The Deserter, and Other Stories: A Book of Two Wars. Frederic Harold
fresh batch of cakes, he would put it into execution.
"Why, you was feelin' first rate a few minutes ago," remonstrated Nelse, between mouthfuls, "singin' away for dear life."
"Remember how Mose Whipple used to sing?" put in one of the others. "The' was one song o' his, 'The Faded Coat o' Blue'—seems's if I could set and listen to him singin' that all day long. He sung it over at Steve Trimble's huskin', I remember, and Lib Truax let him see her home, just on account of it. She wouldn't so much as looked at him any other time. She told my sister afterward that if he'd 'a' popped the question then, with that singin' o' his in her ears, as like as not she'd 'a' said yes."
"Lucky for her he didn't, then," remarked another. "I give Mose credit for one thing, though. He had sense enough not to git married—and that's more'n most shiftless coots like him have. He always said that as long's the old man was alive, he'd keep a roof over his head, and let everything else slide. Whatever else you may say, there's no denyin' Mose was a good son to the old man."
"If I was old," said a third, "and was dependent on my son, I'd think a good deal more of him if he shinned around, and worked stiddy, and put somethin' by for a rainy day, even if he did marry into the bargain, instid o' bein' bone-lazy like Mose, and never knowin' one day where the next day's breakfast was comin' from."
"Not if you was old Asa Whipple," rejoined the first speaker. "Mose was jest after the old man's heart. I never see father and son so wrapped up in one another as them two was. Seems's if they didn't need no other company—they was company enough for themselves. That's what made it so rough on the old man when Mose 'listed."
"He couldn't help himself," said Nelse Hornbeck; "there was the interest comin' due on the mortgage, and how else——"
"Sh-h! can't ye!" muttered one of the others, kicking Nelse under the table, and giving a backward nod of the head toward the women by the stove. "Want them to tell 'Lishe Teachout you're blabbin' about his affairs, you sawney?"
Nelse bent hastily over his cakes, and the others busied themselves at making way with the steaming fresh supply which had accumulated while they talked.
Job's opportunity had come. He rose with as fine an assumption of carelessness as he could manage, and walked up to the other end of the table, where the big loaf of home-made bread and the butter-dish were.
He cut off two thick slices; the butter which he tried to spread upon them had become hard with the night's intense cold, and had not been near enough to the fire to be softened. So Job could only distribute it in lumps over the soft surface of one slice, and then put the other on top of it.
Then, watching his chance in the dim light, he conveyed the bread to his jacket pocket. Nobody at the table had observed him, he was sure.
He turned to discover that the sitting-room door close at his back had been opened wide, and that Elisha Teachout was standing in the doorway, looking at him with all his eyes.
It was Elisha Teachout's habit to look very closely at everything and everybody—and his was at the best of times a somewhat uncomfortable gaze to sustain. Job felt that this was not one of the best of times.
His employer was in all seasons an austere and exacting man, coldly suspicious of those about him, and as pitiless in his treatment of his hired help's shortcomings as he was vigilant in looking out for them. But in the winter, when rheumatism put its dread touch upon the marrow of his bones, he was irascible as well, and led his household what they used to describe outside as "a life of it."
His lean, small figure did not seem as much bent as usual this morning—probably he was better, Job thought—but his little steel-colored eyes had an abnormally piercing effect. His pallid face, hairless and wrinkled, with its sunken lips and sharply hooked nose, was of a yellower and sourer aspect than usual, too. The boy felt himself turning very red.
It turned out to be a needless alarm. Mr. Teachout diverted his gaze from Job to look at his old silver watch, which he took from his fob, and then ostentatiously held it in his hand.
"Milk late again this morning?" he demanded, raising his querulous voice with a snap.
"No, it got off in good season," replied the head hired man, nonchalantly.
He had answered the same question now every day for several years, and was at home with it. As a matter of fact the milk from the Teachout farm was never late, but this had not prevented the masters query becoming a formula.
"Then breakfast ought to 'a' been out of the way half an hour ago!" he exclaimed, in the same high, snarling tone. "If I didn't get up and come out, sick as I am, I suppose you'd be settin' here gorging yourselves till noon! And you women, you jest aid and abet 'em in their laziness and gormandizing!"
Job stayed to hear no more. Relieved from his fear of detection, he had taken advantage of the attack upon the others to get his cap and sidle unobtrusively from the room.
Once outside he scampered headlong across the frozen ruts and hummocks of the yard to the cow-barn. There was a perilous show of pink and lemon lights in the eastern sky. Very soon it would be daylight.
He groped his way past between the stanchions to the hay, and began feeling about with his feet.
"Here you are, Mose!" he called out. "It's almost daylight! Here's something to eat."
No answer came. The boy trampled foot by foot over the whole mow in vain. Mose Whipple was gone.
CHAPTER III.
FATHER AND SON.
It is not likely that anything whatever remains standing now of the Whipple house. It must be a dozen years ago that I shot a black squirrel as it whisked its way along over the ridge-beam which had once been Asa Whipple's roof-tree; and the place then was in ruins. The rafters had fallen in; what was left of the sides were dry-rotten under a mask of microscopic silver-gray moss. Tangled masses of wild-brier and lichens surrounded its base, and pushed their way in through the open, dismantled doorway.
Even at that time, the road which once led past the house had fallen into disuse. I suppose that to-day it would be as hard to find the house under the briers as to trace the ancient highway beneath the carpet of grass and sorrel.
Even during the war, when human beings thought of it as a home, the Whipple place was a pretty poor sort of habitation. The lowliest of Elisha Teachout's live-stock were considerably better housed and better sheltered from the weather than old Asa and his son Mose.
The house, as I remember it, used to interest me because it was so obviously a remainder from the days when the district round about was still a veritable part of the Adirondacks. Whether Asa built it or inherited it from his father, a Revolutionary soldier who took up his land-patent in these primitive parts, I never knew. It looked old enough, though, to have been erected by Hendrik Hudson himself.
There must have been a sawmill on the creek at the time, however, for it was not a log house but a frame building, with broad planks nailed roughly to its sides, and the joinings of these covered over with weather-strips.
The frames of the door and the two front windows also came from this mill, wherever it was; the window on the north side was of rude construction, and was evidently the work of some person not greatly skilled in the use of carpenters' tools; perhaps it was made by old Asa himself.
There was a legend that the roof had once been shingled; in my time it was made of flattened breadths of spruce bark, which must have leaked sadly in rainy seasons. There was no cellar under the house, but a rough lean-to woodshed at the back served to shelter any overflow of possessions which might trouble the Whipples. This lean-to was given over chiefly to traps, fishpoles, netting gear, and the like.
There was a barn, but it was roofless and long since disused.
I dare say the original