The Genius. Margaret Horton Potter
had become a sacred time; and she loved to keep a vigil through it in her own, lonely way. This year, however, it was to be marked in a different manner. For Michael Gregoriev had planned that, on the first night of 1852, he, and perforce his wife, should make a final effort to obtain that social recognition which had never been the accompaniment of his political advancement.
At this time—as, indeed, to-day, there stood, in the south-central part of trans-Moskva Moscow, only two private buildings of any note. One of these was the low-spreading palace of the Governor; the other that of Prince Michael Petrovitch Gregoriev. The first had stood in its gardens for a century and a half. The other was nearly fifty years older. The dwelling of the Gregorievs was at some distance from its stately neighbor, however; for it stood on the southeast corner of the Konnaia Square, approachable by carriage only through the Serpoukhovskaia. Its surroundings were of the humblest sort; for it was a long way south of the Merchants' quarter, and so far from the sacred precincts of the Kremlin that the voice of Ivan Veliki had melted into an echo ere it reached the Gregoriev gateway.
It is certain that neither age nor environment made this old place less grewsomely interesting: this ancient dwelling of a family whose unsavory annals were lost in the gloom of Tátar rule. The Gregorievs were closely bound to the gloomy stone pile; and would dwell there, in all probability, as long as their line continued. Michael, the present Prince, was loyal to his house. Yet its situation was one of the greatest of crosses to this man, who had known and cast away many a heavier burden during his career. Remote as he was from the fashionable districts, there was neither man nor woman in the city, from the proudest house in the Equerries' quarter to the outskirts of the Novaia Andronovka, but knew and shuddered, agreeably, at the Gregoriev reputation.
It was not strange, then, that the affair of New Year's night had become the sensation of the season. For on this night Prince Gregoriev had vowed a triumph over the massed society of the Mother City. He intended to accomplish now what his wedding with a daughter of one of the oldest and most honored families had failed to do: what no use of his unscrupulous power could force, what all Moscow society, for once banded unanimously together, had sworn he should never accomplish—enter their ranks, the ranks of the old nobility of the Empire.
By New Year's morning, however, the numbers were admitting, bitterly, their defeat. Once more Gregoriev was about to achieve the impossible. Eighteen years before, Moscow society had defeated him, superbly. At the time of his marriage to a daughter of the Blashkovs, the question of his admission into the "court circle" had been violently agitated. But at that time even his prospective father-in-law had not had the hardihood to suggest an informal presentation of this man to his Majesty. Nay, it was the bride, pale, pretty, sensitive Sophia, who, when it was seen that she had no slightest influence over her dread husband, had been, not, perhaps, without a sigh, dropped from their acquaintance by her former associates: nay, by her very family, all save one sister, a girl younger than herself.
For eighteen years, then, the Gregoriev palace had stood in its isolation, echoing only to the revelry that money can always obtain. For eighteen years its master, buying what the world had to sell, had been secretly planning to obtain what was not for sale: had faced, unmoved, an isolation which, to a nature less strong, would have been unbearable.
Now, at last, he was about to win. His amazing intrigue had succeeded. Its results were for the eyes of all men. For Moscow society had been suddenly commanded to his house, to a ball, given on New Year's night, in honor of his Imperial Majesty Nicholas I., who had decided, by his appearance, to honor the house of his subject and immediate servant.
It was eleven o'clock on that night of nights; and the bed and dressing rooms of the Princess Sophia were lighted to suffocation with smoking candles. Two maids and old Másha, general factotum of her mistress, were bustling importantly from one room to the other, bearing to her, piece by piece, their mistress's burden of jewels. At her dressing-table, pale, still wearing, as always in public, her mask of emotionless impenetrability, sat Sophia. Her neck and shoulders, which, according to the rigid etiquette of court-dress, were fully exposed, were white, and, considering her extreme slenderness, surprisingly round. A broad collar of sapphires and diamonds clasped above an Oriental necklace of pearls, successfully hid whatever there was to betray the too-visible marks of the "certain" age. On her head she bore the oddly becoming kakoshnik, which, in her case, was set with a triple row of superb diamonds. The face below this gleaming structure, the delicate, weary face, robbed of its customary frame of smoothly banded yellow hair, looked more sharply pointed than usual, but surprisingly pretty. For there was actually a fire—whether of pleasure, expectancy or nervousness—in her gray eyes; and there had come a delicate flush to the usually pallid cheeks. Sophia was, indeed, living with her dead to-night. Dreams of the old days held her in a kind of spell. The woman of memories—memories of a brief youth, a swiftly blighted flowering of life—had for once been forced back to a forgotten theme. And she found, recalling the days of her first balls, that the customary bitterness of contrast had suddenly disappeared. There was much that was new in this present situation: she was alive to sensations unfelt for years. There stirred in her heart what she was only to define after it had gone again: that which for most people forms the great staff of the inner life: on which she had been so long unaccustomed to lean—the great Phoenix, Hope.
At length they had fastened the last pin in her veil, the last hook in the heavy gown of cloth of silver. The maids stood off from her a little, whispering. But she herself remained motionless, gazing absently into her quaintly framed old mirror, lost in one of those reveries that her servants had learned not to disturb. The pause had lasted some five minutes when the door opening into the outer hall opened, vigorously, and the Princess started suddenly up, her face changing pathetically, a look of dread painfully contracting her features.
As their mistress rose, the three women shrank instinctively backward. To one understanding it, the act was pathetically familiar. An instant later, however, the Princess cried out, "Caroline! It is you, then?" and so turned deathly white and reeled a little till old Másha came to her support.
"Sophie! You are not ill—to-night!" The new-comer, who had spoken in French, halted near the door, an expression of dismay on her face.
Madame Gregoriev, however, laughed faintly, and the color began to creep back into her cheeks. As old Másha left her to hobble briskly out of the room, she continued, "No, no! I am perfectly well. It was only that you—startled me a little. I—I thought it was—Michael Petrovitch."
Once more the face of the other changed, but she said nothing as she came slowly forward, examining her companion the while with a critical eye. She was the Countess Dravikine, Sophia's younger sister, who, a year or two after Sophia's misalliance, had herself married remarkably well: a young diplomat of the capital, already high in the graces of the official world, and destined to rise steadily, through the clever management of his wife. The Countess Dravikine fitted her adopted world extremely well. She was a woman whose one tender sentiment was that which she held for the sister of her youth. Otherwise she had, not entirely without justice, been called heartless. She was, in any case, admirably adapted for the life she had chosen. And strife social and political, as well as every move in the great game of state intrigue, were as the breath of life to her. She had not come through the fires unsinged. There had been, nay, still were, whispers about her in her world. But they were whispers such as heightened rather than tarnished the brilliance of her reputation. For, whether wrongly or not, her name had more than once been linked with that of the Iron Ruler himself. This may or may not have been the reason for her presence to-night in Moscow, whither she had journeyed to stand beside her sister at the anticipated triumph. But whatever her motive, no one could deny that the evening would gain by her presence. Here, beside her glittering sister, she was superb, in her magnificently poised maturity, the voluminous gauzes of her Paris gown floating like clouds about her: the numberless opals in her hair and at her breast only continuing the delicate coloring of the green-and-white costume that was as unusual as it was becoming to her chic ugliness of feature. But to-night, for perhaps the first time in her life, Caroline Dravikine was more interested in the costume of another than in her own. She was determined that her sister's appearance should be even more perfect than hers. And to this end she went over the other's toilet detail by detail, only ending the silent scrutiny as Másha reappeared