The Vagrant Duke. George Gibbs
to his new address.
As he descended the stairs and reached the main floor of the station, his glance caught the gaze of a man staring at him intently. The man was slender and dark, dressed decently enough in a gray suit and soft hat and wore a small black mustache. All of these facts Peter took note of in the one glance, arrested by the strange stare of the other, which lingered while Peter glanced away and went on. Peter, who had an excellent memory for faces, was sure that he had never seen the man before, but after he had taken a few steps, it occurred to him that in the stranger's eyes he had noted the startled distention of surprise and recognition. And so he stopped and turned, but as he did so the fellow dropped his gaze suddenly, and turned and walked away. The incident was curious and rather interesting. If Peter had had more time he would have sought out the fellow and asked him why he was staring at him, but there were only a few moments to spare and he made his way out to the concourse where he found his gate and descended to his train. Here he ensconced himself comfortably in the smoking car, and was presently shot under the Hudson River (as he afterwards discovered) and out into the sunshine of the flats of New Jersey.
He rolled smoothly along through the manufacturing and agricultural districts, his keenly critical glances neglecting nothing of the waste and abundance on all sides. He saw, too, the unlovely evidences of poverty on the outskirts of the cities, which brought to his mind other communities in a far country whose physical evidences of prosperity were no worse, if no better, than these. Then there came a catch in his throat and a gasp which left him staring but seeing nothing. The feeling was not nostalgia, for that far country was no home for him now. At last he found himself muttering to himself in English, "My home—my home is here."
After a while the mood of depression, recurrent moments of which had come to him in New York with diminishing frequency, passed into one of contemplation, of calm, like those which had followed his nights of passion on the Dnieper, and at last he closed his eyes and dozed. Visions of courts and camps passed through his mind—of brilliant uniforms and jeweled decorations; of spacious polished halls, resplendent with ornate mirrors and crystal pendant chandeliers; of diamond coronets, of silks and satins and powdered flunkies. And then other visions of gray figures crouched in the mud; of rain coming out of the dark and of ominous lights over the profile of low hills; of shrieks; of shells and cries of terror; of his cousin, a tall, bearded man on a horse in a ravine waving an imperious arm; of confusion and moving thousands, the creak of sanitars, the groans of men calling upon mothers they would never see. And then with a leap backward over the years, the vision of a small man huddled against the wall of a courtyard being knouted until red stains appeared on his gray blouse and then mingled faintly in the mist and the rain until the small man sank to the full length of his imprisoned arms like one crucified. …
Peter Nichols straightened and passed a hand across his damp forehead. Through the perspective of this modern civilization what had been passing before his vision seemed very vague, very distant, but he knew that it was not a dream. …
All about him was life, progress, industry, hope—a nation in the making, proud of her brief history which had been built around an ideal. If he could bring this same ideal back to Russia! In his heart he thanked God for America—imperfect though she was, and made a vow that in the task he had set for himself he should not be found wanting.
Twice he changed trains, the second time at a small junction amid an ugliness of clay-pits and brickyards and dust and heat. There were perhaps twenty people on the platform. He walked the length of the station and as he did so a man in a gray suit disappeared around the corner of the building. But Peter Nichols did not see him, and in a moment, seated in his new train in a wooden car which reminded him of some of the ancient rolling stock of the St. Petersburg and Moscow Railroad, he was taken haltingly and noisily along the last stage of his journey.
But he was aware of the familiar odor of the pine balsam in his nostrils, and as he rolled through dark coverts the scent of the growing things in the hidden places in the coolth and damp of the sandy loam. He saw, too, tea-colored streams idling among the sedges and charred wildernesses of trees appealing mutely with their blackened stumps like wounded creatures in pain, a bit of war-torn Galicia in the midst of peace. Miles and miles of dead forest land, forgotten and uncared for. There was need here for his services.
With a wheeze of steam and a loud crackling of woodwork and creaking of brakes the train came to a stop and the conductor shouted the name of the station. Rather stiffly the traveler descended with his bag and stood upon the small platform looking about him curiously. The baggage man tossed out a bundle of newspapers and a pouch of mail and the train moved off. Apparently Peter Nichols was the only passenger with Pickerel River as a destination.
And as the panting train went around a curve, at last disappearing, it seemed fairly reasonable to Peter Nichols that no one with the slightest chance of stopping off anywhere else would wish to get off here. The station was small, of but one room and a tiny office containing, as he could see, a telegraph instrument, a broken chair with a leather cushion, a shelf and a rack containing a few soiled slips of paper, but the office had no occupant and the door was locked. This perhaps explained the absence of the automobile which Mr. Sheldon had informed him would meet him in obedience to his telegram announcing the hour of his arrival. Neither within the building nor without was there any person or animate thing in sight, except some small birds fluttering and quarreling along the telegraph wires.
There was but one road, a sandy one, wearing marks of travel, which emerged from the scrub oak and pine and definitely concluded at the railroad track. This, then, was his direction, and after reassuring himself that there was no other means of egress, he took up his black suitcase and set forth into the wood, aware of a sense of beckoning adventure. The road wound in and out, up and down, over what at one time must have been the floor of the ocean, which could not be far distant. Had it not been for the weight of his bag Peter would have enjoyed the experience of this complete isolation, the fragrant silences broken only by the whisper of the leaves and the scurrying of tiny wild things among the dead tree branches. But he had no means of knowing how far he would have to travel or whether, indeed, there had not been some mistake on Sheldon, Senior's, part or his own. But the directions had been quite clear and the road must of course lead somewhere—to some village or settlement at least where he could get a lodging for the night.
And so he trudged on through the woods which already seemed to be partaking of some of the mystery which surrounded the person of Jonathan K. McGuire. The whole incident had been unusual and the more interesting because of the strange character of his employer and the evident fear he had of some latent evil which threatened him. But Peter Nichols had accepted his commission with a sense of profound relief at escaping the other fate that awaited him, with scarcely a thought of the dangers which his acceptance might entail. He was not easily frightened and had welcomed the new adventure, dismissing the fears of Jonathan K. McGuire as imaginary, the emanations of age or an uneasy conscience.
But as he went on, his bag became heavier and the perspiration poured down his face, so reaching a cross-path that seemed to show signs of recent travel he put the suitcase down and sat on it while he wiped his brow. The shadows were growing longer. He was beginning to believe that there was no such place as Black Rock, no such person as Jonathan K. McGuire and that Sheldon, Senior, and Sheldon, Junior, were engaged in a conspiracy against his peace of mind, when above the now familiar whisperings of the forest he heard a new sound. Faintly it came at first as though from a great distance, mingling with the murmur of the sighing wind in the pine trees, a voice singing. It seemed a child's voice—delicate, clear, true, as care-free as the note of a bird—unleashing its joy to the heavens.
Peter Nichols started up, listening more intently. The sounds were coming nearer but he couldn't tell from which direction, for every leaf seemed to be taking up the lovely melody which he could hear quite clearly now. It was an air with which he was unfamiliar, but he knew only that it was elemental in its simplicity and under these circumstances startlingly welcome. He waited another long moment, listening, found the direction from which the voice was coming, and presently noted the swaying of branches and the crackling of dry twigs in the path near by, from which, in a moment, a strange figure emerged.
At first he thought it was a boy, for it wore a pair of blue denim overalls