The Daughters of Danaus. Mona Caird
impression which had seized her, a moment ago, deepened as she went. Something in the scene and the hastening figure roused a sense of dread. With her, an impression was like a spark to gunpowder. Her imagination blazed up. Life, in its most tragic aspect, seemed before her in the lonely scene, with the lonely figure, moving, as if in pursuit of a lost hope, towards the setting sun.
If Hadria had not paused on the brow of the hill, it is unlikely that she would have been overtaken, but that pause decided the matter. The stranger seemed suddenly to hesitate, wondering, apparently, what she had done this eccentric thing for.
Hadria, feeling a presence behind her, turned nervously round and gave a slight start.
It was so rare to meet anybody on these lonely hills, that the apparition of a striking-looking woman with white hair, dark eyes, and a strange exalted sort of expression, gave a shock of surprise.
As the lady had stopped short, Hadria supposed that she had lost her way, and wished to make some enquiries.
“Can I direct you, or give you any assistance?” she asked, after a second’s pause.
“Oh, thank you, you are very kind. I have come over from Ballochcoil to explore the country. I have been trying to find out the history of the old houses of the district. Could you tell me, by the way, anything about that house with the square tower at the end; I have been loitering round it half the afternoon. And I would have given anything to know its history, and what it is like inside.”
“Well, I can help you there, for that old house is my home. If you have time to come with me now, I will show you all over it,” said Hadria, impulsively.
“That is too tempting an offer. And yet I really don’t like to intrude in this way. I am a perfect stranger to you and—your parents I suppose?”
“They will be delighted,” Hadria assured her new acquaintance, somewhat imprudently.
“Well, I can’t resist the temptation,” said the latter, and they walked on together.
Hadria related what she knew about the history of the house. Very scanty records had survived. It had obviously been one of the old Scottish strongholds, built in the lawless days when the country was plunged in feuds and chieftains lived on plunder. A few traditions lingered about it: among them that of a chief who had carried off, by force, the daughter of his bitterest enemy, in revenge for some deed of treachery. He had tortured her with insolent courtship, and then starved her to death in a garret in the tower, while her father and his followers assaulted its thick walls in vain.
“The tradition is, that on stormy nights one can still hear the sound of the attack, the shouts of the men and the father’s imprecations.”
“A horrible story!”
“When people say the world has not progressed, I always think of that story, and remember that such crimes were common in those days,” Hadria remarked.
“I doubt if we are really less ferocious to-day,” the other said; “our ferocity is directed against the weakest, now as then, but there are happily not so many weak, so we get the credit of being juster, without expense. As a matter of fact, our opportunities are less, and so we make a virtue of necessity—with a vengeance!”
Hadria looked at her companion with startled interest. “Will you tell me to whom I have the pleasure of speaking?” the lady asked.
“My name is Fullerton—Hadria Fullerton.”
“Thank you. And here is my card, at least I think it is. Oh, no, that is a friend’s card! How very tiresome! I am reduced to pronouncing my own name—Miss Du Prel, Valeria Du Prel; you may know it.”
Hadria came to a sudden standstill. She might know it! she might indeed. Valeria Du Prel had long been to her a name to swear by.
“Miss Du Prel! Is that—are you—may I ask, are you the writer of those wonderful books?”
Miss Du Prel gave a gratified smile. “I am glad they please you.”
“Ah! if you could guess how I have longed to know you. I simply can’t believe it.”
“And so my work has really given you pleasure?”
“Pleasure! It has given me hope, it has given me courage, it has given me faith in all that is worth living for. It was an epoch in my life when I first read your Parthenia.”
Miss Du Prel seemed so genuinely pleased by this enthusiasm that Hadria was surprised.
“I have plenty of compliments, but very seldom a word that makes me feel that I have spoken to the heart. I feel as if I had called in the darkness and had no response, or like one who has cried from the house-tops to a city of the dead.”
“And I so often thought of writing to you, but did not like to intrude,” cried Hadria.
“Ah! if you only had written to me!” Miss Du Prel exclaimed.
Hadria gazed incredulously at the familiar scene, as they approached the back of the house, with its round tower and its confusion of picturesque, lichen-covered roofs. An irregular circle of stately trees stood as sentinels round the stronghold.
After all, something did happen, once in a while, in this remote corner of the universe, whose name, Hadria used to think, had been erased from the book of Destiny. She was perhaps vaguely disappointed to find that the author of Parthenia wore ordinary human serge, and a cape cut after the fashion of any other person’s cape. Still, she had no idea what supersensuous material she could reasonably have demanded of her heroine (unless it were the mythic “bombazine” that Ernest used to talk about, in his ignorant efforts to describe female apparel), or what transcendental form of cape would have satisfied her imagination.
“You have a lovely home,” said Valeria Du Prel, “you must be very happy here.”
“Would you be happy here?”
“Well, of course that would depend. I am, I fear, too roving by nature to care to stay long in one place. Still I envy girls their home-life in the country; it is so healthy and free.”
Hadria, without answering, led her companion round the flank of the tower, and up to the front door. It was situated in the angle of the wings, a sheltered nook, hospitably careful of the guest, whom the winds of the uplands were disposed to treat but roughly.
Hadria and her companion entered a little panelled hall, whence a flight of broad stairs with stout wooden balusters, of quaint design, led to the first floor.
The visitor was charmed with the quiet old rooms, especially with Hadria’s bedroom in the tower, whose windows were so deep-set that they had to be approached through a little tunnel cut out of the thickness of the wall. The windows looked on to the orchard at the back, and in front over the hills. Miss Du Prel was taken to see the scene of the tragedy, and the meeting-room of the Preposterous Society.
“You must see the drawing-room,” said Hadria.
She opened a door as she spoke, and ushered her visitor into a large, finely-proportioned room with three tall windows of stately form, divided into oblong panes, against which vagrant sprays of ivy were gently tapping.
This room was also panelled with painted wood; its character was quiet and stately and reposeful. Yet one felt that many human lives had been lived in it. It was full of the sentiment of the past, from the old prints and portraits on the walls, to the delicate outlines of the wooden mantel-piece, with its finely wrought urns and garlands.
Before this mantel-piece, with the firelight flickering in her face, sat Mrs. Fullerton, working at a large piece of embroidery.
For the first time, Hadria hesitated. “Mother,” she said, “this is Miss Du Prel. We met out on the hills this afternoon, and I have brought her home to see the house, which she admires very much.”
Mrs. Fullerton had looked up in astonishment, at this incursion into