The Man from Brodney's. George Barr McCutcheon
director was a frail, rather good-looking young man, with piercing black eyes that seemed too bold in their scrutiny of the young lady's face. Chase began to hate him; he was unreasonably thankful when he passed on to the box in which the Duke sat.
The third and last time he saw the Princess Genevra before his sudden, spectacular departure from the Grand Duchy, was at the Duke's reception to the nobility of Rapp-Thorberg and to the representatives of such nations of the world as felt the necessity of having a man there in an official capacity.
CHAPTER IV
THE INDISCREET MR. CHASE
There was not a handsomer, more striking figure in the palace gardens on the night of the reception than Hollingsworth Chase, nor one whose poise proved that he knew the world quite as well as it is possible for any one man to know it. His was an unique figure, also, for he was easily distinguishable as the only American in the brilliant assemblage.
He was presented to the Princess late in the evening, together with Baggs of the British office. His pride and confidence received a severe shock. She glanced at him with unaffected welcome, but the air of one who was looking upon his face for the first time. It was not until he had spent a full hour in doleful self-commiseration, that his sense of worldliness came to his relief. In a flash, he was joyously convincing himself that her pose during the presentation was artfully—and very properly—assumed. He saw through it very plainly! How simple he had been! Of course, she could not permit him to feel that she had ever displayed the slightest interest in him! His spirits shot upward so suddenly that Baggs accused him of "negotiating a drink on the sly" and felt very much injured that he had been ignored.
The gardens of the palace were not unlike the stage setting of a great spectacle. The sleepy, stolid character of the court had been transformed, as if by magic. Chase wondered where all the pretty, vivacious women could have sprung from—and were these the officers of the Royal Guard that he had so often laughed at in disdain? Could that gay old gentleman in red and gold be the morbid, carelessly clad Duke of Rapp-Thorberg, whom he had grown to despise because he seemed so ridiculously unlike a real potentate? He marvelled and rejoiced as he strolled hither and thither with the casual Baggs, and for the first time in his life really felt that it was pleasant to be stared at—in admiration, too, he may be pardoned for supposing.
He could not again approach within speaking distance of the Princess—nor did he presume to make the effort. Chase knew his proper place. It must be admitted, however, that he was never far distant from her, but perhaps chance was responsible for that—chance and Baggs, who, by nature, kept as close to royalty as the restrictions allowed.
She was the gayest, the most vivacious being in the whole assemblage; she had but to stretch out her hand or project her smile and every man in touch with the spell was ready to drop at her feet. At last, she led her court off toward the pavilion under which the royal orchestra was playing. As if it were a signal, every one turned his steps in that direction. Chase and the Englishman had been conversing diligently with an ancient countess and her two attractive daughters near the fountain. The Countess gave the command in the middle of Chase's dissertation on Italian cooking, and the party hastily fell in line with the throng which hurried forward.
"What is it? Supper again?" whispered Baggs, lugubriously.
One of the young women, doubtless observing the look of curiosity in the face of the American, volunteered the information that the orchestra was to repeat the great number which had so stirred the musical world at the concert the week before. Chase's look of despair was instantly banished by the recollection that the Princess had bestowed unqualified approval on the previous occasion. Hence, if she enjoyed it, he was determined to be pleased.
Again the dapper director came forward to lead the musicians, and again he was most enthusiastically received. His uniform fairly sparkled with the thrill of vanity, which seemed to burst from every seam; his sword clanked madly against his nimble legs as he bowed and scraped his grateful recognition of the honour. This time Chase was not where he could watch the Princess; he found, therefore, that he could devote his attention to the music and the popular conductor. He was amazed to find that the fellow seemed to be inspired; he was also surprised to find himself carried away by the fervour of the moment.
With the final crash of the orchestra, he found himself shouting again with the others; oddly, this time he was as mad as they. A score or more of surprised, disapproving eyes were turned upon him when he yelled "Encore!"
"There will be no encore," admonished the fair girl at his side, kindly. "It is not New York," she added, with a sly smile.
Ten minutes later, Chase and the Englishman were lighting their cigars in an obscure corner of the gardens, off in the shadows where the circle of light spent itself among the trees.
"Extraordinarily beautiful," Chase murmured reflectively, as he seated himself upon the stone railing along the drive.
"Yes, they say he really wrote it himself," drawled Baggs, puffing away.
"I'm not talking about the music," corrected Chase sharply.
"Oh," murmured Baggs, apologetically. "The night?"
"No! The Princess, Baggs. Haven't you noticed her?" with intense sarcasm in his tone.
"Of course, I have, old chap. By Jove, do you know she is good-looking—positively ripping."
The concert over, people began strolling into the more distant corners of the huge garden, down the green-walled walks and across the moonlit terraces. For a long time, the two men sat moodily smoking in their dark nook, watching the occasional passers-by; listening to the subdued laughter and soft voices of the women, the guttural pleasantries of the men. They lazily observed the approach of one couple, attracted, no doubt, by the disparity in the height of the two shadows. The man was at least half a head shorter than his companion, but his ardour seemed a thousandfold more vast. Chase was amused by the apparent intensity of the small officer's devotion, especially as it was met with a coldness that would have chilled the fervour of a man much larger and therefore more timid. It was impossible to see the faces of the couple until they passed through a moonlit streak in the walk, quite close at hand.
Chase started and grasped his companion's arm. One was the Princess Genevra and—was it possible? Yes, the nimble conductor! The sensation of the hour—the musical lion! Moreover, to Chase's cold horror, the "little freak" was actually making violent love to the divinity of Rapp-Thorberg!
There was no doubt of it now. The Princess and her escort—the plebeian upstart—were quite near at hand, and, to the dismay of the smokers, apparently were unaware of their presence in the shadows. Chase's heart was boiling with disappointed rage. His idol had fallen, from a tremendous height to a depth which disgusted him.
Then transpired the thing which brought about Hollingsworth Chase's sudden banishment from Rapp-Thorberg, and came near to making him the laughing stock of the service.
The Princess had not seen the two men; nor had the fervent conductor, whose impassioned French was easily distinguishable by the unwilling listeners. The sharp, indignant "no" of the Princess, oft repeated, did much to relieve the pain in the heart of her American admirer. Finally, with an unmistakable cry of anger, she halted not ten feet from where Chase sat, as though he had become a part of the stone rail. He could almost feel the blaze in her eyes as she turned upon the presumptuous conductor.
"I have asked you not to touch me, sir! Is not that enough? If you persist, I shall be compelled to appeal to my father again. The whole situation is loathsome to me. Are you blind? Can you not see that I despise you? I will not endure it a day longer. You promised to respect my wishes—"
"How