The Dates of Variously-shaped Shields, with Coincident Dates and Examples. Grazebrook George
when shields were in actual use and any alteration in their outline was considered to be an improvement to meet some freshly noticed want; this will be further referred to as instances occur. During and after the sixteenth century, shapes were selected in an arbitrary way, as a matter of taste alone; and hence earlier examples were sometimes exactly adopted, while at other times details and alterations were introduced, just to suit the fancy of the purchaser or artist and the conventional style of the times.
As references for what has already been said, I would name the works of Meyrick and Hewitt, Planché's work on Costume, Strutt's Horda, and a learned paper on shields, by Sir Frederick Madden, in Archæologia, vol. xxiv. This, although primarily discussing the chessmen found in the Island of Lewis, contains the results of wide researches as to shields in the eleventh and twelfth centuries. There is also a valuable and well illustrated book, Scenes and Characters of the Middle Ages, by A. L. Cutts, published by Messrs. Virtue and Co., 1872.
The principal authority for the accurate dating and classifying of shields is the immense number of mediæval seals attached to deeds and charters, and with dates exactly known. If it were practicable to arrange in chronological sequence illustrations of a sufficient number of these, we should at once have the classification of dates, styles, and shapes, which would be so very valuable, and which it is the attempt of this paper to display. Hence it is that to the end of the fifteenth century seals form so large a part of the evidences submitted. The certainty of such records is unsurpassed: we have a parchment, itself dated, or the date of which in very early instances can be otherwise closely ascertained; and attached to this we have a seal with the shield; and, to make it perfectly certain, we have the owner's name inscribed around it, and so we know he is not using some one else's seal, found or come down to him from earlier times. Such instances frequently occur, and are at once in this way detected. There are instances where the same seal, acquired in early life, continued to be used for over fifty years; but that is the extent to which such valuable proofs can wander from the actual prevailing type and date.
Besides seals, the many invaluable illuminations in the British Museum and Bodleian Libraries, and in the great Continental Libraries, furnish numberless pictures of knights and their accoutrements, contemporaneously executed, and with the most manifest exactness in every detail. Many of these have been engraved in our popular literature, as well as in the learned works named above; but to enable the mind to form correct conclusions these should be all cut out and arranged in groups of exact dates, or drawn as they are in a student's note book.
The earlier monumental effigies afford many valuable examples of shields, and after they cease to be represented by the side of the figure, such often appear among the architectural details, giving the shape of shield, with an exact date attached.
Monumental brasses give evidence to a later date, and the canopy work introduced often carries ornamental shields.
Architectural stone carvings frequently give data of great value. I need only refer to those put up in Westminster Abbey about 1260, which show the exact shape and proportions of some of the shields then used, and are represented as hanging by their "guiges" from stone projections carved into various devices. But representations in stone and in stained glass, especially those of later date, seem to be greatly influenced by their surroundings, and cannot therefore be implicitly relied on as proofs of style and date. They are often found not to correspond exactly with other examples; indeed it is a curious fact, which all my fellow students will vouch for, that these two—stone and glass—seem of all materials most liable to err. The good name of many a respectable family has been ruined by the bend sinister introduced through the ignorant determination of some stone-carver; while in glass, colours are altered, and impaled shields have been turned round and so reversed; while, in the particular subject under discussion, viz., the exact shapes of shields which obtained at various dates, we find in both stone and glass that their shapes follow the necessities of the rest of the design, and are made to fit into them.
Plate I.
Printed books supply many shields from the end of the fifteenth century, showing the artistic taste in such matters which prevailed from that date to the present. Printers' marks begin still earlier, and are often contained in shields; but these usually show a spirit of exaggeration, and convey the impression that such would not be found elsewhere, and hence they are not of much use to us in our present purpose of laying down exact dates.
Grants of arms and book-plates come in to continue our information, giving shapes and the decorations surrounding them. Book-plates are usually efforts of art and taste at the dates when they were executed, and these two occur just at the time when other evidences fall short, and so they are peculiarly valuable.
In the following remarks I shall gladly avail myself of the new system of nomenclature devised and introduced by my friend, Mr. J. Paul Rylands, F.S.A. I welcome it as a most valuable desideratum, by means of which I hope to make my subject intelligible. Without such a system a still greater number of illustrations would have been required, and I should like to bear my small testimony to its very great and, I expect, increasing usefulness. It is not everyone who has the ready hand to dash off the correct outline when seeking to communicate the style of a shield, or a book-plate, and here we have a simple alphabet of shapes which can be read and understanded of all men, and which will certainly be found so convenient that it will come into general use.
ELEVENTH CENTURY.
Our examples of shields show very few varieties, nearly all seem to follow the long kite shape or "Norman pear" Nos. 3 and 4. The great seals of William I., William Rufus, and Henry I. all show this shield, also that of Ilbert de Laci [Archæological Journal, vol. iv, p. 249], while the Bayeux tapestry, worked at the end of this century, represents them exactly. Seeing, as we do in the seals of this date, which mostly represented mounted horsemen, the inside only, it may be noticed that all seem to be strengthened round their edges. In those of William I. and Ilbert de Laci a metal rim is shown; in that of William Rufus two of such strips, while in that of Henry I. rivets appear to fasten a similar rim on the other side. In the Bayeux tapestry some round shields with pointed bosses appear, and one of a square shape rounded at the corners.
In seals the lettering of the inscriptions is in plain Roman capitals, while longobardic letters for G E A and D appear sometimes, but in several seals preserved from this early date the inscriptions have unfortunately decayed away.
Gilbert de Gant, ob. 1156.
THE TWELFTH CENTURY
exhibits several varieties of shape, Norman and the Norman convex at the top (Nos. 1, 2, 3, and 4); and many of these are curved, so as to partially surround the body. The great seal of Stephen represents a pointed boss and a shield almost pear-shaped. One very curious seal, that of Richard Basset, about 1145, merits a full description. He appears bearing a kite-shaped or very elongated pear-shaped shield (No. 3), about four feet long, and carried down to a sharp point. The top is bi-lobed, like a heart, and it is strengthened all round by a metal rim, while further strength is imparted by a boss or figure like a simple escarboucle, carried out to the sides. He wields a very powerful sword, with an extraordinarily heavy hilt, and with it he cuts off the large duck-like beak of a formidable rampant-winged animal like a dragon, and, apparently, thus frees a human figure held in its beak. This curious seal is attached to a charter printed in Blomefield's