The Greatest Murder Mysteries of Mary Roberts Rinehart - 25 Titles in One Edition. Mary Roberts Rinehart

The Greatest Murder Mysteries of Mary Roberts Rinehart - 25 Titles in One Edition - Mary Roberts Rinehart


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attention was busy with the room below.

      On the center-table, open, was a sealskin traveling bag. It was filled with gold-topped bottles and brushes, and it breathed opulence, luxury, femininity from every inch of surface. How did it get there? I was still asking myself the question when Warner came running down the stairs and into the room. He was completely but somewhat incongruously dressed, and his open, boyish face looked abashed. He was a country boy, absolutely frank and reliable, of fair education and intelligence—one of the small army of American youths who turn a natural aptitude for mechanics into the special field of the automobile, and earn good salaries in a congenial occupation.

      "What is it, Miss Innes?" he asked anxiously.

      "There is some one locked in the laundry," I replied. "Mr. Jamieson wants you to help him break the lock. Warner, whose bag is this?"

      He was in the doorway by this time, and he pretended not to hear.

      "Warner," I called, "come back here. Whose bag is this?"

      He stopped then, but he did not turn around.

      "It's—it belongs to Thomas," he said, and fled up the drive.

      To Thomas! A London bag with mirrors and cosmetic jars of which Thomas could not even have guessed the use! However, I put the bag in the back of my mind, which was fast becoming stored with anomalous and apparently irreconcilable facts, and followed Warner to the house.

      Liddy had come back to the kitchen: the door to the basement stairs was double-barred, and had a table pushed against it; and beside her on the table was most of the kitchen paraphernalia.

      "Did you see if there was any one missing in the house?" I asked, ignoring the array of sauce-pans rolling-pins, and the poker of the range.

      "Rosie is missing," Liddy said with unction. She had objected to Rosie, the parlor maid, from the start. "Mrs. Watson went into her room, and found she had gone without her hat. People that trust themselves a dozen miles from the city, in strange houses, with servants they don't know, needn't be surprised if they wake up some morning and find their throats cut."

      After which carefully veiled sarcasm Liddy relapsed into gloom. Warner came in then with a handful of small tools, and Mr. Jamieson went with him to the basement. Oddly enough, I was not alarmed. With all my heart I wished for Halsey, but I was not frightened. At the door he was to force, Warner put down his tools and looked at it. Then he turned the handle. Without the slightest difficulty the door opened, revealing the blackness of the drying-room beyond!

      Mr. Jamieson gave an exclamation of disgust. "Gone!" he said. "Confound such careless work! I might have known."

      It was true enough. We got the lights on finally and looked all through the three rooms that constituted this wing of the basement. Everything was quiet and empty. An explanation of how the fugitive had escaped injury was found in a heaped-up basket of clothes under the chute. The basket had been overturned, but that was all. Mr. Jamieson examined the windows: one was unlocked, and offered an easy escape. The window or the door? Which way had the fugitive escaped? The door seemed most probable, and I hoped it had been so. I could not have borne, just then, to think that it was my poor Gertrude we had been hounding through the darkness, and yet—I had met Gertrude not far from that very window.

      I went up-stairs at last, tired and depressed. Mrs. Watson and Liddy were making tea in the kitchen. In certain walks of life the tea-pot is the refuge in times of stress, trouble or sickness: they give tea to the dying and they put it in the baby's nursing bottle. Mrs. Watson was fixing a tray to be sent in to me, and when I asked her about Rosie she confirmed her absence.

      "She's not here," she said; "but I would not think much of that, Miss Innes. Rosie is a pretty young girl, and perhaps she has a sweetheart. It will be a good thing if she has. The maids stay much better when they have something like that to hold them here."

      Gertrude had gone back to her room, and while I was drinking my cup of hot tea, Mr. Jamieson came in.

      "We might take up the conversation where we left off an hour and a half ago," he said. "But before we go on, I want to say this: The person who escaped from the laundry was a woman with a foot of moderate size and well arched. She wore nothing but a stocking on her right foot, and, in spite of the unlocked door, she escaped by the window."

      And again I thought of Gertrude's sprained ankle. Was it the right or the left?

      The Other Half of the Line

       Table of Contents

       "Miss Innes," the detective began, "what is your opinion of the figure you saw on the east veranda the night you and your maid were in the house alone?"

      "It was a woman," I said positively.

      "And yet your maid affirms with equal positiveness that it was a man."

      "Nonsense," I broke in. "Liddy had her eyes shut—she always shuts them when she's frightened."

      "And you never thought then that the intruder who came later that night might be a woman—the woman, in fact, whom you saw on the veranda?"

      "I had reasons for thinking it was a man," I said remembering the pearl cuff-link.

      "Now we are getting down to business. What were your reasons for thinking that?"

      I hesitated.

      "If you have any reason for believing that your midnight guest was Mr. Armstrong, other than his visit here the next night, you ought to tell me, Miss Innes. We can take nothing for granted. If, for instance, the intruder who dropped the bar and scratched the staircase—you see, I know about that—if this visitor was a woman, why should not the same woman have come back the following night, met Mr. Armstrong on the circular staircase, and in alarm shot him?"

      "It was a man," I reiterated. And then, because I could think of no other reason for my statement, I told him about the pearl cuff-link. He was intensely interested.

      "Will you give me the link," he said, when I finished, "or, at least, let me see it? I consider it a most important clue."

      "Won't the description do?"

      "Not as well as the original."

      "Well, I'm very sorry," I said, as calmly as I could, "I—the thing is lost. It—it must have fallen out of a box on my dressing-table."

      Whatever he thought of my explanation, and I knew he doubted it, he made no sign. He asked me to describe the link accurately, and I did so, while he glanced at a list he took from his pocket.

      "One set monogram cuff-links," he read, "one set plain pearl links, one set cuff-links, woman's head set with diamonds and emeralds. There is no mention of such a link as you describe, and yet, if your theory is right, Mr. Armstrong must have taken back in his cuffs one complete cuff-link, and a half, perhaps, of the other."

      The idea was new to me. If it had not been the murdered man who had entered the house that night, who had it been?

      "There are a number of strange things connected with this case," the detective went on. "Miss Gertrude Innes testified that she heard some one fumbling with the lock, that the door opened, and that almost immediately the shot was fired. Now, Miss Innes, here is the strange part of that. Mr. Armstrong had no key with him. There was no key in the lock, or on the floor. In other words, the evidence points absolutely to this: Mr. Armstrong was admitted to the house from within."

      "It is impossible," I broke in. "Mr. Jamieson, do you know what your words imply? Do you know that you are practically accusing Gertrude Innes of admitting that man?"

      "Not quite that," he said, with his friendly smile. "In fact, Miss Innes, I am quite certain she did not. But as long as I learn only parts of the truth, from both you and her, what can I do? I know you picked up something in the flower bed: you refuse to tell me what it was. I know Miss Gertrude went back to the billiard-room to get something, she refuses to say what.


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