Your United States: Impressions of a first visit. Arnold Bennett
not easy for a visiting stranger in New York to get away from Fifth Avenue. The street seems to hold him fast. There might almost as well be no other avenues; and certainly the word "Fifth" has lost all its numerical significance in current usage. A youthful musical student, upon being asked how many symphonies Beethoven had composed, replied four, and obstinately stuck to it that Beethoven had only composed four. Called upon to enumerate the four, he answered thus, the C minor, the Eroica, the Pastoral, and the Ninth. "Ninth" had lost its numerical significance for that student. A similar phenomenon of psychology has happened with the streets and avenues of New York. Europeans are apt to assume that to tack numbers instead of names on to the thoroughfares of a city is to impair their identities and individualities. Not a bit! The numbers grow into names. That is all. Such is the mysterious poetic force of the human mind! That curt word "Fifth" signifies as much to the New-Yorker as "Boulevard des Italiens" to the Parisian. As for the possibility of confusion, would any New-Yorker ever confuse Fourteenth with Thirteenth or Fifteenth Street, or Twenty-third with Twenty-second or Twenty-fourth, or Forty-second with One Hundred and Forty-second, or One Hundred and Twenty-fifth with anything else whatever? Yes, when the Parisian confuses the Champs Elysées with the Avenue de l'Opéra! When the Parisian arrives at this stage—even then Fifth Avenue will not be confused with Sixth!
One day, in the unusual silence of an election morning, I absolutely determined to see something of the New York that lies beyond Fifth Avenue, and I slipped off westward along Thirty-fourth Street, feeling adventurous. The excursion was indeed an adventure. I came across Broadway and Sixth Avenue together! Sixth Avenue, with its barbaric paving, surely could not be under the same administration as Fifth! Between Sixth and Seventh I met a sinister but genial ruffian, proudly wearing the insignia of Tammany; and soon I met a lot more of them: jolly fellows, apparently, yet somehow conveying to me the suspicion that in a saloon shindy they might prove themselves my superiors. (I was told in New York, and by the best people in New York, that Tammany was a blot on the social system of the city. But I would not have it so. I would call it a part of the social system, just as much a part of the social system, and just as expressive of the national character, as the fine schools, the fine hospitals, the superlative business organizations, or Mr. George M. Cohan's Theater. A civilization is indivisibly responsible for itself. It may not, on the Day of Judgment, or any other day, lessen its collective responsibility by baptizing certain portions of its organism as extraneous "blots" dropped thereon from without.) To continue—after Seventh Avenue the declension was frank. In the purlieus of the Five Towns themselves—compared with which Pittsburg is seemingly Paradise—I have never trod such horrific sidewalks. I discovered huge freight-trains shunting all over Tenth and Eleventh Avenues, and frail flying bridges erected from sidewalk to sidewalk, for the convenience of a brave and hardy populace. I was surrounded in the street by menacing locomotives and crowds of Italians, and in front of me was a great Italian steamer. I felt as though Fifth Avenue was a three days' journey away, through a hostile country. And yet I had been walking only twenty minutes! I regained Fifth with relief, and had learned a lesson. In future, if asked how many avenues there are in New York I would insist that there are three: Lexington, Madison, and Fifth.
The chief characteristic of Broadway is its interminability. Everybody knows, roughly, where it begins, but I doubt if even the topographical experts of Albany know just where it ends. It is a street that inspires respect rather than enthusiasm. In the daytime all the uptown portion of it—and as far down-town as Ninth Street—has a provincial aspect. If Fifth Avenue is metropolitan and exclusive, Broadway is not. Broadway lacks distinction, it lacks any sort of impressiveness, save in its first two miles, which do—especially the southern mile—strike you with a vague and uneasy awe. And it was here that I experienced my keenest disappointment in the United States.
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