The Guardian Angel. Oliver Wendell Holmes
known as “The Poplars,” in this village.
CHAPTER II. GREAT EXCITEMENT
The publication of the advertisement in the paper brought the village fever of the last two days to its height. Myrtle Hazard's disappearance had been pretty well talked round through the immediate neighborhood, but now that forty-eight hours of search and inquiry had not found her, and the alarm was so great that the young girl's friends were willing to advertise her in a public journal, it was clear that the gravest apprehensions were felt and justified. The paper carried the tidings to many who had not heard it. Some of the farmers who had been busy all the week with their fields came into the village in their wagons on Saturday, and there first learned the news, and saw the paper, and the placards which were posted up, and listened, open-mouthed, to the whole story.
Saturday was therefore a day of much agitation in Oxbow Village, and some stir in the neighboring settlements. Of course there was a great variety of comment, its character depending very much on the sense, knowledge, and disposition of the citizens, gossips, and young people who talked over the painful and mysterious occurrence.
The Withers Homestead was naturally the chief centre of interest. Nurse Byloe, an ancient and voluminous woman, who had known the girl when she was a little bright-eyed child, handed over “the baby” she was holding to another attendant, and got on her things to go straight up to The Poplars. She had been holding “the baby” these forty years and more, but somehow it never got to be more than a month or six weeks old. She reached The Poplars after much toil and travail. Mistress Fagan, Irish, house-servant, opened the door, at which Nurse Byloe knocked softly, as she was in the habit of doing at the doors of those who sent for her.
“Have you heerd anything yet, Kitty Fagan?” asked Nurse Byloe.
“Niver a blissed word,” said she. “Miss Withers is upstairs with Miss Bathsheby, a cryin' and a lamentin'. Miss Badlam's in the parlor. The men has been draggin' the pond. They have n't found not one thing, but only jest two, and that was the old coffeepot and the gray cat—it's them nigger boys hanged her with a string they tied round her neck and then drownded her.” [P. Fagan, Jr., Aet. 14, had a snarl of similar string in his pocket.]
Mistress Fagan opened the door of the best parlor. A woman was sitting there alone, rocking back and forward, and fanning herself with the blackest of black fans.
“Nuss Byloe, is that you? Well, to be sure, I'm glad to see you, though we 're all in trouble. Set right down, Nuss, do. Oh, it's dreadful times!”
A handkerchief which was in readiness for any emotional overflow was here called on for its function.
Nurse Byloe let herself drop into a flaccid squab chair with one of those soft cushions, filled with slippery feathers, which feel so fearfully like a very young infant, or a nest of little kittens, as they flatten under the subsiding person.
The woman in the rocking-chair was Miss Cynthia Badlam, second-cousin of Miss Silence Withers, with whom she had been living as a companion at intervals for some years. She appeared to be thirty-five years old, more or less, and looked not badly for that stage of youth, though of course she might have been handsomer at twenty, as is often the case with women. She wore a not unbecoming cap; frequent headaches had thinned her locks somewhat of late years. Features a little too sharp, a keen, gray eye, a quick and restless glance, which rather avoided being met, gave the impression that she was a wide-awake, cautious, suspicious, and, very possibly, crafty person.
“I could n't help comin',” said Nurse Byloe, “we do so love our babies—how can we help it, Miss Badlam?”
The spinster colored up at the nurse's odd way of using the possessive pronoun, and dropped her eyes, as was natural on hearing such a speech.
“I never tended children as you have, Nuss,” she said. “But I 've known Myrtle Hazard ever since she was three years old, and to think she should have come to such an end—'The heart is deceitful above all things and desperately wicked,'”—and she wept.
“Why, Cynthy Badlam, what do y' mean?” said Nurse Byloe. “Y' don't think anything dreadful has come o' that child's wild nater, do ye?”
“Child!” said Cynthia Badlam—“child enough to wear this very gown I have got on and not find it too big for her neither.” [It would have pinched Myrtle here and there pretty shrewdly.]
The two women looked each other in the eyes with subtle interchange of intelligence, such as belongs to their sex in virtue of its specialty. Talk without words is half their conversation, just as it is all the conversation of the lower animals. Only the dull senses of men are dead to it as to the music of the spheres.
Their minds travelled along, as if they had been yoked together, through whole fields of suggestive speculation, until the dumb growths of thought ripened in both their souls into articulate speech, consentingly, as the movement comes after the long stillness of a Quaker meeting.
Their lips opened at the same moment. “You don't mean”—began Nurse Byloe, but stopped as she heard Miss Badlam also speaking.
“They need n't drag the pond,” she said. “They need n't go beating the woods as if they were hunting a patridge—though for that matter Myrtle Hazard was always more like a patridge than she was like a pullet. Nothing ever took hold of that girl—not catechising, nor advising, nor punishing. It's that dreadful will of hers never was broke. I've always been afraid that she would turn out a child of wrath. Did y' ever watch her at meetin' playing with posies and looking round all the time of the long prayer? That's what I've seen her do many and many a time. I'm afraid—Oh dear! Miss Byloe, I'm afraid to say—what I'm afraid of. Men are so wicked, and young girls are full of deceit and so ready to listen to all sorts of artful creturs that take advantage of their ignorance and tender years.” She wept once more, this time with sobs that seemed irrepressible.
“Dear suz!” said the nurse, “I won't believe no sech thing as wickedness about Myrtle Hazard. You mean she's gone an' run off with some good-for-nothin' man or other? If that ain't what y' mean, what do y' mean? It can't be so, Miss Badlam: she's one o' my babies. At any rate, I handled her when she fust come to this village—and none o' my babies never did sech a thing. Fifteen year old, and be bringin' a whole family into disgrace! If she was thirty year old, or five-an'-thirty or more, and never'd had a chance to be married, and if one o' them artful creturs you was talkin' of got hold of her, then, to be sure—why, dear me!—law! I never thought, Miss Badlam!—but then of course you could have had your pickin' and choosin' in the time of it; and I don't mean to say it's too late now if you felt called that way, for you're better lookin' now than some that's younger, and there's no accountin' for tastes.”
A sort of hysteric twitching that went through the frame of Cynthia Badlam dimly suggested to the old nurse that she was not making her slightly indiscreet personality much better by her explanations. She stopped short, and surveyed the not uncomely person of the maiden lady sitting before her with her handkerchief pressed to her eyes, and one hand clenching the arm of the reeking-chair, as if some spasm had clamped it there. The nurse looked at her with a certain growing interest she had never felt before. It was the first time for some years that she had had such a chance, partly because Miss Cynthia had often been away for long periods—partly because she herself had been busy professionally. There was no occasion for her services, of course, in the family at The Poplars; and she was always following round from place to place after that everlasting migratory six-weeks or less old baby.
There was not a more knowing pair of eyes, in their way, in a circle of fifty miles, than those kindly tranquil orbs that Nurse Byloe fixed on Cynthia Badlam. The silver threads in the side fold of hair, the delicate lines at the corner of the eye, the slight drawing down at the angle of the mouth—almost imperceptible, but the nurse dwelt upon it—a certain moulding of the features as of an artist's clay model worked by delicate touches with the fingers,