Emerson and Other Essays. John Jay Chapman

Emerson and Other Essays - John Jay Chapman


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was by no means confined to Boston, but qualified this period of our history throughout the Northern States. There was no literature. "If great writers have not at present existed in America, the reason is very simply given in the fact that there can be no literary genius without freedom of opinion, and freedom of opinion does not exist in America," wrote Tocqueville. There were no amusements, neither music nor sport nor pastime, indoors or out of doors. The whole life of the community was a life of the intelligence, and upon the intelligence lay the weight of intellectual tyranny. The pressure kept on increasing, and the suppressed forces kept on increasing, till at last, as if to show what gigantic power was needed to keep conservatism dominant, the Merchant Province put forward Daniel Webster.

      The worst period of panic seems to have preceded the anti-slavery agitations of 1831, because these agitations soon demonstrated that the sky did not fall nor the earth yawn and swallow Massachusetts because of Mr. Garrison's opinions, as most people had sincerely believed would be the case. Some semblance of free speech was therefore gradually regained.

      Let us remember the world upon which the young Emerson's eyes opened. The South was a plantation. The North crooked the hinges of the knee where thrift might follow fawning. It was the era of Martin Chuzzlewit, a malicious caricature—founded on fact. This time of humiliation, when there was no free speech, no literature, little manliness, no reality, no simplicity, no accomplishment, was the era of American brag. We flattered the foreigner and we boasted of ourselves. We were over-sensitive, insolent, and cringing. As late as 1845, G.P. Putnam, a most sensible and modest man, published a book to show what the country had done in the field of culture. The book is a monument of the age. With all its good sense and good humor, it justifies foreign contempt because it is explanatory. Underneath everything lay a feeling of unrest, an instinct—"this country cannot permanently endure half slave and half free,"—which was the truth, but which could not be uttered.

      So long as there is any subject which men may not freely discuss, they are timid upon all subjects. They wear an iron crown and talk in whispers. Such social conditions crush and maim the individual, and throughout New England, as throughout the whole North, the individual was crushed and maimed.

      The generous youths who came to manhood between 1820 and 1830, while this deadly era was maturing, seem to have undergone a revulsion against the world almost before touching it; at least two of them suffered, revolted, and condemned, while still boys sitting on benches in school, and came forth advancing upon this old society like gladiators. The activity of William Lloyd Garrison, the man of action, preceded by several years that of Emerson, who is his prophet. Both of them were parts of one revolution. One of Emerson's articles of faith was that a man's thoughts spring from his actions rather than his actions from his thoughts, and possibly the same thing holds good for society at large. Perhaps all truths, whether moral or economic, must be worked out in real life before they are discovered by the student, and it was therefore necessary that Garrison should be evolved earlier than Emerson.

      The silent years of early manhood, during which Emerson passed through the Divinity School and to his ministry, known by few, understood by none, least of all by himself, were years in which the revolting spirit of an archangel thought out his creed. He came forth perfect, with that serenity of which we have scarce another example in history—that union of the man himself, his beliefs, and his vehicle of expression that makes men great because it makes them comprehensible. The philosophy into which he had already transmuted all his earlier theology at the time we first meet him consisted of a very simple drawing together of a few ideas, all of which had long been familiar to the world. It is the wonderful use he made of these ideas, the closeness with which they fitted his soul, the tact with which he took what he needed, like a bird building its nest, that make the originality, the man.

      The conclusion of Berkeley, that the external world is known to us only through our impressions, and that therefore, for aught we know, the whole universe exists only in our own consciousness, cannot be disproved. It is so simple a conception that a child may understand it; and it has probably been passed before the attention of every thinking man since Plato's time. The notion is in itself a mere philosophical catch or crux to which there is no answer. It may be true. The mystics made this doctrine useful. They were not content to doubt the independent existence of the external world. They imagined that this external world, the earth, the planets, the phenomena of nature, bore some relation to the emotions and destiny of the soul. The soul and the cosmos were somehow related, and related so intimately that the cosmos might be regarded as a sort of projection or diagram of the soul.

      Plato was the first man who perceived that this idea could be made to provide the philosopher with a vehicle of expression more powerful than any other. If a man will once plant himself firmly on the proposition that he is the universe, that every emotion or expression of his mind is correlated in some way to phenomena in the external world, and that he shall say how correlated, he is in a position where the power of speech is at a maximum. His figures of speech, his tropes, his witticisms, take rank with the law of gravity and the precession of the equinoxes. Philosophical exaltation of the individual cannot go beyond this point. It is the climax.

      This is the school of thought to which Emerson belonged. The sun and moon, the planets, are mere symbols. They signify whatever the poet chooses. The planets for the most part stay in conjunction just long enough to flash his thought through their symbolism, and no permanent relation is established between the soul and the zodiac. There is, however, one link of correlation between the external and internal worlds which Emerson considered established, and in which he believed almost literally, namely, the moral law. This idea he drew from Kant through Coleridge and Wordsworth, and it is so familiar to us all that it hardly needs stating. The fancy that the good, the true, the beautiful—all things of which we instinctively approve—are somehow connected together and are really one thing; that our appreciation of them is in its essence the recognition of a law; that this law, in fact all law and the very idea of law, is a mere subjective experience; and that hence any external sequence which we coördinate and name, like the law of gravity, is really intimately connected with our moral nature—this fancy has probably some basis of truth. Emerson adopted it as a corner-stone of his thought.

      Such are the ideas at the basis of Emerson's philosophy, and it is fair to speak of them in this place because they antedate everything else which we know of him. They had been for years in his mind before he spoke at all. It was in the armor of this invulnerable idealism and with weapons like shafts of light that he came forth to fight.

      In 1836, at the age of thirty-three, Emerson published the little pamphlet called Nature, which was an attempt to state his creed. Although still young, he was not without experience of life. He had been assistant minister to the Rev. Dr. Ware from 1829 to 1832, when he resigned his ministry on account of his views regarding the Lord's Supper. He had married and lost his first wife in the same interval. He had been abroad and had visited Carlyle in 1833. He had returned and settled in Concord, and had taken up the profession of lecturing, upon which he in part supported himself ever after. It is unnecessary to review these early lectures. "Large portions of them," says Mr. Cabot, his biographer, "appeared afterwards in the Essays, especially those of the first series." Suffice it that through them Emerson had become so well known that although Nature was published anonymously, he was recognized as the author. Many people had heard of him at the time he resigned his charge, and the story went abroad that the young minister of the Second Church had gone mad. The lectures had not discredited the story, and Nature seemed to corroborate it. Such was the impression which the book made upon Boston in 1836. As we read it to-day, we are struck by its extraordinary beauty of language. It is a supersensuous, lyrical, and sincere rhapsody, written evidently by a man of genius. It reveals a nature compelling respect—a Shelley, and yet a sort of Yankee Shelley, who is mad only when the wind is nor'-nor'west; a mature nature which must have been nourished for years upon its own thoughts, to speak this new language so eloquently, to stand so calmly on its feet. The deliverance of his thought is so perfect that this work adapts itself to our mood and has the quality of poetry. This fluency Emerson soon lost; it is the quality missing in his poetry. It is the efflorescence of youth.

      "In good health, the air is a cordial of incredible virtue. Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of


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