Confessions of Boyhood. John Albee

Confessions of Boyhood - John Albee


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the waters, the shadows of the sky, trying often to sink my hook to the edge of a cloud. It was not in the heavens that I first noticed the stars, but their trembling images in water.

      Thus by the humble and narrow environment of my childhood was it made doubly dear to me; the very limitations themselves enforcing and promoting the growth of wonder and healthy imagination. It is this which has kept alive my early memories and made them pleasant and suggestive throughout my life. Nor do I think my experiences peculiar. Sir Henry Wotton in the last years of his life happily expressed the feeling common to men. "Seeing that very place where I sat when I was a boy occasioned me to remember those very thoughts of my youth which then possessed me; sweet thoughts indeed, that promised my growing years numerous pleasures without mixture of cares; and those to be enjoyed when time, which I therefore thought slow-paced had changed my youth into manhood".

      As I have already said unchangeableness is the characteristic of Bellingham, and I repeat it, that I may add that it is the counterpart of something in myself. I have been swept on with my race and my time and while sharing all their tendencies, at heart what I value most, that which is most native and dearest to me is the simple undisturbed life, full of friendliness, piety and humble amusements into which I was born. What this life was, as reflected in a happy childhood, a neglected youth and idealised by its irrecoverable loss the following pages attempt to portray.

       Table of Contents

      A one-storied house was lofty and convenient enough in a land where God had planted a community of his common people. That was the height of the temple of the Greeks, which was only the enlarged form of the hut or the house of their Pelasgian ancestors. It was built low in due reverence to its origin and to their gods. No other architecture has ever surpassed its beauty and sublimity. The earth is ours to build upon and over, nor much above. The early New England farmhouse was as beautiful in its place as the Greek temple. Sometimes it was set directly on the highway; sometimes in the middle of a field or on the side of rising ground, and not infrequently on the top of a hill, where it shared without deforming, the natural elevation of the earth. It was usually square, but sheds and outbuildings lengthened its appearance and these latter added a comfortable and homelike aspect and were a larger sort of window through which the wayfarer seemed to behold the life of the family more intimately. The pitch of the roof was flattened, the better to resist wind and storm, and through it arose the chimney stack. On either side of the front door were the parlor and living room; the former seldom opened, and the latter rarely occupied until afternoon and evening. The back door was the most in use at all times, and it was through it that one came nearest to the hearts and homelife of the inmates. The kitchen was where the meals were cooked and eaten, the Bible read at morning and evening and pipes lighted by a live coal from the hearth. This live coal was sometimes lost and the tinderbox missing; then the man of the family would travel to the nearest house for a spark with which to kindle his lost fire. The methods of carrying and keeping it alive were numerous and ingenious; a warming pan or iron pot would answer, if the distance was not too great. One of my forefathers awoke on a winter morning to find the ashes in the fireplace cold, and the nearest neighbor eight miles away. It was an impossible undertaking to keep a coal alive on a walk of eight miles. Wrapping a piece of cotton cloth tightly about a small stick he ignited one end at his neighbor's hearth, and like an humble Prometheus carried the smouldering gift to his little world and its belated breakfast.

      The kitchen was the favorite gathering place of humble New England families and it was there they were best seen and understood; there the spinning wheel hummed while the pot was boiling or the bannock baking; there stockings and boots were dried by the open fire and the latter daily greased. With what pride did I see my first pair standing there shining in their coat of pig's scrotum, this being thought invulnerable to wet, especially snow water. Hardly could I go to bed for longing to look at them and to try them on for I know not how many times. By the wide hearth of stone or brick, one could whittle with impunity. Dirt is not common dirt in front of an open fire. Charles Lamb's clean hearth or that of the too fastidious modern house robs it of half its comfort and attractiveness. A little matter out of place, somebody's definition of dirt, is one of the most hospitable and cordial things I ever meet in the houses of my friends. A room with evidences of being lived in by the family invites me to share the intimacy of that life for the time being; but a too carefully garnished room, which my host occupies only while a guest is present, relegates me to my proper place—a stranger within the gates. It was with difficulty the family could be driven into the sitting room in the evening. The men preferred to stretch out on the settle and smoke another pipe; the boys had a little more whittling to do and loved to hear their elders talk. Rarely was an outer garment put on by men during the week days of winter except on Sundays when riding cloaks were the common wear for women, surtouts for men. These were hand woven, or if purchased, were of camlet. It was said of a certain family that a drop of its blood was as good as a great coat, so hardy and healthy were its sons.

      Among such farmers and manners and customs was I born, in a red house under the great elm. In its shade the old doctor waited and talked with the expectant father until called into the house by the women who presided at such functions in the neighborhood. My memory does not reach back to the "trailing clouds of glory", but doubtless it was these which obscured the April sun that afternoon, so that the new baby could be carried out under the elm tree and there rocked to his first sleep. My next excursion, so the family traditions aver, was to Uncle Peter's, the nearest neighbor, the oracle of the community for all signs, omens and country folk-lore, who, taking me in his arms, carried me to the attic of his house and touched my head to the ridgepole: "What did you do that for?" my mother asked. "Oh, that's the way to make him a great man sometime. I does it to all the boy babies. There's luck in it." In those days there were great hopes, and prophecies had not ceased. Many a sweet sleep did I have under the elm tree's shade later on; and many a tiresome hour turning the grindstone for the long bladed sythes. In the trunk of the tree were stuck many worn out blades, their points imbedded by the tree's growth from year to year. Thus they became tallies marking the past seasons of haying. Under the tree was the afternoon parlor of the family throughout the summer; there all the feminine industries went on, braiding straw, knitting and mending, or a letter was added to the sampler. Often some neighbor came bringing her work, for nobody could be idle for a moment. I do not know what they talked about, but I can guess. However the picture is faithful and attractive, though for us, silent now. I find as few representatives of the ideal common people as of the nobility or of genius. So let them remain a picture, and do not ask for their conversation, neither for their grammar nor pronunciation. Cannot a Dorian speak Doric? Kindly and helpful neighbors can live together without the correctness and elegancies of either. To me it is hateful to see them caricatured and made literary merchandise. Not so were the classic idyls and pastorals of Theocritus, Virgil, Spenser and Saint Pierre composed. Is there nothing but bad grammar, mispronunciation and provincialisms in the heart of the rustic? Must he be forever misrepresented by his speech that he may be saved by his virtues? The closer a picture is drawn to the outward circumstance the more transient it will be. Ideals alone survive in art and literature. I should like to have the Theban law reenacted, which required the imitation in art of the beautiful and forbade the representation of the deformed and grotesque.

      Four summers had passed before I knew of any world beyond the walls of the Red House, the dooryard and the shade of the elm tree. I did not feel their confinement. There seemed to be boundless liberty, and the delusion is complete when there is no sense of limitation. The goldfish in his glass prison no doubt supposes himself swimming in an infinite sea. When the boy's growth can be still measured by his mother's yardstick his outlook is restricted correspondingly. He climbs upon a chair with difficulty and cannot see over the table. This being, so lately from heaven, creeps upon the earth, and his first experiences are with the feet and under side of things. Ask the creeper how the human face, a room and its furniture appear to him. My father's face as I looked up to him seemed to be very narrow and a yard long. A face there was not. Nor had my mother's round table any top; but its two crossbars beneath, screws and catch and three feet belonged to my under world. I could explore the floor from corner to corner; the mantel-shelf, windows and


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