The Collected Works of Algernon Blackwood (10 Novels & 80+ Short Stories in One Edition). Algernon Blackwood
to their own, was as sunlight is to candle-light. Its soft glory was indescribable, its purity quite unearthly, and the patterns that it wove lovely beyond all telling. Here they surprised her in the act, busy with her ceaseless activities for others, working for the world by thinking beauty. While her pain-racked body lay asleep in the bed it had not left for thirty years, nor would ever leave again this side of death, she found her real life in loving sympathy for the pain of others everywhere. For thought is prayer, and prayer is the only true effective action that leaves no detail incomplete. She thought light and glory into others. Was it any wonder that she drew a special, brilliant supply from the Starlight Cavern, when she had so much to give? For giving-out involved drawing-in to fill the emptied spaces. Her pure and endless sources of supply were all explained.
'I've been working on her for years,' she said gently, looking round at their approach, 'for her life is so thickly overlaid with care, and the care she never quite knows how to interpret. We were friends, you see, in childhood…. You'd better hurry on to the carpenter's house. You'll find Jinny there doing something for her father.' She did not cease her working while she said it, this practical mind so familiar with the methods of useful thinking, this loving heart so versed in prayer while her broken body, deemed useless by the world, lay in the bed that was its earthly prison-house. 'He can give me all the help I need,' she added.
She pointed, and they saw the figure of the Sweep standing in the corner of the room among a pile of brimming sacks. His dirty face was beaming. They heard him singing quietly to himself under his breath, while his feet and sooty hands marked time with a gesture of quaintest dancing:—
Such a tremendously busy Sweep, Catching the world when it's all asleep, And tossing the blacks on the Rubbish Heap Over the edge of the world!
'Come,' whispered Cousin Henry, catching at Monkey's hair, 'we can do something, but we can't do that. She needs no help from us!'
They sped across to the carpenter's house among the vineyards.
'What a splendour!' gasped the child as they went. 'My starlight seems quite dim beside hers.'
'She's an old hand at the game,' he replied, noticing the tinge of disappointment in her thought. 'With practice, you know——'
'And Mummy must be pretty tough,' she interrupted with a laugh, her elastic nature recovering instantly.
'——with practice, I was going to say, your atmosphere will get whiter too until it simply shines. That's why the saints have halos.'
But Monkey did not hear this last remark, she was already in her father's bedroom, helping Jinny.
Here there were no complications, no need for assistance from a Sweep, or Gardener, or Lamplighter. It was a case for pulling, pure and simple. Daddy was wumbled, nothing more. Body, mind, and heart were all up-jumbled. In making up the verse about the starlight he had merely told the truth—about himself. The poem was instinctive and inspirational confession. His atmosphere, as he lay there, gently snoring in his beauty sleep, was clear and sweet and bright, no darkness in it of grey or ugliness; but its pattern was a muddle, or rather there were several patterns that scrambled among each other for supremacy. Lovely patterns hovered just outside him, but none of them got really in. And the result was chaos. Daddy was not clear-headed; there was no concentration. Something of the perplexed confusion that afflicted his elder daughter in the daytime mixed up the patterns inextricably. There was no main pathway through his inner world.
And the picture proved it. It explained why Jinny pulled in vain. His night-body came out easily as far as the head, then stuck hopelessly. He looked like a knotted skein of coloured wools. Upon the paper where he had been making notes before going to sleep—for personal atmosphere is communicated to all its owner touches—lay the same confusion. Scraps of muddle, odds and ends of different patterns, hovered in thick blots of colour over the paragraphs and sentences. His own uncertainty was thus imparted to what he wrote, and his stories brought no conviction to his readers. He was too much the Dreamer, or too much the Thinker, which of the two was not quite clear. Harmony was lacking.
'That's probably what I'M like, too,' thought his friend, but so softly that the children did not hear it. That Scheme of his passed vaguely through his mind.
Then he cried louder—a definite thought:—
'There's no good tugging like that, my dears. Let him slip in again.
You'll only make him restless, and give him distorted dreams.'
'I've tugged like this every night for months,' said Jinny, 'but the moment I let go he flies back like elastic.'
'Of course. We must first untie the knots and weave the patterns into one. Let go!'
Daddy's night-body flashed back like a sword into its sheath. They stood and watched him. He turned a little in his sleep, while above him the lines twined and wriggled like phosphorus on moving water, yet never shaped themselves into anything complete. They saw suggestions of pure beauty in them here and there that yet never joined together into a single outline; it was like watching the foam against a steamer's sides in moonlight—just failing of coherent form.
'They want combing out,' declared Jane Anne with a brilliant touch of truth. 'A rake would be best.'
'Assorting, sifting, separating,' added Cousinenry, 'but it's not easy.' He thought deeply for a moment. 'Suppose you two attend to the other things,' he said presently, 'while I take charge of the combing- out.'
They knew at once his meaning; it was begun as soon as thought, only they could never have thought of it alone; none but a leader with real sympathy in his heart could have discovered the way.
Like Fairies, lit internally with shining lanterns, they flew about their business. Monkey picked up his pencils and dipped their points into her store of starlight, while Jinny drew the cork out of his ink- pot and blew in soft-shiny radiance of her own. They soaked his books in it, and smoothed his paper out with their fingers of clean gold. His note-books, chair, and slippers, his smoking-coat and pipes and tobacco-tins, his sponge, his tooth-brush and his soap—everything from dressing-gown to dictionary, they spread thickly with their starlight, and continued until the various objects had drunk in enough to make them shine alone.
Then they attacked the walls and floor and ceiling, sheets and bed- clothes. They filled the tin-bath full to the very brim, painted as well the windows, door-handles, and the wicker chair in which they knew he dozed after dejeuner. But with the pencils, pens, and ink-pots they took most trouble, doing them very thoroughly indeed. And his enormous mountain-boots received generous treatment too, for in these he went for his long lonely walks when he thought out his stories among the woods and valleys, coming home with joy upon his face—'I got a splendid idea to-day—a magnificent story—if only I can get it on to paper before it's gone…!' They understood his difficulty now: the 'idea' was wumbled before he could fashion it. He could not get the pattern through complete.
And his older friend, working among the disjointed patterns, saw his trouble clearly too. It was not that he lacked this sympathy that starlight brings, but that he applied it without discernment. The receiving instrument was out of order, some parts moving faster than others. Reason and imagination were not exaccurately adjusted. He gathered plenty in, but no clear stream issued forth again; there was confusion in delivery. The rays were twisted, the golden lines caught into knots and tangles. Yet, ever just outside him, waiting to be taken in, hovered these patterns of loveliness that might bring joy to thousands. They floated in beauty round the edges of his atmosphere, but the moment they sank in to reach his mind, there began the distortion that tore their exquisite proportions and made designs mere disarrangement. Inspiration, without steady thought to fashion it, was of no value.
He worked with infinite pains to disentangle the mass of complicated lines, and one knot after another yielded and slipped off into rivulets of gold, all pouring inwards to reach heart and brain. It was exhilarating, yet disappointing labour. New knots formed themselves so easily, yet in the end much surely had been accomplished. Channels had been cleared; repetition would at length establish habit.
But the line of light along the eastern