The Collected Works of Algernon Blackwood. Algernon Blackwood
children of all ages and sizes, staring at him just as hard as he was staring at them.
The children, he began to take in, were all dressed in black; they looked frightened and unhappy; their bodies were thin and their faces very white. There was something else about them he could not quite name, but it inspired him with the same sense of horror that he had felt in the arms of the Figure who had trapped him. For he now realised definitely that he had been trapped; and he also began to realise for the first time that, though he still had the body of a little boy, his way of thinking and judging was sometimes more like that of a grown-up person. The two alternated, and the result was an odd confusion; for sometimes he felt like a child and thought like a man, while at others he felt like a man and thought like a child. Something had gone wrong, very much wrong; and, as he watched this group of silent children facing him, he knew suddenly that what was just beginning to happen to him had happened to them long, long ago.
For they looked as if they had been a long, long time in the world, yet their bodies had not kept pace with their minds. Something had happened to stop the growth of the body, while allowing the mind to go on developing. The bodies were not stunted or deformed; they were well-formed, nice little children's bodies, but the minds within them were grown-up, and the incongruity was distressing. All this he suddenly realised in a flash, intuitively, just as though it had been most elaborately explained to him; yet he could not have put the least part of it into words or have explained what he saw and felt to another.
He saw that they had the hands and figures of children, the heads of children, the unlined faces and smooth foreheads of children, but their gestures, and something in their movements, belonged to grown-up people, and the expression of their eyes in meaning and intelligence was the expression of old people and not of children. And the expression in the eyes of every one of them he saw was the expression of terror and of pain. The effect was so singular that he seemed face to face with an entirely new order of creatures: a child's features with a man's eyes; a child's figure with a woman's movements; full-grown souls cramped and cribbed in absurdly inadequate bodies and little, puny frames; the old trying uncouthly to express itself in the young.
The grown-up, old portion of him had been uppermost as he stared and received these impressions, but now suddenly it passed away, and he felt as a little boy again. He glanced quickly down at his own little body in the alpaca knickerbockers and sailor blouse, and then, with a sigh of relief, looked up again at the strange group facing him. So far, at any rate, he had not changed, and there was nothing yet to suggest that he was becoming like them in appearance at least.
With his back against the door he faced the roomful of children who stood there motionless and staring; and as he looked, wild feelings rushed over him and made him tremble. Who was he? Where had he come from? Where in the world had he spent the other years of his life, the forgotten years? There seemed to be no one to whom he could go for comfort, no one to answer questions; and there was such a lot he wanted to ask. He seemed to be so much older, and to know so much more than he ought to have known, and yet to have forgotten so much that he ought not to have forgotten.
His loss of memory, however, was of course only partial. He had forgotten his own identity, and all the people with whom he had so far in life had to do; yet at the same time he was dimly conscious that he had just left all these people, and that some day he would find them again. It was only the surface-layers of memory that had vanished, and these had not vanished for ever, but only sunk down a little below the horizon.
Then, presently, the children began to range themselves in rows between him and the opposite wall, without once taking their horrible, intelligent eyes off him as they moved. He watched them with growing dread, but at last his curiosity became so strong that it overcame everything else, and in a voice that he meant to be very brave, but that sounded hardly above a whisper, he said:
"Who are you? And what's been done to you?"
The answer came at once in a whisper as low as his own, though he could not distinguish who spoke:
"Listen and you shall know. You, too, are now one of us."
Immediately the children began a slow, impish sort of dance before him, moving almost with silent feet over the boards, yet with a sedateness and formality that had none of the unconscious grace of children. And, as they danced, they sang, but in voices so low, that it was more like the mournful sighing of wind among branches than human voices. It was the sound he had already heard outside the building.
"We are the children of the whispering night,
Who live eternally in dreadful fright
Of stories told us in the grey twilight
By—nurserymaids!
We are the children of a winter's day;
Under our breath we chant this mournful lay;
We dance with phantoms and with shadows play,
And have no rest.
We have no joy in any children's game,
For happiness to us is but a name,
Since Terror kissed us with his lips of flame
In wicked jest.
We hear the little voices in the wind
Singing of freedom we may never find,
Victims of fate so cruelly unkind,
We are unblest.
We hear the little footsteps in the rain
Running to help us, though they run in vain,
Tapping in hundreds on the window-pane
In vain behest.
We are the children of the whispering night,
Who dwell unrescued in eternal fright
Of stories told us in the dim twilight
By—nurserymaids!"
The plaintive song and the dance ceased together, and before Jimbo could find any words to clothe even one of the thoughts that crowded through his mind, he saw them moving towards a door he had not hitherto noticed on the other side of the room. A moment later they had opened it and passed out, sedate, mournful, unhurried; and the boy found that in some way he could not understand the light had gone with them, and he was standing with his back against the wall in almost total darkness.
Once out of the room, no sound followed them, and he crossed over and tried the handle of the door. It was locked. Then he went back and tried the other door; that, too, was locked. He was shut in. There was no longer any doubt as to the Figure's intentions; he was a prisoner, trapped like an animal in a cage.
The only thought in his mind just then was an intense desire for freedom. Whatever happened he must escape. He crossed the floor to the only window in the room; it was without blinds, and he looked out. But instantly he recoiled with a fresh and overpowering sense of helplessness, for it was three storeys from the ground, and down below in the shadows he saw a paved courtyard that rendered jumping utterly out of the question.
He stood for a long time, fighting down the tears, and staring as if his heart would break at the field and trees beyond. A high wall enclosed the yard, but beyond that was freedom and open space. Feelings of loneliness and helplessness, terror and dismay overwhelmed him. His eyes burned and smarted, yet, strange to say, the tears now refused to come and bring him relief. He could only stand there with his elbows on the window-sill, and watch the outline of the trees and hedges grow clearer and clearer as the light drew across the sky, and the moment of sunrise came close.
But when at last he turned back into the room, he saw that he was no longer alone. Crouching against the opposite wall there was a hooded figure steadily watching him.
CHAPTER VI
HIS COMPANION IN PRISON
Shocks