Rookwood (Historical Novel). William Harrison Ainsworth
less by the hand of time than to suit the tastes of different proprietors. This, however, was not so observable in the eastern wing, which overlooked the garden. Here might be discerned many indications of its antiquity. The strength and solidity of the walls, which had not been, as elsewhere, masked with brickwork; the low, Tudor arches; the mullioned bars of the windows — all attested its age. This wing was occupied by an upper and lower gallery, communicating with suites of chambers, for the most part deserted, excepting one or two, which were used as dormitories; and another little room on the ground-floor, with an oriel window opening upon the lawn, and commanding the prospect beyond — a favorite resort of the late Sir Piers. The interior was curious for his honeycomb ceiling, deeply moulded in plaster, with the arms and alliances of the Rookwoods. In the centre was the royal blazon of Elizabeth, who had once honored the hall with a visit during a progress, and whose cipher E. R. was also displayed upon the immense plate of iron which formed the fire-grate.
To return, for a moment, to the garden, which we linger about as a bee around a flower. Below the lawn there was another terrace, edged by a low balustrade of stone, commanding a lovely view of park, water, and woodland. High hanging-woods waved in the foreground, and an extensive sweep of flat champaign country stretched out to meet a line of blue, hazy hills bounding the distant horizon.
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3. Payne Knight, the scourge of Repton and his school, speaking of the license indulged in by the modern landscape-gardeners, thus vents his indignation:
But here, once more, ye rural muses weep
The ivy’d balustrade, and terrace steep;
Walls, mellowed into harmony by time,
On which fantastic creepers used to climb;
While statues, labyrinths, and alleys pent
Within their bounds, at least were innocent! —
Our modern taste — alas! — no limit knows; O’er hill, o’er dale, through wood and field it flows; Spreading o’er all its unprolific spawn, In never-ending sheets of vapid lawn. The Landscape, a didactic Poem, addressed to Uvedale Price, Esq.
4. Mason’s English Garden.
5. Cowley.
CHAPTER 5
SIR REGINALD ROOKWOOD
A king who changed his wives as easily as a woman changes her dress. He threw aside the first, cut off the second’s head, the third he disemboweled: as for the fourth, he pardoned her, and simply turned her out of doors, but to make matters even, cut off the head of number five. —Victor Hugo: Marie Tudor.
From the house to its inhabitants the transition is natural. Besides the connexion between them, there were many points of resemblance; many family features in common; there was the same melancholy grandeur, the same character of romance, the same fantastical display. Nor were the secret passages, peculiar to the one, wanting to the history of the other. Both had their mysteries. One blot there was in the otherwise proud escutcheon of the Rookwoods, that dimmed its splendor, and made pale its pretensions: their sun was eclipsed in blood from its rising to its meridian; and so it seemed would be its setting. This foul reproach attached to all the race; none escaped it. Traditional rumors were handed down from father to son, throughout the county, and, like all other rumors, had taken to themselves wings, and flown abroad; their crimes became a by-word. How was it they escaped punishment? How came they to evade the hand of justice? Proof was ever wanting; justice was ever baffled. They were a stern and stiff-necked people, of indomitable pride and resolution, with, for the most part, force of character sufficient to enable them to breast difficulties and dangers that would have overwhelmed ordinary individuals. No quality is so advantageous to its possessor as firmness; and the determined energy of the Rookwoods bore them harmless through a sea of trouble. Besides, they were wealthy; lavish even to profusion; and gold will do much, if skilfully administered. Yet, despite all this, a dark, ominous cloud settled over their house, and men wondered when the vengeance of Heaven, so long delayed, would fall and consume it.
Possessed of considerable landed property, once extending over nearly half the West Riding of Yorkshire, the family increased in power and importance for an uninterrupted series of years, until the outbreak of that intestine discord which ended in the civil wars, when the espousal of the royalist party, with sword and substance, by Sir Ralph Rookwood, the then lord of the mansion — a dissolute, depraved personage, who, however, had been made a Knight of the Bath at the coronation of Charles I. — ended in his own destruction at Naseby, and the wreck of much of his property; a loss which the gratitude of Charles II., on his restoration, did not fail to make good to Sir Ralph’s youthful heir, Reginald.
Sir Ralph Rookwood left two sons, Reginald and Alan. The fate of the latter was buried in obscurity. It was even a mystery to his family. He was, it was said, a youth of much promise, and of gentle manners; who, having made an imprudent match, from jealousy, or some other motive, deserted his wife, and fled his country. Various reasons were assigned for his conduct. Amongst others, it was stated that the object of Alan’s jealous suspicions was his elder brother, Reginald; and that it was the discovery of his wife’s infidelity in this quarter which occasioned his sudden disappearance with his infant daughter. Some said he died abroad. Others, that he had appeared again for a brief space at the hall. But all now concurred in a belief of his decease. Of his child nothing was known. His inconstant wife, after enduring for some years the agonies of remorse, abandoned by Sir Reginald, and neglected by her own relatives, put an end to her existence by poison. This is all that could be gathered of the story, or the misfortunes of Alan Rookwood.
The young Sir Reginald had attended Charles, in the character of page, during his exile; and if he could not requite the devotion of the son, by absolutely reinstating the fallen fortunes of the father, the monarch could at least accord him the fostering influence of his favor and countenance; and bestow upon him certain lucrative situations in his household, as an earnest of his good-will. And thus much he did. Remarkable for his personal attractions in youth, it is not to be wondered at that we should find the name of Reginald Rookwood recorded in the scandalous chronicles of the day, as belonging to a cavalier of infinite address and discretion, matchless wit, and marvellous pleasantry; and eminent beyond his peers for his successes with some of the most distinguished beauties who ornamented that brilliant and voluptuous court.
A career of elegant dissipation ended in matrimony. His first match was unpropitious. Foiled in his attempts upon the chastity of a lady of great beauty and high honor, he was rash enough to marry her; rash, we say, for from that fatal hour all became as darkness; the curtain fell upon the comedy of his life, to rise to tragic horrors. When, passion subsided, repentance awoke, and he became anxious for deliverance from the fetters he had so heedlessly imposed on himself, and on his unfortunate dame.
The hapless lady of Sir Reginald was a fair and fragile creature, floating on the eddying current of existence, and hurried in destruction as the summer gossamer is swept away by the rude breeze, and lost forever. So beautiful, so gentle was she, that if,
Sorrow had not made
Sorrow more beautiful than Beauty’s self,
it would have been difficult to say whether the charm of softness and sweetness was more to be admired than her faultless personal attractions. But when a tinge of melancholy came, saddening and shading the once smooth and smiling brow; when tears dimmed the blue beauty of those deep and tender eyes; when hot, hectic flushes supplied the place of healthful bloom, and despair took possession of her heart, then was it seen what was the charm of Lady Rookwood, if charm that could be called which was a saddening sight to see, and melted the beholder’s soul within him. All acknowledged, that exquisite as