The Mystery of Witchcraft - History, Mythology & Art. William Godwin

The Mystery of Witchcraft - History, Mythology & Art - William Godwin


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affected contempt for the female sex, with an extremely low estimate of its virtues (adopting the language of the Fathers), characterises the opinions of the compilers.

      Ennemoser has made an abstract from the 'Demonomagie' of Horst (founded on Hauber's original work), of the 'Hexenhammer,' under its three principal divisions. The third part, which contains the Criminal Code, and consists of thirty-five questions, is the most important section. It is difficult to decide which is the more astonishing, the perfect folly or the perfect iniquity of the Code: it is easier to understand how so many thousands of victims were helplessly sacrificed. The arrest might take place on the simple rumour of a witch being found somewhere, without any previous denunciation. The most abandoned and the most infamous persons may be witnesses: no criminal is too bad. Even a witch or heretic (the worst criminal in the eye of ecclesiastical law) is capable of giving evidence. Husbands and wives may witness one against the other; and the testimony of children was received as good evidence.

      It is opportune here to examine the common beliefs of demonology and sorcery as they existed in Europe. Christian demonology is a confused mixture of pagan, Oriental, and Christian ideas. The Christian Scriptures have seemed to suggest and sanction a constant personal interference of the 'great adversary,' who is always traversing the earth 'seeking whom he may devour;' and his popular figure is represented as a union of the great dragon, the satyrs, and fauns. Nor does he often appear without one or other of his recognised marks—the cloven foot, the goat's horns, beard, and legs, or the dragon's tail. With young and good-looking witches he is careful to assume the recommendations of a young and handsome man, whilst it is not worth while to disguise so unprepossessing peculiarities in his incarnate manifestations to old women, the enjoyment of whose souls is the great purpose of seduction.

      Sir Thomas Browne ('Vulgar Errors'), a man of much learning and still more superstitious fancy, speciously explains the phenomenon of the cloven foot. He suggests that 'the ground of this opinion at first might be his frequent appearing in the shape of a goat, which answers this description. This was the opinion of the ancient Christians concerning the apparitions of panites, fauns, and satyrs: and of this form we read of one that appeared to Anthony in the wilderness. The same is also confirmed from exposition of Holy Scripture. For whereas it is said "Thou shalt not offer unto devils," the original word is Seghuirim, i. e. rough and hairy goats; because in that shape the devil most often appeared, as is expounded by the rabbins, as Tremellius hath also explained; and as the word Ascimah, the God of Emath, is by some explained.' Dr. Joseph Mede, a pious and learned divine, author of the esteemed 'Key to the Apocalypse,' pronounces that 'the devil could not appear in human shape while man was in his integrity, because he was a spirit fallen from his first glorious perfection, and therefore must appear in such shape which might argue his imperfection and abasement, which was the shape of a beast; otherwise (he plausibly contends) no reason can be given why he should not rather have appeared to Eve in the shape of a woman than of a serpent. But since the fall of man the case is altered; now we know he can take upon him the shape of a man. He appears in the shape of man's imperfection rather for age or deformity, as like an old man (for so the witches say); and, perhaps, it is not altogether false, which is vulgarly affirmed, that the devil appearing in human shape has always a deformity of some uncouth member or other, as though he could not yet take upon him human shape entirely, for that man is not entirely and utterly fallen as he is.' Whatever form he may assume, the cloven foot must always be visible under every disguise; and Othello looks first for that fabulous but certain sign when he scrutinises his treacherous friend.

      Reginald Scot's reminiscences of what was instilled into him in the nursery may possibly occur to some even at this day. 'In our childhood,' he complains, 'our mothers' maids have so terrified us with an ugly devil having horns on his head, fire in his mouth, a tail in his breech, eyes like a bison, fangs like a dog, a skin like a niger, a voice roaring like a lion, whereby we start and are afraid when we hear one cry Boh!' Chaucer has expressed the belief of his age on the subject. It seems to have been a proper duty of a parish priest to bring to the notice of his ecclesiastical superior, with other crimes, those of sorcery. The Friar describes his 'Erchedeken' as one—

      That boldely didde execucioun

       In punyschying of fornicacioun,

       Of wicchecraft....

      This ecclesiastic employed in his service a subordinate 'sompnour,' who, in the course of his official duty, one day meets a devil, whose 'dwellynge is in Helle,' who condescends to enlighten the officer on the dark subject of demon-apparitions:—

      When us liketh we can take us on

       Or ellis make you seme that we ben schape

       Som tyme like a man or like an ape;

       Or like an aungel can I ryde or go:

       It is no wonder thing though it be so,

       A lowsy jogelour can deceyve the;

       And, parfay, yet can I more craft than he.

      To the question why they are not satisfied with one shape for all occasions, the devil answers at length:—

      Som tyme we ben Goddis instrumentes

       And menes to don his commandementes,

       Whan that him liste, upon his creatures

       In divers act and in divers figures.

      


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