London's Heart. B. L. Farjeon

London's Heart - B. L. Farjeon


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say exactly whether I am sorry that he did not leave me a fortune. I can understand now the reason of his urging me to choose a profession. He knew that he had nothing to leave me, and that I should have to depend upon myself. But he did not think that he would have died so soon; he was a healthy strong man, and the probability was that he had many years of life before him."

      "I told you," interposes the Rev. Emanuel Creamwell grimly, "that we should all be prepared for sudden death; he was not prepared for it."

      "We have spoken of that already," replies Felix, in a dry tone, "and it will not profit us to pursue the subject. I know that many a bad word was said about him, but after all perhaps he was not much worse than many of his neighbours. I, at all events, have cause to be grateful to him. I have no doubt that, had he lived, he would have helped me to make a career for myself. But that is still before me; I haven't the slightest fear. The circumstance of his leaving so small an estate speaks for him. It proves that in the allowance he made me he went to the full extent of his means, and that between us we managed to swallow up his annuity pretty well to the last shilling." In his anxiety to do justice to the memory of his uncle, his generous mind seizes every point that reflects credit upon the dead man. "Be a lawyer, he wrote to me over and over again, be an architect, be an engineer, be something, whatever it is, and come home and let us set about it. That showed he was in earnest, and meant to stand by me."

      "We are not likely to agree upon this or any other subject. I have but few words to say in conclusion, relating to your uncle's affairs. He left a request behind him, in a document written some years ago, that when he died all his papers and letters should be burnt. This was done; they were all burnt with the exception of one, which contains the recital of a singular story; I thought it desirable to keep it, as it may be worth money, and as I think it concerns a man who once dwelt in this locality. And that, I believe, is all I have to say respecting your uncle."

      A long and embarrassing silence follows, each knowing that the most momentous part of the interview is to come. Felix is unusually grave, for he cannot but feel that the relations existing between himself and his father are to some extent unnatural. Anxious as he is to find the road to his father's good wishes--affection seems to be out of the question--the consciousness is forced upon him that the only road open to him is one the treading of which will compel him to be false to himself. And that he cannot be. Come what may, he is determined not to play the hypocrite. He is the first to break the silence.

      "You have something else to speak of, father."

      The Reverend Emanuel Creamwell clears his throat, in precisely the same way as he was in the habit of doing when he was about to deliver a more than usually disagreeable discourse to his congregation. This clearing of the throat did not have the effect usually produced; it did not clear his voice. On the contrary, his tones on these occasions invariably became more harsh and discordant--like rusty iron. It is in these rusty-iron tones he speaks now, and every word he utters grates upon Felix, and sets his soul on edge.

      "I have something else to speak of, but the subject is the same--yourself. I am disappointed in you."

      "I am sorry for it, father."

      "The opinions you entertain of religious matters are sinful in my eyes. I should so regard them if they were entertained by a stranger, and it is not because you are my son that I should exercise an unwise leniency towards you in matters which I deem of the utmost importance. You have contracted habits which I do not approve of. Your views I do not approve of. Your dress, your manner, your general conduct, are not in accordance with my ideas. That gay flower in your coat is unnecessary. Outward observances show the inward spirit."

      "Not always, father," said Felix, with somewhat of recklessness; "I have known men who wore masks."

      "Is that meant as an imputation upon me?" asks the Reverend Emanuel Creamwell, the gulf between father and son widening at every word that is spoken.

      "I was thinking at the moment," replies Felix, urged on by a feeling he cannot resist, "of what a French writer said upon the subject of outward observances and inward spirit. He said that the true man is that which exists under what is called man, and that, strictly speaking, the human visage is a mask."

      "Such vague generalities are after the common manner of French romancists, whose writings lead the soul astray."

      Here Felix thinks scornfully, "Why drag the soul in?" but he does not speak his thought.

      "They take us," continues the Reverend Emanuel Creamwell, joining the tips of his fingers and thumbs, and making an arch of them, "from the point we are speaking upon. I must desire that you do not break in again with such unseemly interruptions."

      "I wish you would remember, father, that I am a man, and not a child. I have opinions of my own, and it is no fault of mine if they do not agree with yours."

      "You are my son, and, as such, owe me implicit obedience. You have not decided yet as to a profession?"

      "No."

      "Your uncle dying leaves me in an unpleasant position. I am not rich; I have but little money to spare. Something the world will expect me to do for you—"

      "O, pray, sir," interrupted Felix, "don't study the world. I shall get along well enough without assistance, I haven't the slightest doubt."

      "Something, I say, the world will expect me to do for you; but if I do it, out of my small means, I shall require from you deference, respect, obedience. I have expressed my opinion of your views. You say in reply that you are a man, and have opinions of your own. Those opinions you will perhaps find it advisable to change. Until a profession is determined upon, you can stay here; but only upon the express understanding that you conform to my rules. You are the best judge whether this arrangement will suit you."

      Felix, with a wry face, is about to reject this ungracefully-offered hospitality, and to say that perhaps it will be better for him to find a lodgment elsewhere, when an interruption occurs. Voices are heard in the passage, and the Reverend Emanuel Creamwell's housekeeper makes her appearance at the study-door. Strictly speaking, she might be described as a colourless woman, her dress being black, and her face being white.

      "Some persons to see you, sir," she says.

      "I cannot be interrupted," replies the Reverend Mr. Creamwell.

      "But they insist, sir."

      "Name?"

      "Verity."

      "Let them come in."

      The next moment old Wheels with Lily and Alfred enter the room.

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      Humbly they stood before the minister and his son, and there was silence for a moment or two in the gloomy study. From the window of the study the parish churchyard could be plainly seen, and Felix, looking through the window while the conversation between his father and the housekeeper was taking place, saw a coffin lying by the side of a newly-made grave, and a little group of persons standing about it in the sun's light. This group was composed of Gribble junior and his wife, and Mrs. Podmore and her little Polly. Gribble junior's heir was also there, under shade. The youngster was asleep on the turf at the foot of a tall and weary tombstone, on which was an inscription to the effect that the soul that had once animated the clay beneath it had assuredly gone to the place where the wicked ceased from troubling and the weary are at rest. The letters which recorded this desirable consummation of a life's labour were nearly worn away by time, and the woeful tombstone, as it leaned towards the earth, exhibited in its attitude a yearning to fall upon its face, and to go also to the place where the weary are at rest. Over the head of Gribble junior's heir


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