Selected Works of Voltairine de Cleyre. Voltairine De Cleyre
the soul which has come out of its casement of custom and cowardice, and dared to claim its Self.
Ah, once to stand unflinchingly on the brink of that dark gulf of passions and desires, once at last to send a bold, straight-driven gaze down into the volcanic Me, once, and in that once, and in that once forever, to throw off the command to cover and flee from the knowledge of that abyss—nay, to dare it to hiss and seethe if it will, and make us writhe and shiver with its force! Once and forever to realize that one is not a bundle of well-regulated little reasons bound up in the front room of the brain to be sermonized and held in order with copy-book maxims or moved and stopped by a syllogism, but a bottomless, bottomless depth of all strange sensations, a rocking sea of feeling wherever sweep strong storms of unaccountable hate and rage, invisible contortions of disappointment, low ebbs of meanness, quakings and shudderings of love that drives to madness and will not be controlled, hungerings and moanings and sobbing that smite upon the inner ear, now first bent to listen, as if all the sadness of the sea and the wailing of the great pine forests of the North had met to weep together there in that silence audible to you alone. To look down into that, to know the blackness, the midnight, the dead ages in oneself, to feel the jungle and the beast within—and the swamp and the slime, and the desolate desert of the heart's despair—to see, to know, to feel to the uttermost—and then to look at one's fellow, sitting across from one in the street-car, so decorous, so well got up, so nicely combed and brushed and oiled and to wonder what lies beneath that commonplace exterior—to picture the cavern in him which somewhere far below has a narrow gallery running into your own—to imagine the pain that racks him to the finger-tips perhaps while he wears that placid ironed-shirt-front countenance—to conceive how he too shudders at himself and writhes and flees from the lava of his heart and aches in his prison-house not daring to see himself—to draw back respectfully from the Self-gate of the plainest, most unpromising creature, even from the most debased criminal, because one knows the nonentity and the criminal in oneself—to spare all condemnation (how much more trial and sentence) because one knows the stuff of which man is made and recoils at nothing since all is in himself—this is what Anarchism may mean to you. It means that to me.
And then, to turn cloudward, starward, skyward, and let the dreams rush over one—no longer awed by outside powers of any order—recognizing nothing superior to oneself—painting, painting endless pictures, creating unheard symphonies that sing dream sounds to you alone, extending sympathies to the dumb brutes as equal brothers, kissing the flowers as one did when a child, letting oneself go free, go free beyond the bounds of what fear and custom call the "possible,"—this too Anarchism may mean to you, if you dare to apply it so. And if you do some day—if sitting at your work-bench, you see a vision of surpassing glory, some picture of that golden time when there shall be no prisons on the earth, nor hunger, nor houselessness, nor accusation, nor judgment, and hearts open as printed leaves, and candid as fearlessness, if then you look across at your low-browed neighbor, who sweats and smells and curses at his toil—remember that as you do not know his depth neither do you know his height. He too might dream if the yoke of custom and law and dogma were broken from him. Even now you know not what blind, bound, motionless chrysalis is working there to prepare its winged thing.
Anarchism means freedom to the soul as to the body—in every aspiration, every growth.
A few words as to the methods. In times past Anarchists have excluded each other on these grounds also; revolutionists contemptuously said "Quaker" of peace men; "savage Communists" anathematized the Quakers in return.
This too is passing. I say this: all methods are to the individual capacity and decision.
There is Tolstoy—Christian, non-resistant, artist. His method is to paint pictures of society as it is, to show the brutality of force and the uselessness of it; to preach the end of government through the repudiation of all military force. Good! I accept it in its entirety. It fits his character, it fits his ability. Let us be glad that he works so.
There is John Most—old, work-worn, with the weight of prison years upon him—yet fiercer, fiercer, bitterer in his denunciations of the ruling class than would require the energy of a dozen younger men to utter—going down the last hills of life, rousing the consciousness of wrong among his fellows as he goes. Good! That consciousness must be awakened. Long may that fiery tongue yet speak.
There is Benjamin Tucker—cool, self-contained, critical—sending his fine hard shafts among foes and friends with icy impartiality, hitting swift and cutting keen—and ever ready to nail a traitor. Holding to passive resistance as most effective, ready to change it whenever he deems it wise. That suits him; in his field he is alone, invaluable.
And there is Peter Kropotkin appealing to the young, and looking with sweet, warm, eager eyes into every colonizing effort, and hailing with a child's enthusiasm the uprisings of the workers, and believing in revolution with his whole soul. Him too we thank.
And there is George Brown preaching peaceable expropriation through the federated unions of the workers; and this is good. It is his best place; he is at home there; he can accomplish most in his own chosen field.
And over there in his coffin cell in Italy, lies the man whose method was to kill a king, and shock the nations into a sudden consciousness of the hollowness of their law and order. Him too, him and his act, without reserve I accept, and bend in silent acknowledgement of the strength of the man.
For there are some whose nature it is to think and plead, and yield and yet return to the address, and so make headway in the minds of their fellowmen; and there are others who are stern and still, resolute, implacable as Judah's dream of God;—and those men strike—strike once and have ended. But the blow resounds across the world. And as on a night when the sky is heavy with storm, some sudden great white flare sheets across it, and every object starts sharply out, so in the flash of Bresci's pistol shot the whole world for a moment saw the tragic figure of the Italian people, starved, stunted, crippled, huddled, degraded, murdered; and at the same moment that their teeth chattered with fear, they came and asked the Anarchists to explain themselves. And hundreds of thousands of people read more in those few days than they had ever read of the idea before.
Ask a method? Do you ask Spring her method? Which is more necessary, the sunshine or the rain? They are contradictory—yes; they destroy each other—yes, but from this destruction the flowers result.
Each choose that method which expresses your self-hood best, and condemn no other man because he expresses his Self otherwise.
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