The Malady of the Century. Max Simon Nordau
dress coat as in his student's jacket. He had even the gracefulness which every man has in the flower of his age, if he allows the unconscious impulses of his limbs to assert themselves, and does not spoil the freedom of their play by confusing efforts to improve them. The company did not disconcert him either, in spite of their epaulettes and orders, and titles thick as falling snowflakes. An impression received in his boyhood came back to him, in which he, among strange people in a foreign land, had been accustomed by his father to consider himself as an onlooker. In Moscow he had often met aristocratic people, with as thick epaulettes, and more orders than these, but at the sight of them he had always thought, "They are only barbarous Russians, and I am a German, although I have no gold lace on my coat." From that time he had always in his mind connected the use of uniforms, as outward signs of bravery, with the conception of an ostentatious and showy barbarism which a civilized European might afford to laugh at. He had gone further; he regarded rank and titles as only a kind of clothing of circumstances, which the State lends to certain persons for useful purposes, just as the wardrobe-keeper at a theater gives out costumes to the supers. He was so convinced on this point that he felt sure it was only the stupid yokel at the back of the gallery who could look with any admiration on a human being merely because he struts about the stage in purple and gold tinsel.
Wilhelm did not give the impression of a man who was enjoying himself. His discontented gaze persistently followed one dark head adorned with a yellow rose.
Loulou, for of course it was she, wore a cream-colored silk crepon dress. Her little feet in pale yellow satin shoes played at hide-and-seek under her skirt. She looked charming, and seemed very happy. She danced with a magic lightness and gracefulness, and she showed an endurance which had elicited applause and acknowledgments from her partners. People were delighted with her, and she hardly allowed herself time to breathe, for as the privileged daughter of the house, she wandered from one partner to another, trying hard to offend as few of her admirers as possible by a refusal. But Wilhelm had no cause for jealousy, as her sparkling eyes continually sought his, and as often as she danced near him she gave him an electrifying glance and a sweet smile, telling him that he might now hold his head high like a conqueror, or humble himself with languishing sentiment, that for her there was only one man in the room, one man in all the mirrors, the handsome youth in the window recess between the red silk curtains. In the short pauses she came over to him and spoke a word or two, always the same sort of thing: "Ah! how So-and-so worries me. What a pity that you don't dance, it would be so lovely. Oh! if only you knew how Fraulein S——admires you, and how angry all the ladies are that you won't be introduced to them." And Wilhelm thanked her with the same quiet smile, took her fingers when he could and pressed them, and stayed in his window corner.
Presently Loulou went toward someone in the room, who looked back at the same time toward Wilhelm. It was his friend Paul Haber, for whom he had obtained an invitation. Paul looked at him proudly and gayly. His short hair was beautifully cut and brushed, his thick blonde mustache curled in the most approved fashion. In his buttonhole he wore the decoration of the 1866 war medal, and when he saw himself in the glass he could say with perfect self-satisfaction, that he looked just as much like an officer as the men in uniform, not even excepting those of the Guard. Since the campaign of 1866, in which Paul had served in the same company as Wilhelm, they had been firm friends, and on this evening he wished to offer his respects before the manifest possessor of her heart, to one of the greatest heiresses in Berlin, also his gratitude for his introduction to this splendid house, and his tender feelings for his comrade. In spite of being occupied with his partners he had time to observe Wilhelm, and the sight of him standing alone in the window recess immediately cooled the nervous excitement wrought by the crowd of strangers. These society gatherings were what he delighted in, and he thought it his duty to try to model his friend in the same way. It was not without a struggle with himself that he let a dance go by and went over to where Wilhelm stood.
"What a great pity it is that you don't dance."
"Fraulein Ellrich has just said the same thing," answered Wilhelm, smiling a little.
"And she is quite right. You are like a thirsty man beside a delicious spring, and are not able to drink. It is pure Tantalus."
"Your analogy does not hold good. What I am looking at does not give me the sensation of a delicious spring, and does not make me thirsty."
Paul looked at him surprised. "Still you are a man of flesh and blood, and the sight of all these charming girls must give you pleasure."
"You know I am engaged to only one girl here, and her I have seen under more favorable circumstances."
"Well! She probably does not always wear such beautiful dresses, and if she were not excited by the music and dancing her eyes might possibly not sparkle so much; that is what I mean about its being a pity that you don't dance."
"That is not it. I have seen this beautiful girl on other occasions engaged in the highest intellectual occupation, and I am sorry to see her sink to this sort of thing."
"Now the difference is defined. I was silly enough till now to think that even in a drawing-room one saw something of the highest form of humanity, and that aristocratic society is the flower of civilization."
"Those are opinions which are spread by clever men of the world to excuse their shallow behavior in their own eyes and in the eyes of others. What these people come here for is to satisfy their lower inclinations—you must see this for yourself; if you do not allow yourself to be influenced by these pretentious, ceremonious forms, at least try to discover the reality that lies beneath them. What you call the height of civilization seems to me the lowest. Do you understand? I feel that cultured people in their drawing-room society are in the condition of savages, and even allied to animals."
"Bravo, Wilhelm! go on; this is most edifying."
"You may jeer, but in spite of you I believe that this is so. Try to discover what is going on in the brains of all these people at this moment. Their highest power of activity of mind, which makes men of them, slumbers. They do not think, they only feel. The old gentlemen enjoy themselves with cigars, ices, the prospect of supper; the young men seek pleasant sensations in dancing with beautiful girls. The ladies seek in their partners and admirers to kindle feelings and desires—vanity, self-seeking, pleasure of the senses, gratification of the palate, in short, all the grosser tastes. All that is not only like savages, but like animals. They are merry and contented at the prospect of a savory meal, and they are fond of playing tricks on each other—both sexes chaff and tease constantly. I believe that the development of our larger brain is the intellectual work of man during hundreds and thousands of years, and it would gratify me to see it raised to a still greater state of activity."
"I am listening to you so quietly that I don't interrupt you—even when you talk absurd nonsense. How can one look doleful and disagreeable if honest, highly constituted men indulge in conversation with each other for a few hours after hard work? I delight in this harmless enjoyment, in which people forget all the cares of the day. Here people shake off the burdens of their vocation and the accidents of their lot. Here am I, a poor devil enjoying the society of the minister's friends, and admiring the same beautiful eyes as he does."
"The harmless enjoyments of which you speak are exactly the signs by which one may recognize the vegetative lives of the savage and the animal. A serene enjoyment is what naturally appertains to the lower forms of life when they are satiated, and in no danger of being tracked for their lives. The oldest drawings on the subject always represent men with a foolish serene smile. So the privilege of development is to rejoice in a satisfied stomach and untroubled security, and all through his life to know no other care or want but comfort of body."
"At last I understand you. The artist's ideal is the 'Penseroso,' and in order to recognize the highly developed man he must be furnished with a proof of his identity, so that the meaning of the creature may not be lost to sight for a moment."
"You may put it in the joking way, but I really mean it. I don't forget how much of the animal is still in us. Of course one wants relaxation. But I don't want to look on while animals feed. Recovery after hard intellectual work means, in your sense, the return for some hours to animal life. Now I prefer the painful ascent