Ziska (Gothic Classic). Marie Corelli
insect called Upper Ten, which imports itself, they will receive "backsheesh."
"Backsheesh" is a certain source of comfort to all nations, and translates itself with sweetest euphony into all languages, and the desert-born tribes have justice on their side when they demand as much of it as they can get, rightfully or wrongfully. They deserve to gain some sort of advantage out of the odd-looking swarms of Western invaders who amaze them by their dress and affront them by their manners. "Backsheesh," therefore, has become the perpetual cry of the Desert-Born—it is the only means of offence and defence left to them, and very naturally they cling to it with fervor and resolution. And who shall blame them? The tall, majestic, meditative Arab—superb as mere man, and standing naked-footed on his sandy native soil, with his one rough garment flung round his loins and his great black eyes fronting, eagle-like, the sun—merits something considerable for condescending to act as guide and servant to the Western moneyed civilian who clothes his lower limbs in straight, funnel-like cloth casings, shaped to the strict resemblance of an elephant's legs, and finishes the graceful design by enclosing the rest of his body in a stiff shirt wherein he can scarcely move, and a square-cut coat which divides him neatly in twain by a line immediately above the knee, with the effect of lessening his height by several inches. The Desert-Born surveys him gravely and in civil compassion, sometimes with a muttered prayer against the hideousness of him, but on the whole with patience and equanimity—influenced by considerations of "backsheesh." And the English "season" whirls lightly and vaporously, like blown egg-froth, over the mystic land of the old gods—the terrible land filled with dark secrets as yet unexplored—the land "shadowing with wings," as the Bible hath it—the land in which are buried tremendous histories as yet unguessed—profound enigmas of the supernatural—labyrinths of wonder, terror and mystery—all of which remain unrevealed to the giddy-pated, dancing, dining, gabbling throng of the fashionable travelling lunatics of the day—the people who "never think because it is too much trouble," people whose one idea is to journey from hotel to hotel and compare notes with their acquaintances afterwards as to which house provided them with the best-cooked food. For it is a noticeable fact that with most visitors to the "show" places of Europe and the East, food, bedding and selfish personal comfort are the first considerations—the scenery and the associations come last. Formerly the position was reversed. In the days when there were no railways, and the immortal Byron wrote his Childe Harold, it was customary to rate personal inconvenience lightly; the beautiful or historic scene was the attraction for the traveller, and not the arrangements made for his special form of digestive apparatus. Byron could sleep on the deck of a sailing vessel wrapped in his cloak and feel none the worse for it; his well-braced mind and aspiring spirit soared above all bodily discomforts; his thoughts were engrossed with the mighty teachings of time; he was able to lose himself in glorious reveries on the lessons of the past and the possibilities of the future; the attitude of the inspired Thinker as well as Poet was his, and a crust of bread and cheese served him as sufficiently on his journeyings among the then unspoilt valleys and mountains of Switzerland as the warm, greasy, indigestible fare of the elaborate table-d'hotes at Lucerne and Interlaken serve us now. But we, in our "superior" condition, pooh-pooh the Byronic spirit of indifference to events and scorn of trifles—we say it is "melodramatic," completely forgetting that our attitude towards ourselves and things in general is one of most pitiable bathos. We cannot write Childe Harold, but we can grumble at both bed and board in every hotel under the sun; we can discover teasing midges in the air and questionable insects in the rooms; and we can discuss each bill presented to us with an industrious persistence which nearly drives landlords frantic and ourselves as well. In these kind of important matters we are indeed "superior" to Byron and other ranting dreamers of his type, but we produce no Childe Harolds, and we have come to the strange pass of pretending that Don Juan is improper, while we pore over Zola with avidity! To such a pitch has our culture brought us! And, like the Pharisee in the Testament, we thank God we are not as others are. We are glad we are not as the Arab, as the African, as the Hindoo; we are proud of our elephant-legs and our dividing coat-line; these things show we are civilized, and that God approves of us more than any other type of creature ever created. We take possession of nations, not by thunder of war, but by clatter of dinner-plates. We do not raise armies, we build hotels; and we settle ourselves in Egypt as we do at Homburg, to dress and dine and sleep and sniff contempt on all things but ourselves, to such an extent that we have actually got into the habit of calling the natives of the places we usurp "foreigners." WE are the foreigners; but somehow we never can see it. Wherever we condescend to build hotels, that spot we consider ours. We are surprised at the impertinence of Frankfort people who presume to visit Homburg while we are having our "season" there; we wonder how they dare do it! And, of a truth, they seem amazed at their own boldness, and creep shyly through the Kur-Garten as though fearing to be turned out by the custodians. The same thing occurs in Egypt; we are frequently astounded at what we call "the impertinence of these foreigners," i.e. the natives. They ought to be proud to have us and our elephant-legs; glad to see such noble and beautiful types of civilization as the stout parvenu with his pendant paunch, and his family of gawky youths and maidens of the large-toothed, long-limbed genus; glad to see the English "mamma," who never grows old, but wears young hair in innocent curls, and has her wrinkles annually "massaged" out by a Paris artiste in complexion. The Desert-Born, we say, should be happy and grateful to see such sights, and not demand so much "backsheesh." In fact, the Desert-Born should not get so much in our way as he does; he is a very good servant, of course, but as a man and a brother—pooh! Egypt may be his country, and he may love it as much as we love England; but our feelings are more to be considered than his, and there is no connecting link of human sympathy between Elephant-Legs and sun-browned Nudity!
So at least thought Sir Chetwynd Lyle, a stout gentleman of coarse build and coarser physiognomy, as he sat in a deep arm-chair in the great hall or lounge of the Gezireh Palace Hotel, smoking after dinner in the company of two or three acquaintances with whom he had fraternized during his stay in Cairo. Sir Chetwynd was fond of airing his opinions for the benefit of as many people who cared to listen to him, and Sir Chetwynd had some right to his opinions, inasmuch as he was the editor and proprietor of a large London newspaper. His knighthood was quite a recent distinction, and nobody knew exactly how he had managed to get it. He had originally been known in Fleet Street by the irreverent sobriquet of "greasy Chetwynd," owing to his largeness, oiliness and general air of blandly-meaningless benevolence. He had a wife and two daughters, and one of his objects in wintering at Cairo was to get his cherished children married. It was time, for the bloom was slightly off the fair girl-roses—the dainty petals of the delicate buds were beginning to wither. And Sir Chetwynd had heard much of Cairo; he understood that there was a great deal of liberty allowed there between men and maids—that they went out together on driving excursions to the Pyramids, that they rode on lilliputian donkeys over the sand at moonlight, that they floated about in boats at evening on the Nile, and that, in short, there were more opportunities of marriage among the "flesh-pots of Egypt" than in all the rush and crush of London. So here he was, portly and comfortable, and on the whole well satisfied with his expedition; there were a good many eligible bachelors about, and Muriel and Dolly were really doing their best. So was their mother, Lady Chetwynd Lyle; she allowed no "eligible" to escape her hawk-like observation, and on this particular evening she was in all her glory, for there was to be a costume ball at the Gezireh Palace Hotel—a superb affair, organized by the proprietors for the amusement of their paying guests, who certainly paid well—even stiffly. Owing to the preparations that were going on for this festivity, the lounge, with its sumptuous Egyptian decorations and luxurious modern fittings, was well-nigh deserted save for Sir Chetwynd and his particular group of friends, to whom he was holding forth, between slow cigar-puffs, on the squalor of the Arabs, the frightful thievery of the Sheiks, the incompetency of his own special dragoman, and the mistake people made in thinking the Egyptians themselves a fine race.
"They are tall, certainly," said Sir Chetwynd, surveying his paunch, which lolled comfortably, and as it were by itself, in front of him, like a kind of waistcoated air-balloon. "I grant you they are tall. That is, the majority of them are. But I have seen short men among them. The Khedive is not taller than I am. And the Egyptian face is very deceptive. The features are often fine—occasionally classic—but intelligent expression is totally lacking."
Here Sir Chetwynd waved his cigar descriptively, as though he would fain suggest that a heavy jaw, a fat