There was a King in Egypt. Norma Lorimer
is equally successful as author and artist—for my description of the tomb of Queen Thiy.
The teachings of the reformed Mohammedanism scattered through my book are derived from the propaganda works of Mirza Ghulam Ahmad, especially his Teachings of Islam.[3]
I trust that my readers will find the mysticism of the book not a clog upon the wheels of the romance of Excavation in Egypt, but Virgil's "vital breeze."
NORMA LORIMER. 7, PITCULLEN TERRACE, PERTH, SCOTLAND.
[1] Published by Wm. Blackwood & Sons.
[2] Published by Heinemann.
[3] Published by Dulau.
THERE WAS A KING IN EGYPT
PART I
CHAPTER I
Dawn held the world in stillness. In the vast stretches of barren hills and soft sands there was nothing living or stirring but the figure of an Englishman, standing at the door of his tent.
At the hour of sunrise and sunset the East is its own. Every suggestion of Western influence and foreign invasion is wiped out. The going and the coming of the sun throws the land of the Pharaohs, the kingdom of Ra, the great Sun God, whose cradle was at Heliopolis, back to the days when Egypt was the world; to the days when the sun governed the religion of her people; to the days when civilization had barely touched the Mediterranean and the world knew not Rome; back again to the days when the Nile, the Mother of Life, bordered by bands of fertile, food-giving land, had not as yet sheltered the infant Moses in her reeds. Dawn in Egypt is the dawn of civilization.
Each dawn saw Michael Amory, wrapped in his thickest coat, standing outside his tent, watching and waiting for the glory of Egypt, for Ra, the Sun God, to appear above the horizon of the desert.
To stand alone, nerve-tense and oppressed by the soundless sands, and surrounded by the Theban Hills, in whose bosoms lie the eternal remains of the world's first kings, drew him so strongly that, tired as he might be with his previous day's work, he seldom slept later than the hour which links us with the day that is past and the morrow which holds the magic of the future.
For that half-hour only his higher self was conscious of existence, and it was infinitely nearer to God than he was aware of. The silence of the desert and its simplicity, which to the complex mind of Western man is so mysterious, banished all material thoughts and even the consciousness of his own body, and left him a naked soul, alone in the world, encompassed with Divinity, a world whose hills and rolling sands had known neither labour nor strife, nor the despotism of kings.
For the dead Pharaohs, lying in their tombs under the hills, in the grandest monuments ever wrought by the vanity of man, were forgotten. His long days of labour in their depths might never have been. Man and his place in the universe were wiped out.
The cold was intense. Michael shivered and turned up the collar of his coat. A faint light had appeared on the horizon, a pale streak like a silver thread, which widened and widened until it spread into the higher heavens; with its spreading the indefinite forms of moving figures appeared—ghostly figures of dawn.
Michael knew that they would appear; he knew that, just as soon as the streak of light grew in width from a faint thread to a wider band, he would see them, dignified, stately figures, like white-robed priests, walking desertwards from the horizon to his tent.
Although he had seen the same figures every morning for some months, he was not tired of watching them. It always gave him pleasure to recall how vividly they had at first reminded him of the pictures, familiar to him as a boy, of the Wise Men following the star in the east. But these were not wise men coming to pay homage or bring presents to the Galilean Babe who came to be called the Prince of Peace; they were the Mohammedan workmen who were employed by the Exploration School to which Michael Amory had attached himself; their labour was confined to the rougher preliminary digging and the clearing away of the accumulation of sand and debris on sites which had been selected for excavation.
As the dawn slipped back and counted itself with the years that are spent and the first yellow gleam appeared in the sky, Michael saw the tall figures go down on their knees and press their foreheads to the sand. It was their third prayer of the day: devout Mohammedans begin their new day at sunset; their second prayer is at nightfall, when it is quite dark; their third is at daybreak.
Michael knew that the moment el isfirar, or the first yellow glow, appeared in the heavens, the white figures would turn to the east and perform their subh, or daybreak devotion. He knew that it would be finished before the golden globe appeared above the rim of the desert, for did not the Prophet counsel his people not to pray exactly at sunrise or sunset or at noon, because they might be confounded with the infidels who worshipped the sun? Yet it gave him a fresh thrill each morning to watch these desert worshippers prostrate themselves in undoubting faith before their omnipotent God. In the untrodden desert, with its mingling of sky and sand, their perfect trust and faith in Allah seemed a convincing and evident belief. At such times he forgot that these same men were the children of Superstition and that one and all of them were held in the bondage of genii. He also forgot that their performance of five prayers a day, which is the number prescribed for the devout, did not necessarily make them men of honour. A perfect trust in Allah gives a bad man a long rope.
As the figures drew nearer and the golden globe rested for one moment on the sands of the desert, for that one brief moment before its rays broke into the amazing splendour which is Egypt's, the world became less mysterious, more familiar. Things relating to the day's work forced themselves upon Michael's mind. His bath and breakfast and many other practical things began to usurp his thoughts, while the barking of dogs, the movement in the hut of the "boys," brought him back to the common, everyday life of the excavating camp.
While he was dressing he remembered that Freddy Lampton's sister was to arrive that day. For a moment or two his mind was completely usurped with a vision of what the girl would be like. Subconsciously his manhood quickened.
Yet the very idea of a woman intruding herself upon their strange and exquisitely-intellectual life—a life made healthy by the long hours of physical labour in the various portions of the excavation—slightly annoyed him.
Fleeting pictures of Lampton as a girl rose and faded before his eyes as he hurriedly shaved himself, slipped into his flannels and adjusted his necktie as punctiliously as though he were going to a tennis-party at Mena House Hotel. It is typical of Englishmen in the East that the young men in the excavating camps, and especially in the one to which Michael belonged, showed as much regard for their personal appearance and nicety of dress, even when their day's work was to be done in the bowels of the earth, down a shaft as deep as a mine, as they did in the golden days of their life at Oxford or Cambridge. Michael Amory was perhaps as a rule the least careful of the digging party, because he was by temperament a dreamer; and his friend, Freddy Lampton, knew that if he was not careful and on his guard he would become "a slacker." Freddy, in spite of his acknowledged ability as a scholar and Egyptologist, was practical and conventional in his methods and mode of living. Michael Amory had fits of exactness and fits of what he considered conventionality; he had also his fits of slackness, days in which Freddy Lampton would let his blue eyes rest on his carelessly-tied necktie, or on his shoelaces, which were an offence to his eyes. Freddy's exquisite delicacy of touch and his eyes, which were trained to a fine pitch of exactitude for minute detail, two characteristics essential for his work as an excavator, made it painful for him to be in the company of anyone who offended his sense of personal nicety.
But visions of Lampton's sister were to be dismissed. She would be good-looking, of course, because Freddy's sister could scarcely be anything else; his blue eyes, clear colouring and sunlit hair would be beautiful in a girl. But Michael Amory had no desire to encourage any thoughts which gave woman a place in his mind. The very visualizing