Forgotten Books of the American Nursery. Rosalie Vrylina Halsey
present there is no evidence that these rhymes were printed in the colonies until long after this ninth edition was issued. It is possible that the success attending a book printed in Boston shortly after the original “Country Rhimes” was written, made the colonial printers feel that their profit would be greater by devoting spare type and paper to the now famous “New England Primer.” Moreover, it seems peculiarly in keeping with the cast of the New England mind of the eighteenth century that although Bunyan had attempted to combine play-things with religious teaching for the English children, for the little colonials the first combination was the elementary teaching and religious exercises found in the great “Puritan Primer.” Each child was practically, if not verbally, told that
“This little Catechism learned by heart (for so it ought)
The Primer next commanded is for Children to be taught.”
The Primer, however, was not a product wholly of New England. In sixteen hundred and eighty-five there had been printed in Boston by Green, “The Protestant Tutor for Children,” a primer, a mutilated copy of which is now owned by the American Antiquarian Society. “This,” again to quote Mr. Ford, “was probably an abridged edition of a book bearing the same title, printed in London, with the expressed design of bringing up children in an aversion to Popery.” In Protestant New England the author’s purpose naturally called forth profound approbation, and in “Green’s edition of the Tutor lay the germ of the great picture alphabet of our fore-fathers.”14-* The author, Benjamin Harris, had immigrated to Boston for personal reasons, and coming in contact with the residents, saw the latent possibilities in “The Protestant Tutor.” “To make it more salable,” writes Mr. Ford in “The New England Primer,” “the school-book character was increased, while to give it an even better chance of success by an appeal to local pride it was rechristened and came forth under the now famous title of ‘The New England Primer.’ ”14-†
A careful examination of the titles contained in the first volume of Evans’s “American Bibliography” shows how exactly this infant’s primer represented the spirit of the times. This chronological list of American imprints of the first one hundred years of the colonial press is largely a record in type of the religious activity of the country, and is impressive as a witness to the obedience of the press to the law of supply and demand. With the Puritan appetite for a grim religion served in sermons upon every subject, ornamented and seasoned with supposedly apt Scriptural quotations, a demand was created for printed discourses to be read and inwardly digested at home. This demand the printers supplied. Amid such literary conditions the primer came as light food for infants’ minds, and as such was accepted by parents to impress religious ideas when teaching the alphabet.
It is not by any means certain that the first edition of this great primer of our ancestors contained illustrations, as engravers were few in America before the eighteenth century. Yet it seems altogether probable that they were introduced early in the next century, as by seventeen hundred and seventeen Benjamin Harris, Jr., had printed in Boston “The Holy Bible in Verse,” containing cuts identical with those in “The New England Primer” of a somewhat later date, and these pictures could well have served as illustrations for both these books for children’s use, profit, and pleasure. At all events, the thorough approval by parents and clergy of this small school-book soon brought to many a household the novelty of a real picture-book.
Hitherto little children had been perforce content with the few illustrations the adult books offered. Now the printing of this tiny volume, with its curious black pictures accompanying the text of religious instruction, catechism, and alphabets, marked the milestone on the long lane that eventually led to the well-drawn pictures in the modern books for children.
It is difficult at so late a day to estimate correctly the pleasure this famous picture alphabet brought to the various colonial households. What the original illustrations were like can only be inferred from those in “The Holy Bible in Verse,” and in the later editions of the primer itself. In the Bible Adam (or is it Eve?) stands pointing to a tree around which a serpent is coiled. By seventeen hundred and thirty-seven the engraver was sufficiently skilled to represent two figures, who stand as colossal statues on either side of the tree whose fruit had such disastrous effects. However, at a time when art criticism had no terrors for the engraver, it could well have been a delight to many a family of little ones to gaze upon
“The Lion bold
The Lamb doth hold”
and to speculate upon the exact place where the lion ended and the lamb began. The wholly religious character of the book was no drawback to its popularity, for the two great diaries of the time show how absolutely religion permeated the atmosphere surrounding both old and young.
Cotton Mather’s diary gives various glimpses of his dealing with his own and other people’s children. His son Increase, or “Cressy,” as he was affectionately called, seems to have been particularly unresponsive to religious coercion. Mather’s method, however, appears to have been more efficacious with the younger members of his family, and of Elizabeth and Samuel (seven years of age) he wrote: “My two younger children shall before the Psalm and prayer answer a Quæstion in the catechism; and have their Leaves ready turned unto the proofs of the Answer in the Bible; which they shall distinctly read unto us, and show what they prove. This also shall supply a fresh matter for prayer.” Again he tells of his table talk: “Tho’ I will have my table talk facetious as well as instructive … yett I will have the Exercise continually intermixed. I will set before them some sentence of the Bible, and make some useful Remarks upon it.” Other people’s children he taught as occasion offered; even when “on the Road in the Woods,” he wrote on another day, “I, being desirous to do some Good, called some little children … and bestowed some Instruction with a little Book upon them.” To children accustomed to instruction at all hours, the amusement found in the pages of the primer was far greater than in any other book printed in the colonies for years.
Certain titles indicate the nature of the meagre juvenile literary fare in the beginning of the new eighteenth century. In seventeen hundred Nicholas Boone, in his “Shop over against the old Meeting-house” in Boston, reprinted Janeway’s “Token for Children.” To this was added by the Boston printer a “Token for the children of New England, or some examples of children in whom the fear of God was remarkably budding when they dyed; in several parts of New England.” Of course its author, the Reverend Mr. Mather, found colonial “examples” as deeply religious as any that the mother country could produce; but there is for us a grim humor in these various incidents concerning pious and precocious infants “of thin habit and pale countenance,” whose pallor became that of death at so early an age. If it was by the repetition of such tales that the Puritan divine strove to convert Cressy, it may well be that the son considered it better policy, since Death claimed the little saints, to remain a sinner.
By seventeen hundred and six two juvenile books appeared from the press of Timothy Green in Boston. The first, “A Little Book for children wherein are set down several directions for little children: and several remarkable stories both ancient and modern of little children, divers whereof are lately deceased,” was a reprint from an English book of the same title, and therefore has not in this chronicle the interest of the second book. The purpose of its publication is given in Mather’s diary:
[1706] 22d. Im. Friday.
About this Time sending my little son to School, Where ye Child was Learning to Read, I did use every morning for diverse months, to Write in a plain Hand for the Child, and send thither by him, a Lesson in Verse, to be not only read, but also Gott by Heart. My proposal was to have the Child improve in goodness, at the same time that he improved in Reading. Upon further Thoughts I apprehended that a Collection of some of them would be serviceable to ye Good Education of other children. So I lett ye printer take them & print them, in some hope of some Help to thereby contributed unto that great Intention of a Good Education. The book is entituled Good Lessons for Children; or Instruction provided for a little Son to learn at School, when