The Mystery of Witchcraft - History, Mythology & Art. William Godwin
to see the whole roome so full of smoake; but that being vanished, they might perceive the Brazen Head broken and lying on the ground. At this sight they grieved, and called Miles to know how this came. Miles, halfe dead with feare, said that it fell doune of itselfe, and that with the noyse and fire that followed he was almost frighted out of his wits. Fryer Bacon asked him if hee did not speake? “Yes,” quoth Miles, “it spake, but to no purpose: He have a parret speake better in that time that you have been teaching this Brazen Head.”
‘“Out on thee, villaine!” said Fryer Bacon; “thou hast undone us both: hadst thou but called us when it did speake, all England had been walled round about with brasse, to its glory and our eternal fames. What were the words it spake?” “Very few,” said Miles, “and those were none of the wisest that I have heard neither. First he said, ‘Time is.’” “Hadst thou called us then,” said Fryer Bacon, “we had been made for ever.” “Then,” said Miles, “half-an-hour after it spake againe, and said, ‘Time was.’” “And wouldst thou not call us then?” said Bungey. “Alas!” said Miles, “I thought hee would have told me some long tale, and then I purposed to have called you: then half-an-houre after he cried, ‘Time is past,’ and made such a noyse that hee hath waked you himselfe, mee thinkes.” At this Fryer Bacon was in such a rage that hee would have beaten his man, but he was restrained by Bungey: but neverthelesse, for his punishment, he with his art struck him dumbe for one whole month’s space. Thus the greate worke of these learned fryers was overthrown, to their great griefes, by this simple fellow.’
The historian goes on to relate many instances of Friar Bacon’s thaumaturgical powers. He captures a town which the king had besieged for three months without success. He puts to shame a German conjuror named Vandermast, and he performs wonders in love affairs; but at length a fatal result to one of his magical exploits induces him to break to pieces his wonderful glass and doff his conjurer’s robe. Then, receiving intelligence of the deaths of Vandermast and Friar Bungey, he falls into a deep grief, so that for three days he refuses to partake of food, and keeps his chamber.
‘In the time that Fryer Bacon kept his Chamber, hee fell into divers meditations; sometimes into the vanity of Arts and Sciences; then would he condemne himselfe for studying of those things that were so contrary to his Order soules health; and would say, That magicke made a man a Devill: sometimes would hee meditate on divinity; then would hee cry out upon himselfe for neglecting the study of it, and for studying magicke: sometime would he meditate on the shortnesse of mans life, then would he condemne himself for spending a time so short, so ill as he had done his: so would he goe from one thing to another, and in all condemne his former studies.
‘And that the world should know how truly he did repent his wicked life, he caused to be made a great fire; and sending for many of his friends, schollers, and others, he spake to them after this manner: My good friends and fellow students, it is not unknown to you, how that through my Art I have attained to that credit, that few men living ever had: of the wonders that I have done, all England can speak, both King and Commons: I have unlocked the secrets of Art and Nature, and let the world see those things that have layen hid since the death of Hermes,5 that rare and profound philosopher: my studies have found the secrets of the Starres; the bookes that I have made of them do serve for precedents to our greatest Doctors, so excellent hath my judgment been therein. I likewise have found out the secrets of Trees, Plants, and Stones, with their several uses; yet all this knowledge of mine I esteeme so lightly, that I wish that I were ignorant and knew nothing, for the knowledge of these things (as I have truly found) serveth not to better a man in goodnesse, but onely to make him proude and thinke too well of himselfe. What hath all my knowledge of Nature’s secrets gained me? Onely this, the losse of a better knowledge, the losse of Divine Studies, which makes the immortal part of man (his soule) blessed. I have found that my knowledge has beene a heavy burden, and has kept downe my good thoughts; but I will remove the cause, which are these Bookes, which I doe purpose here before you all to burne. They all intreated him to spare the bookes, because in them there were those things that after-ages might receive great benefit by. He would not hearken unto them, but threw them all into the fire, and in that flame burnt the greatest learning in the world. Then did he dispose of all his goods; some part he gave to poor schollers, and some he gave to other poore folkes: nothing left he for himselfe: then caused hee to be made in the Church-Wall a Cell, where he locked himselfe in, and there remained till his Death. His time hee spent in prayer, meditation, and such Divine exercises, and did seeke by all means to perswade men from the study of Magicke. Thus lived hee some two years space in that Cell, never comming forth: his meat and drink he received in at a window, and at that window he had discourse with those that came to him; his grave he digged with his owne nayles, and was there layed when he dyed. Thus was the Life and Death of this famous Fryer, who lived most part of his life a Magician, and dyed a true Penitent Sinner and Anchorite.’
Upon this popular romance Greene, one of the best of the second-class Elizabethan dramatists, founded his rattling comedy, entitled ‘The Historye of Fryer Bacon and Fryer Bungay,’ which was written, it would seem, in 1589, first acted about 1592, and published in 1594. He does not servilely follow the old story-book, but introduces an under-plot of his own, in which is shown the love of Prince Edward for Margaret, the ‘Fair Maid of Fressingfield,’ whom the Prince finally surrenders to the man she loves, his favourite and friend, Lacy, Earl of Lincoln.
GREENE’S COMEDY.
In Scene I., which takes place near Framlingham, in Suffolk, we find Prince Edward eloquently expatiating on the charms of the Fair Maid to an audience of his courtiers, one of whom advises him, if he would prove successful in his suit, to seek the assistance of Friar Bacon, a ‘brave necromancer,’ who ‘can make women of devils, and juggle cats into coster-mongers.’6 The Prince acts upon this advice.
Scene II. introduces us to Friar Bacon’s cell at Brasenose College, Oxford (an obvious anachronism, as the college was not founded until long after Bacon’s time). Enter Bacon and his poor scholar, Miles, with books under his arm; also three doctors of Oxford: Burden, Mason, and Clement.
Bacon. Miles, where are you?
Miles. Hic sum, doctissime et reverendissime Doctor. (Here I am, most learned and reverend Doctor.)
Bacon. Attulisti nostros libros meos de necromantia? (Hast thou brought my books of necromancy?)
Miles. Ecce quam bonum et quam jucundum habitare libros in unum! (See how good and how pleasant it is to dwell among books together!)
Bacon. Now, masters of our academic state
That rule in Oxford, viceroys in your place,
Whose heads contain maps of the liberal arts,
Spending your time in depths of learnèd skill,
Why flock you thus to Bacon’s secret cell,
A friar newly stalled in Brazen-nose?
Say what’s your mind, that I may make reply.
Burden. Bacon, we hear that long we have suspect,
That thou art read in Magic’s mystery:
In pyromancy,7 to divine by flames; To tell by hydromancy, ebbs and tides; By aeromancy to discover doubts,— To plain out questions, as Apollo did.
Bacon. Well, Master Burden, what of all this?
Miles. Marry, sir, he doth but fulfil, by rehearsing of these names, the fable of the ‘Fox and the Grapes’: that which is above us pertains nothing to us.
Burd. I tell thee, Bacon, Oxford makes report,
Nay, England, and the Court of Henry says
Thou’rt making of a Brazen Head by art,
Which shall unfold strange doubts and aphorisms,
And read