Mavericks. William MacLeod Raine

Mavericks - William MacLeod Raine


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      From a cleft in the hills two riders emerged, following a little gulch to the point where it widened into a draw. The alkali dust of Arizona lay thick upon their broad-brimmed Stetsons and every inch of exposed surface, but through the gray coating bloomed the freshness of youth. It rang from their voices, was apparent in the modelling and carriage of their figures. The young man was sinewy and hard as nails, the girl supple and wiry, of a slender grace, straight-backed as an Indian in the saddle.

      Just where the draw dipped down into the grassy park they drew rein an instant. Faint and far a sound drifted to them. Somebody down in the park had fired a rifle.

      "I don't agree with you, Phil," the girl said, picking up the thread of their conversation where they had dropped it some minutes earlier. "The nesters have as much right here as we have. They come here to settle, and they take up government land. Why shouldn't they?"

      "Because we got here first," he retorted impatiently. "Because our cattle and sheep have been feeding on the land they are fencing. Because they close the water holes and the creeks and claim they are theirs. It means the end of the open range. That's what it means."

      "Of course that's what it means. We'll have to adapt ourselves to it. You talk foolishness when you make threats to drive out the nesters. That is the sort of thing Buck Weaver has been trying to do. It's absurd. The law is back of them. You would only come to trouble, and if you did succeed others would take their places."

      "And rustle our cattle," he added sullenly.

      "It isn't proved they are the rustlers. You haven't a shred of evidence. Perhaps they are, but you should prove it before you make the charge."

      "If they aren't, who is?" he flared up.

      "I don't know. But whoever it is will be caught and punished some day. There is no doubt at all about that."

      "You talk a heap of foolishness, Phyl," he answered resentfully. "My notion is they never will be caught. What makes you so sure they will?"

      They had been riding down the draw, and at this moment Phyllis looked up, to see a rider silhouetted against the sky line on the ridge above.

      "Oh, you Brill!" she cried, with a wave of her quirt.

      The man turned, saw them, and rode slowly down. He nodded, after the fashion of the range, first to the girl, and then to her brother.

      "Morning," he nodded. "Headed for Mesa? Here, too."

      He fell in with them and rode beside the girl. Presently they topped a little hillock, and looked down into the park. It had about the area of a mile, and was perhaps twice as long as broad. Wooded spurs ran down from the hills into it here and there, and through the meadow leaped a silvery stream.

      "Hello! Wonder where that smoke comes from?"

      It was Healy that spoke. He pointed to a faint cloud rising from a distance. Even before he began to speak, however, Phyllis had her field glasses out, and was adjusting them to her eyes.

      "There's a fire there and a man standing over it," she presently announced. "There's something else there, too. I can't make it out—something lying down."

      The men glanced at each other, and in the meeting of their eyes some intelligence passed between them. It was as if the younger accused and the older sullenly denied.

      "Lemme have the glasses," Phil said to his sister almost roughly.

      Healy glanced at Phil swiftly, covertly, as the latter adjusted the glasses. "She's right about the fire and the man. I can see as much with my naked eyes," he cut in.

      The boy looked long, lowered the glasses, and met his friend's eye with a kind of shamefaced hesitation. But apparently he gathered reassurance from the quiet steadiness with which the other's gaze met him. He handed the glasses to Healy. When the latter lowered them his face was grave. "There's a man and a fire and a cow and a calf. When these four things meet up together, what does it mean?"

      "Branding!" cried the girl.

      "That's right—branding. And when the cow is dead what does it mean?" Brill asked, his eyes full on Phil.

      "Rustling!" she breathed again.

      "You've said it, Phyl. We've got one of them at last," he cried jubilantly.

      Phil, hanging between doubt and suspicion and shame, brightened at the enthusiasm of the other.

      "Right you are, Brill. We'll solve this mystery once for all."

      Healy, unstrapping the case in which lay his rifle, shot a question at the boy. "Armed, Phil?"

      The lad nodded. "I brought my six-gun for rattlesnakes."

      "Are you going to—to——" cried Phyllis, the color gone from her face.

      "We're going to capture him alive if we can, Phyl. You're to wait right here till we come back. You may hear shooting. Don't let that worry you. We've got the drop on him, or will have. Nobody is going to get hurt if he acts sensible," Healy reassured.

      "Don't you move from here. You stay right where you are," her brother ordered sharply.

      "Yes," she said, and was aware that her throat was suddenly parched. "You'll be careful, won't you, Phil?"

      "Sure," he called back, as he put his horse at a canter to follow his friend up the draw.

      The sound of the hoofs died away, and she was alone. That they were going to circle in and out among the tangle of hills until they were opposite the miscreant, she knew, but in spite of Brill's promise she had a heart of water. With trembling fingers she raised the glasses again, and focused them on that point which was to be the centre of the drama.

      The man was moving about now, quite unconscious of the danger that menaced him. What she looked at was the great crime of Cattleland. All her life she had been taught to hold it in horror. But now something human in her was deeper than her detestation of the cowardly and awful thing this man had just done. She wanted to cry out to him a warning, and did in a faint, ineffective voice that carried not a tenth of the distance between them.

      She had promised to remain where she was, but her tense interest in what was doing drew her forward in spite of herself. She rode along the ridge that bordered the park, at first slowly and then quicker as the impulse grew in her to be in at the finish.

      The climax came. She saw him look round quickly, and in an instant his pony was at the gallop and he was lying low on its neck. A shot rang out, and another, but without checking his flight. He turned in the saddle and waved a derisive hand at the shooters, then plunged into a wash and disappeared.

      What inspired her she could never tell. Perhaps it was her indignation at the thing he had done, perhaps her anger at that mocking wave of the hand with which he had vanished. She wheeled her horse, and put it at a canter down the nearest draw so as to try to intercept him at right angles. Her heart beat fast with excitement, but she was conscious of no fear.

      Before she had covered half the distance, she knew she was going to be too late to cut off his retreat. Faintly, she heard the rhythm of hoofs striking the rocky bottom of the draw. Abruptly they ceased. Wondering what that could mean, she found her answer presently. For the pounding of the galloping broncho had renewed itself, and closer. The man was riding up the gulch toward her. He had turned into its mesquite-laced entrance for a hiding place. Phyllis drew rein, and waited quietly to confront him, but with a pulse that hammered the moments for her.

      A white-stockinged roan, plowing a way through heavy sand, labored into view round the bend, its rider slewed in the saddle with his whole attention upon the possible pursuit. Not until


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