The Daughters of Danaus. Mona Caird

The Daughters of Danaus - Mona Caird


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      “Thus,” the speaker went on, “these relaxed and derivative people are living on the strength of the strong. He who is strong must carry with him, as a perpetual burden, a mass of such pensioners, who are scared and shocked at his rude individuality; and if he should trip or stumble, if he should lose his way in the untrodden paths, in seeking new truth and a broader foundation for the lives of men, then a chorus of censure goes up from millions of little throats.”

      “Hear, hear!” cried Algitha and Fred, and the table rocked enthusiastically.

      “But when the good things are gained for which the upholders have striven and perhaps given their lives, then there are no more greedy absorbers of the bounty than these same innumerable little throats.”

      The table led the chorus of assent.

      “And now,” said the lecturer slowly, “consider this in relation to the point at issue. Emerson asserts that circumstance can always be conquered. But is not circumstance, to a large extent, created by these destroyers, as I have called them? Has not the strongest soul to count with these, who weave the web of adverse conditions, whose dead weight has to be carried, whose work of destruction has to be incessantly repaired? Who can dare to say ‘I am master of my fate,’ when he does not know how large may be the share of the general burden that will fall to him to drag through life, how great may be the number of these parasites who are living on the moral capital of their generation? Surely circumstance consists largely in the inertia, the impenetrability of the destroyers.”

      Ernest shewed signs of restiveness. He shuffled on his chair, made muttered exclamations.

      “Presently,” said the lecturer reassuringly.

      “Or put it in another way,” she went on. “A man may make a thing—circumstance included—but he is not a sort of moral spider; he can’t spin it out of his own inside. He wants something to make it of. The formative force comes from within, but he must have material, just as much as a sculptor must have his marble before he can shape his statue. There is a subtle relation between character and conditions, and it is this relation that determines Fate. Fate is as the statue of the sculptor.”

      “That’s where Hadria mainly differs from you,” said Fred, “you make the thing absolute; Hadria makes it a matter of relation.”

      “Exactly,” assented the lecturer, catching the remark. “Difficulties need not be really obstructive to the best development of a character or a power, nor a smooth path always favourable. Obstacles may be of a kind to stimulate one person and to annihilate another. It is not a question of relative strength between character and circumstance, as people are so fond of asserting. That is mere gibberish. It means nothing. The two things cannot be compared, for they are not of the same nature. They can’t be reduced to a common denominator.”

      Austin appreciated this illustration, being head of his class for arithmetic.

      “We shall never be able to take a reasonable view of this question till we get rid of that ridiculous phrase, ‘If the soul is strong enough, it can overcome circumstance.’ In a room filled with carbonic acid instead of ordinary air, a giant would succumb as quickly as a dwarf, and his strength would avail him nothing. Indeed, if there is a difference, it is in favour of the dwarf.”

      Ernest frowned. This was all high treason against his favourite author. He had given his sister a copy of Emerson’s works last Christmas, in the hope that her views might be enlightened, and this was the disgraceful use she made of it!

      “Finally,” said Hadria, smiling defiantly at her brother, “let us put the question shortly thus: Given (say) great artistic power, given also a conscience and a strong will, is there any combination of circumstances which might prevent the artistic power (assuming it to be of the highest order and strength) from developing and displaying itself, so as to meet with general recognition?”

      “No,” asserted Ernest, and there was a hesitating chorus on his side.

      “There seem to me to be a thousand chances against it,” Hadria continued. “Artistic power, to begin with, is a sort of weakness in relation to the everyday world, and so, in some respects, is a nice conscience. I think Emerson is shockingly unjust. His beaming optimism is a worship of success disguised under lofty terms. There is nothing to prove that thousands have not been swamped by maladjustment of character to circumstance, and I would even go so far as to suggest that perhaps the very greatest of all are those whom the world has never known, because the present conditions are inharmonious with the very noblest and the very highest qualities.”

      No sooner was the last word uttered than the garret became the scene of the stormiest debate that had ever been recorded in the annals of the Preposterous Society, an institution that had lately celebrated its fifth anniversary. Hadria, fired by opposition, declared that the success of great people was due not simply to their greatness, but to some smaller and commoner quality which brought them in touch with the majority, and so gave their greatness a chance.

      At this, there was such a howl of indignation that Algitha remonstrated.

      “We shall be heard, if you don’t take care,” she warned.

      “My dear Algitha, there are a dozen empty rooms between us and the inhabited part of the house, not to mention the fact that we are a storey above everyone except the ghosts, so I think you may compose yourself.”

      However, the excited voices were hushed a little as the discussion continued. One of the chief charms of the institution, in the eyes of the members of the Society, was its secrecy. The family, though united by ties of warm affection to their parents, did not look for encouragement from them in this direction. Mr. Fullerton was too exclusively scientific in his bent of thought, to sympathize with the kind of speculation in which his children delighted, while their mother looked with mingled pride and alarm at these outbreaks of individuality on the part of her daughters, for whom she craved the honours of the social world. In this out-of-the-way district, society smiled upon conformity, and glared vindictively at the faintest sign of spontaneous thinking. Cleverness of execution, as in music, tennis, drawing, was forgiven, even commended; but originality, though of the mildest sort, created the same agonizing disturbance in the select circle, as the sight of a crucifix is wont to produce upon the father of Evil. Yet by some freak of fortune, the whole family at Dunaghee had shewn obstinate symptoms of individuality from their childhood, and, what was more distressing, the worst cases occurred in the girls.

      In the debate just recorded, that took place on Algitha’s twenty-second birthday, Ernest had been Hadria’s principal opponent, but the others had also taken the field against her.

      “You have the easier cause to champion,” she said, when there was a momentary lull, “for all your evidences can be pointed to and counted; whereas mine, poor things—pale hypotheses, nameless peradventures—lie in forgotten churchyards—unthought of, unthanked, untrumpeted, and all their tragedy is lost in the everlasting silence.”

      “You will never make people believe in what might have been,” said Algitha.

      “I don’t expect to.” Hadria was standing by the window looking out over the glimmering fields and the shrouded white hills. “Life is as white and as unsympathetic as this,” she said dreamily. “We just dance our reel in our garret, and then it is all over; and whether we do the steps as our fancy would have them, or a little otherwise, because of the uneven floor, or tired feet, or for lack of chance to learn the steps—heavens and earth, what does it matter?”

      “Hadria!” exclaimed an astonished chorus.

      The sentiment was so entirely unlike any that the ardent President of the Society had ever been known to express before, that brothers and sisters crowded up to enquire into the cause of the unusual mood.

      “Oh, it is only the moonlight that has got into my head,” she said, flinging back the cloudy black hair from her brow.

      Algitha’s firm, clear voice vibrated through the room.

      “But


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