazard should get away if he could help it.
The first fact was this. He found among the copies of the city newspaper they took at The Poplars a recent number from which a square had been cut out. He procured another copy of this paper of the same date, and found that the piece cut out was an advertisement to the effect that the A 1 Ship Swordfish, Captain Hawkins, was to sail from Boston for Calcutta, on the 20th of June.
The second fact was the following. On the window-sill of her little hanging chamber, which the women allowed him to inspect, he found some threads of long, black, glossy hair caught by a splinter in the wood. They were Myrtle's of course. A simpleton might have constructed a tragedy out of this trivial circumstance—how she had cast herself from the window into the waters beneath it—how she had been thrust out after a struggle, of which this shred from her tresses was the dreadful witness—and so on. Murray Bradshaw did not stop to guess and wonder. He said nothing about it, but wound the shining threads on his finger, and, as soon as he got home, examined them with a magnifier. They had been cut off smoothly, as with a pair of scissors. This was part of a mass of hair, then, which had been shorn and thrown from the window. Nobody would do that but she herself. What would she do it for? To disguise her sex, of course. The other inferences were plain enough.
The wily young man put all these facts and hints together, and concluded that he would let the rustics drag the ponds and the river, and scour the woods and swamps, while he himself went to the seaport town from which she would without doubt sail if she had formed the project he thought on the whole most probable.
Thus it was that we found him hurrying to the nearest station to catch the train to Boston, while they were all looking for traces of the missing girl nearer home. In the cars he made the most suggestive inquiries he could frame, to stir up the gentlemanly conductor's memory. Had any young fellow been on the train within a day or two, who had attracted his notice? Smooth, handsome face, black eyes, short black hair, new clothes, not fitting very well, looked away when he paid his fare, had a soft voice like a woman's—had he seen anybody answering to some such description as this? The gentlemanly conductor had not noticed—was always taking up and setting down way-passengers—might have had such a young man aboard—there was two or three students one day in the car singing college songs—he did n't care how folks looked if they had their tickets ready—and minded their own business—and, so saying, he poked a young man upon whose shoulder a ringleted head was reclining with that delightful abandon which the railroad train seems to provoke in lovely woman—“Fare!”
It is a fine thing to be set down in a great, overcrowded hotel, where they do not know you, looking dusty, and for the moment shabby, with nothing but a carpet-bag in your hand, feeling tired, and anything but clean, and hungry, and worried, and every way miserable and mean, and to undergo the appraising process of the gentleman in the office, who, while he shoves the book round to you for your name, is making a hasty calculation as to how high up he can venture to doom you. But Murray Bradshaw's plain dress and carpet-bag were more than made up for by the air and tone which imply the habit of being attended to. The clerk saw that in a glance, and, as he looked at the name and address in the book, spoke sharply in the explosive dialect of his tribe—
“Jun! ta'tha'genlm'n'scarpetbag'n'showhimupt'thirtyone!”
When Cyprian Eveleth reached the same hotel late at night, he appeared in his best clothes