The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb
rel="nofollow" href="#ulink_48e237a5-3f12-5859-a9e7-51075724e470">Page 340. A Popular Fallacy.
New Monthly Magazine, June, 1826, where it formed part of the series of "Popular Fallacies," of which all the others were reprinted in the Last Essays of Elia. Lamb did not reprint it.
The unnamed works referred to are The Register of the Most Noble Order of the Garter, 1724, by John Anstis (not Anstey), Garter King-at-Arms, and Elias Ashmole's Institutions, Laws and Ceremonies of the Order of the Garter, 1672. In the passage quoted from William Hay's Deformity, an Essay, 1754, the author is speaking of his experiences when in a mob.
Page 342. Reminiscences of Juke Judkins, Esq.
New Monthly Magazine, June, 1826. Signed "Elia." Not reprinted by Lamb.
Lamb seems to have intended to write a story of some length, for the promise "To be continued" was appended to the first instalment. But he did not return to it.
Page 349. Contributions To Hone's "Every-Day Book" and "Table Book."
I have arranged together all Lamb's prose contributions (except "A Death-Bed" and the Garrick Extracts) to William Hone's volumes—the Every-Day Book, both series, and the Table Book—in order to give them unity. It seemed better to do this than to interrupt the series for the sake of a chronological order which at this period of Lamb's life (1825–1827) was of very little importance. Three not absolutely certain pieces will be found in the Appendix.
William Hone (1780–1842) was a man of independent mind and chequered career. He started life in an attorney's office, but in 1800 exchanged the law for book-and-print selling, and began to exercise his thoughts upon public questions, always siding with the unpopular minority. He examined into what he considered public scandals with curiosity and persistence, undiscouraged by such private calamities as bankruptcy, and in many ways showed himself an "Enemy of the People." Some squibs against the Government, in the form of parodies of the Litany, the Church Catechism and the Athanasian Creed, led to a famous trial on December 17–19, 1817, in which, after a prolonged sitting—Hone's speech in his own defence lasting seven hours—he was acquitted, in spite of the adverse summing up of Lord Ellenborough. The verdict is said to have hastened Ellenborough's death. A public subscription for Hone realised upwards of £3,000, and he thereupon entered upon a more materially successful period of his career. He became more of a publisher and author, and less of a firebrand. He issued a number of cheap but worthy books, and in 1823 his own first important work, Ancient Mysteries.
Hone's title to fame, however, rests upon his discovery of George Cruikshank's genius and his Every-Day Book (Vol. I. running through 1825 and published in 1826; Vol. II. running through 1826 and published in 1827), his Table Talk, 1827, and his Year Book, 1831. These are admirable collections of old English lore, legends and curiosities, brought together by a kind-hearted, simple-minded man, to whom thousands of readers and hundreds of makers of books are indebted.
William Hone and financial complexity were unhappily never strangers, and in 1826 he was in prison for debt; indeed he finished the Every-Day Book and edited the Table Book there. A few years later, largely by Lamb's instrumentality, he was placed by his friends in a coffee-house—the Grasshopper, in Gracechurch Street—but he did not make it succeed. He died in 1842.
Lamb and Hone first met probably in 1823. In May of that year Lamb acknowledges Hone's gift of a copy of Ancient Mysteries and asks him to call. In 1825 Lamb is contributing to the Every-Day Book, and in July he lends Hone his house at Islington, while Mary and himself are at Enfield. The Every-Day Book, July 14, 1825, has a humorous letter from Hone to Lamb, written from Islington, entitled "A Hot Letter," which Lamb acknowledges in a reply to Hone on the 25th. This letter was addressed to Captain Lion—Hone's joke upon Lamb's name. In the answers to correspondents on the wrapper of one of the periodical parts of the Every-Day Book Mr. Bertram Dobell has found quoted one of Lion's good things: "'J. M.' is a wag. His 'derivation' reminds the Editor of an observation the other day by his witty friend Mr. LION. Being pressed to take some rhubarb pie, Mr. L. declined because it was physic; to the reply that it was pleasant and innocent, he rejoined, 'So is a daisy, but I don't therefore like daisy pie.' 'Daisy pie! who ever heard of daisy pies?' 'My authority is Shakespeare; he expressly mentions daisies pied.'"
It was in the number of the London Magazine for July, 1825, that Lamb's signed verses to the editor of the Every-Day Book appeared, beginning:—
I like you, and your book, ingenuous Hone,
(still too often printed "ingenious"); a testimonial which must have meant much to Hone at that time. Hone copied them into the Every-Day Book for July 9, 1825, with a rhymed reply.
Hone had for Lamb's genius and character an intense enthusiasm. The Every-Day Book is enriched by many quotations from Lamb's writings, with occasional bursts of eulogy. For example, on December 31, of Vol. I., when quoting from "New Year's Eve," he remarks:—
among the other delightful essays of his volume entitled "Elia"—a little book, whereof to say that it is of more gracious feeling and truer beauty than any of our century is poor praise …
And on September 23, of Vol. II., when quoting "My First Play":—
After the robbery of "Elia," my conscience forces me to declare that I wish every reader would save me from the shame of further temptation to transgress, by ordering "Elia" into his collection. There is no volume in our language so full of beauty, truth and feeling, as the volume of "Elia." I am convinced that every person who has not seen it, and may take the hint, will thank me for acquainting him with a work which we cannot look into without pleasure, nor lay down without regret. It is a delicious book.
The Every-Day Book appeared periodically through 1825 and 1826. The first volume was published as a book in May, 1826, with the following dedication:—
To
Charles Lamb, Esq.
Dear L——
Your letter to me, within the first two months from the commencement of the present work, approving my notice of St. Chad's Well, and your afterwards daring to publish me your "friend," with your "proper name" annexed, I shall never forget. Nor can I forget your and Miss Lamb's sympathy and kindness when glooms outmastered me; and that your pen spontaneously sparkled in the book, when my mind was in clouds and darkness. These "trifles," as each of you would call them, are benefits scored upon my heart; and
I Dedicate This Volume,
To You and Miss Lamb,
With Affectionate Respect,
W. Hone.
May 5, 1826.
It has been held that the inference that Mary Lamb also contributed to Vol. I. of the Every-Day Book is a fair one to draw from these words. But beyond her recollections in the paper on "Starkey" nothing from her pen has been identified. Her brother's certain contributions to Vol. I. are, the "Remarkable Correspondent," "Captain Starkey," the "Twelfth of August," "The Ass," and "Squirrels." To Vol. II. he sent "An Appearance of the Season," "The Months," and "Reminiscences of Jeffery Dunstan."
My impression is that Lamb's hand is to be seen far oftener than this: but we have no definite proof. I feel convinced that many of Hone's quotations from old plays and old books were supplied to him by his more leisured friend.
In column 857 of The Table Book, 1827, Vol. II., for example, is the following letter to Hone, which is very likely to be from Lamb's pen. Waltham Abbey was a favourite objective of his in his long Essex and Hertfordshire rambles:—
Waltham, Essex
To the Editor
Sir—The following epitaph is upon a plain gravestone in the churchyard of Waltham Abbey. Having some point, it may perhaps be acceptable for the Table