The Crock of Gold. James Stephens
an extraordinary attack of rheumatism and his wife with an equally virulent sciatica, but they got no lasting pleasure from their groans.
The Leprecaun, who had been detailed to visit the Thin Woman of Inis Magrath, duly arrived at the cottage in the pine wood and made his complaint. The little man wept as he told the story, and the two children wept out of sympathy for him. The Thin Woman said she was desperately grieved by the whole unpleasant transaction, and that all her sympathies were with Gort na Cloca Mora, but that she must disassociate herself from any responsibility in the matter as it was her husband who was the culpable person, and that she had no control over his mental processes, which, she concluded, was one of the seven curious things in the world.
As her husband was away in a distant part of the wood nothing further could be done at that time, so the Leprecaun returned again to his fellows without any good news, but he promised to come back early on the following day. When the Philosopher come home late that night the Thin Woman was waiting up for him.
“Woman,” said the Philosopher, “you ought to be in bed.”
“Ought I indeed?” said the Thin Woman. “I’d have you know that I’ll go to bed when I like and get up when I like without asking your or any one else’s permission.”
“That is not true,” said the Philosopher. “You get sleepy whether you like it or not, and you awaken again without your permission being asked. Like many other customs such as singing, dancing, music, and acting, sleep has crept into popular favour as part of a religious ceremonial. Nowhere can one go to sleep more easily than in a church.”
“Do you know,” said the Thin Woman, “that a Leprecaun came here to-day?”
“I do not,” said the Philosopher, “and notwithstanding the innumerable centuries which have elapsed since that first sleeper (probably with extreme difficulty) sank into his religious trance, we can to-day sleep through a religious ceremony with an ease which would have been a source of wealth and fame to that prehistoric worshipper and his acolytes.”
“Are you going to listen to what I am telling you about the Leprecaun?” said the Thin Woman.
“I am not,” said the Philosopher. “It has been suggested that we go to sleep at night because it is then too dark to do anything else; but owls, who are a venerably sagacious folk, do not sleep in the night time. Bats, also, are a very clear-minded race; they sleep in the broadest day, and they do it in a charming manner. They clutch the branch of a tree with their toes and hang head downwards—a position which I consider singularly happy, for the rush of blood to the head consequent on this inverted position should engender a drowsiness and a certain imbecility of mind which must either sleep or explode.”
“Will you never be done talking?” shouted the Thin Woman passionately.
“I will not,” said the Philosopher. “In certain ways sleep is useful. It is an excellent way of listening to an opera or seeing pictures on a bioscope. As a medium for day-dreams I know of nothing that can equal it. As an accomplishment it is graceful, but as a means of spending a night it is intolerably ridiculous. If you were going to say anything, my love, please say it now, but you should always remember to think before you speak. A woman should be seen seldom but never heard. Quietness is the beginning of virtue. To be silent is to be beautiful. Stars do not make a noise. Children should always be in bed. These are serious truths, which cannot be controverted; therefore, silence is fitting as regards them.”
“Your stirabout is on the hob,” said the Thin Woman. “You can get it for yourself. I would not move the breadth of my nail if you were dying of hunger. I hope there’s lumps in it. A Leprecaun from Gort na Cloca Mora was here to-day. They’ll give it to you for robbing their pot of gold. You old thief, you! you lobeared, crock-kneed fat-eye!”
The Thin Woman whizzed suddenly from where she stood and leaped into bed. From beneath the blanket she turned a vivid, furious eye on her husband. She was trying to give him rheumatism and toothache and lockjaw all at once. If she had been satisfied to concentrate her attention on one only of these torments she might have succeeded in afflicting her husband according to her wish, but she was not able to do that.
“Finality is death. Perfection is finality. Nothing is perfect. There are lumps in it,” said the Philosopher.
CHAPTER V
WHEN the Leprecaun came through the pine wood on the following day he met two children at a little distance from the house. He raised his open right hand above his head (this is both the fairy and the Gaelic form of salutation), and would have passed on but that a thought brought him to a halt. Sitting down before the two children he stared at them for a long time, and they stared back at him. At last he said to the boy:
“What is your name, a vic vig O?”
“Seumas Beg, sir,” the boy replied.
“It’s a little name,” said the Leprecaun.
“It’s what my mother calls me, sir,” returned the boy.
“What does your father call you,” was the next question.
“Seumas Roghan Maelduin O’Carbhail Mac an Droid.”
“It’s a big name,” said the Leprecaun, and he turned to the little girl. “What is your name, a cailin vig O?”
“Brigid Beg, sir.”
“And what does your father call you?”
“He never calls me at all, sir.”
“Well, Seumaseen and Breedeen, you are good little children, and I like you very much. Health be with you until I come to see you again.”
And then the Leprecaun went back the way he had come. As he went he made little jumps and cracked his fingers, and sometimes he rubbed one leg against the other.
“That’s a nice Leprecaun,” said Seumas.
“I like him too,” said Brigid.
“Listen,” said Seumas, “let me be the Leprecaun, and you be the two children, and I will ask you our names.”
So they did that.
The next day the Leprecaun came again. He sat down beside the children and, as before, he was silent for a little time.
“Are you not going to ask us our names, sir?” said Seumas.
His sister smoothed out her dress shyly. “My name, sir, is Brigid Beg,” said she.
“Did you ever play Jackstones?” said the Leprecaun.
“No, sir,” replied Seumas.
“I’ll teach you how to play Jackstones,” said the Leprecaun, and he picked up some pine cones and taught the children that game.
“Did you ever play Ball in the Decker?”
“No, sir,” said Seumas.
“Did you ever play ‘I can make a nail with my ree-roraddy-O, I can make a nail with my ree-ro-ray’?”
“No, sir,” replied Seumas.
“It’s a nice game,” said the Leprecaun, “and so is Capon-the-back, and Twenty-four yards on the Billy-goat’s Tail, and Towns, and Relievo, and Leap-frog. I’ll teach you all these games,” said the Leprecaun, “and I’ll teach you how to play Knifey, and Hole-and-taw, and Horneys and Robbers.
“Leap-frog is the best one to start with, so I’ll teach it to you at once. Let you bend down like this, Breedeen, and you bend down like that a good distance away, Seumas. Now I jump over Breedeen’s back, and then I run and jump over Seumaseen’s back like this, and then I run