The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb
I do the way in which you have resented it, there will be nothing to prevent our meeting as we have heretofore done, and feeling towards each other as we have always been wont to do.
Only signify a correspondent willingness on your part, and send me your address, and my first business next week shall be to reach your door, and shake hands with you and your sister. Remember me to her most kindly and believe me—Yours, with unabated esteem and regards,
Robert Southey.
Lamb replied at once—November 21, 1823:—
Dear Southey—The kindness of your note has melted away the mist which was upon me. I have been fighting against a shadow. That accursed Q. R. had vexed me by a gratuitous speaking, of its own knowledge, that the Confessions of a D——d was a genuine description of the state of the writer. Little things, that are not ill meant, may produce much ill. That might have injured me alive and dead. I am in a public office, and my life is insured. I was prepared for anger, and I thought I saw, in a few obnoxious words, a hard case of repetition directed against me. I wished both magazine and review at the bottom of the sea. I shall be ashamed to see you, and my sister (though innocent) will be still more so; for the folly was done without her knowledge, and has made her uneasy ever since. My guardian angel was absent at that time.
I will muster up courage to see you, however, any day next week (Wednesday excepted). We shall hope that you will bring Edith with you. That will be a second mortification. She will hate to see us; but come and heap embers. We deserve it; I for what I've done, and she for being my sister.
Do come early in the day, by sun-light, that you may see my Milton.
I am at Colebrook Cottage, Colebrook Row, Islington: a detached whitish house, close to the New River end of Colebrook Terrace, left hand from Sadler's Wells.
Will you let me know the day before?
Your penitent,
C. Lamb.
P.S.—I do not think your handwriting at all like ****'s. I do not think many things I did think.
There the matter ended. Seven years later, however, when The Literary Gazette fell upon Lamb's Album Verses, in a paltry attack, Southey sent to The Times a poem in defence and praise of his friend, beginning:—
Charles Lamb, to those who know thee justly dear,
For rarest genius, and for sterling worth,
Unchanging friendship, warmth of heart sincere,
And wit that never gave an ill thought birth …
Page 265, line 4 of essay. A recent paper on "Infidelity." The passage relating to Lamb and Thornton Hunt ran as follows:—
Unbelievers have not always been honest enough thus to express their real feelings; but this we know concerning them, that when they have renounced their birthright of hope, they have not been able to divest themselves of fear. From the nature of the human mind this might be presumed, and in fact it is so. They may deaden the heart and stupify the conscience, but they cannot destroy the imaginative faculty. There is a remarkable proof of this in Elia's Essays, a book which wants only a sounder religious feeling, to be as delightful as it is original. In that upon "Witches and other Night Fears," he says: "It is not book, or picture, or the stories of foolish servants, which create these terrors in children. They can at most but give them a direction. Dear little T. H., who of all children has been brought up with the most scrupulous exclusion of every taint of superstition, who was never allowed to hear of goblin or apparition, or scarcely to be told of bad men, or to hear or read of any distressing story, finds all this world of fear, from which he, has been so rigidly excluded ab extra, in his own 'thick-coming fancies; and from his little midnight pillow this nurse-child of optimism will start at shapes, unborrowed of tradition, in sweats to which the reveries of the cell-damned murderer are tranquillity." This poor child, instead of being trained up in the way which he should go, had been bred in the ways of modern philosophy; he had systematically been prevented from knowing any thing of that Saviour who said, "Suffer little children to come unto me, and forbid them not; for of such is the kingdom of heaven;" care had been taken that he should not pray to God, nor lie down at night in reliance upon His good Providence.
Page 267, line 14 from foot. "Given king" in bliss and a "given chamberlain" in torment. A reference to Southey's "Vision of Judgment," 1820, wherein George III. is received into heaven, among those coming from hell to arraign him being Wilkes, thus described:—
Beholding the foremost,
Him by the cast of his eye oblique, I knew as the firebrand
Whom the unthinking populace held for their idol and hero,
Lord of Misrule in his day.
Page 268, line 5. A jest of the Devil. Southey's early "Ballads and Metrical Tales" are rich in legends of the Devil, somewhat in the vein of Ingoldsby, though lacking Barham's rollicking fun.
Page 268, line 10. A noble Lord. Lord Byron, whose "Vision of Judgment," written in 1821 in ridicule of Southey's, begins:—
Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull.
Page 268, line 19. A life of George Fox. Southey was collecting for some years materials for a life of George Fox, the first Quaker, but he did not carry out the project.
Page 268, line 22. The Methodists are shy. Southey's Life of Wesley was published in 1820. It was greatly admired by Coleridge.
Page 268, line 24. The errors of that Church. See Southey's "Ballads and Metrical Tales" again, for comic versions of legends of saints.
Page 269, line 26. And N. Randal Norris, Sub-Treasurer of the Inner Temple, who died in 1827.
Page 269, line 27. T. N. T. Thomas Noon Talfourd (1795–1854), the advocate, author of "Ion" who was to become Lamb's executor and biographer. He wrote an enthusiastic and discriminating essay on Wordsworth's genius in the New Monthly Magazine.
Page 269, line 31. And W. Thomas Griffiths Wainewright (1794–1852), essayist, painter and criminal, who contributed gay and whimsical articles to the London Magazine over the signature "Janus Weathercock." Subsequently Wainewright was convicted of forgery, and he became also a poisoner; but he seems to have shown Lamb only his most charming side.
Page 269, line 32. The translator of Dante. Henry Francis Cary (1772–1844), whose Inferno appeared in 1805, the whole poem being completed in 1812. He contributed to the London Magazine. Later in life Cary, then assistant keeper of the printed books in the British Museum, became one of Lamb's closer friends. He wrote the epitaph on his grave.
Page 269, line 33. And Allan C. Allan Cunningham (1784–1842), the Scotch ballad writer and author, and a regular contributor to the London Magazine over the signature "Nalla."
Page 269, line 34. And P——r. Bryan Walter Procter (1787–1874), better known as Barry Cornwall, another contributor to the London Magazine.